BENEDICT CUMBERBATCH’S HOLMES, FOUR

In the first episode, this Sherlock Holmes describes himself as a “high-functioning sociopath”. Is he? Holmes is traditionally eccentric, perhaps autistic. This is a new direction for the character. I don’t particularly like it.

Generally, Holmes’ big brain distances him from people, alienates him. It’s part of the job of being a super-detective, and he accepts that. However, he still wants to connect with people. Dr. Watson was originally a writing tool to let Holmes explain a case to the reader via his companion. Over time, though, their relationship developed into a friendship or a partnership.

That isn’t the case in this series. Watson is more of a comedic straight man, and often the butt of the joke. Holmes forgets Watson exists at times, moving on with a case without caring if he follows.

Is this a real person, or a Null?

My initial reaction is that this Holmes can’t be a Heart Type. Social interaction holds no interest for him. But, then . . . wait. Sociability is very important to him: He thrives on rejecting it and demeaning those who would try to connect with him. He’s a kind of anti-Heart Type.

Alright. Not my favorite choice, but I will grant its legitimacy. 

This Holmes is, sadly, no Two. (He collects nothing, not even the arcane or macabre.) He’s too unlikable to be a Three, even with his trope subversion. That makes him a Four. In this regard, he continues to fight against convention. He’s neither happy nor sad, up nor down. Emotionally he has one speed. He’s a mash-up of depression and ebullience. I’m not sure of the clinical definition of sociopath, but this might be it.

He’s consistent. But he’s not fun. He takes the darkest aspects of a Four — selfishness, a teasing cruelty — and doesn’t offset them with a Four’s redeeming qualities of vulnerability and emotional depth. This version proves that being clever isn’t enough for a Sherlock Holmes. He needs more.