MOANA, NINE

One part of Moana genuinely believes she will perform her duty, stay on the island, and lead her people as her father has done. The other part of her is desperate for adventure on the sea. Also, as a good chief she knows that the village is unsustainable. Rot ruins their plants and the lagoon has been fished out. When she finds the boats in the sea cave, she sees a solution and an escape rolled into one.

It’s in the nature of the genre that our heroine will be athletic, but I think we’re looking at something extra. Moana sails with no previous experience, shows physical daring and confidence, and is an excellent acrobat, which all suggest a Body Type. (Otherwise I would peg her as a Three. She has that indomitable will and lucky touch.) 

She’s a Nine. It’s her misplaced dutifulness. A Nine will slide to Six in weakness. She meets her obligation to the village without passion. Only after she pursues her own way, sailing to return the heart and adventuring to find Maui, can she succeed. Even then, she needs to express herself physically: sailing among her people. I like it! She’s an enjoyable character who feels fresh, yet she hits all the appropriate beats and stays true to her Enneagram. Well done.

Neptune’s Spatula

ONE

Heroic gladiator music over the credits is replaced by our friendly uke with a bubble-wipe to the Fry Cook Museum. 

In walk Spongebob and Patrick. (He wears a large ballcap and has a camera around his neck.) They ooh and aah at the displays, which are mostly creatures in glass cases wearing chef hats.

And then they arrive at the “ultimate cooking utensil”, the Golden Spatula. Ah. Larry the Lobster climbs a staircase behind the display in order to try — a la Excalibur — to pull the spatula from its bucket of — suds? wash water? mashed potatoes? He fails, and the spatula goes “Sproing.”

(Haha. It’s a bucket of “ancient grease”. While the gladiator music plays.)

TWO

Only a fry cook worthy of King Neptune himself . . . haha. We’re just waiting for it now. Too cute. Spongebob wants a picture next to the spatula, his hand lightly resting on the handle. An old lady fish interrupts Patrick asking for directions. While he drools with uncertainty, Spongebob valiantly offers to help. Pointing the way, he wields the spatula. Schwing! Golden fire surrounds the liberated, upraised tool. A swirly cloud surrounds Spongebob while Patrick, oblivious, still tries to take a picture.

THREE

Lightning. Fish gathering around. A voice from the cloud. Through a break we see a Mount Olympus-style tableau, and Neptune swims down and through. (His voice this time is J. Peterman from Seinfeld. In the movie it’s George Bluth from Arrested Development.

Continue reading “Neptune’s Spatula”

MOLESLEY, SIX

If ever a character was pitiable and heroic at the same time! At first he’s a man in service looking to better his position. It seems like he’s good at it, too, but his personality is always awkward at putting himself forward.

Isn’t Molesley a Six? Need we delve further, lol? 

He’s a worrier. He’s a forelock-puller (if he’d lived in an earlier era). He’s never going to be head butler. It isn’t until Baxter joins the household that we see the depth of his character. Before that, he seems more like a comedic foil for the downstairs plots. With Baxter, though, he shows the black-and-white moral code that Sixes do so well. He likes her romantically, but he also just stands by what is right, and his influence helps Baxter take back her life.

Can we say that The Fool is often a Six? Isn’t that interesting! Character tropes that may match up with the Enneagram! Molesley is most definitely a Fool archetype. And then, like every great Fool, he tells the truth when no one else will take the risk. After all, the Fool is one of the most heroic types in fiction. No one else is willing to annoy a king day in and out.