KA Byrnes – Page 13 – Enneagram and Encaustic

Adrift (Part One)

Episode Two of The Rings of Power . . .

ONE

Galadriel, abandoned in the sea, still treads water. With nothing in sight on the horizon, she starts to swim.

Nori stands at the edge of the fiery crater. A man with grizzled hair and beard, naked but for a loincloth, lies in the blaze. Poppy, rushing up to chastise Nori, accidentally pushes her over the slope. The flames are not hot, and Nori approaches “the giant”. She boops his cheek. With a horror-startle, he quickly grabs her hand and rises from the ash. Magical winds and a soul-long look between Nori and The Giant stop when he collapses. She insists that Poppy help her carry the stranger somewhere safe.

TWO

Sadoc, holding a lantern, comes to see what fell to earth. He anticipates a bad omen. He misses Nori and Poppy pushing The Giant over the hill behind him in a wheelbarrow. As the girls argue over what this man is — not human, not elf — they let go of the cart and it starts to roll backward. (The image of an oversized man in a rustic wagon rolling down a hill is played for humor.) Cut to him settled, asleep, under a tree. Nori explains that The Giant, who could’ve fallen to earth anywhere, seems like her responsibility. She was meant to find him. Poppy agrees to keep him a secret.

THREE

Dissolve to Bronwyn and Arondir in the burnt village. They find no bodies. Under a ruined house is a dug passage. Arondir will follow it. Bronwyn will go home to warn her people. Before parting, they share a longing glance.

Doomchar Aquarium 2

This is the version I entered into my gaming guild’s contest. I can’t say it’s my favorite of the series, but the original screenshot was the clearest and most representative of ESO. We can sort of see the Medusa-like monster outside the glass, which is what I wanted.

A Shadow of the Past (Part Three)

Finishing Episode One of The Rings of Power . . .

SWITCH

While looking at a statue of her brother, Galadriel sheathes her dagger. Elrond approaches her with gentle congratulations of the honor to return home.

(The grove has heroic statues carved in the trunk of every living tree.)

Galadriel expected to become one of these statues, but instead she’s to be sent away. She decides she will refuse this “reward”.

(“You have not seen what I have seen,” Galadriel says to Elrond as explanation why she can’t stop hunting Sauron. Well, we haven’t seen it, either. We desperately need more show and less tell.)

FIVE

Putting up a convincing argument, Elrond asks if another dead orc will bring her peace? Will she lead more elves to die and become statues? Turning down the call to Valinor means it will never come again and she’ll be an outcast, left behind.

A Shadow of the Past (Part Two)

A continuing look at episode one of The Rings of Power . . .

ONE

Credits and a map. We’ve shifted to a new storyline.

Two hunters, laden with carcasses, walk through a field. Hearing something, one warns the other of a Harfoot. They continue on, and a small smiling person with a hay-covered hat rises from the grass and watches them leave. An entire community of Harfoots (Harfeet?) comes out of hiding. They have bare, hairy feet; these, presumably are our proto-Hobbits.

TWO

They unveil their encampment, bringing out baskets of food and uncovering their wagons. The leader consults a tome and determines these hunters are a bad omen. A mother and father worry about their wandering daughter, Nori.

THREE

Cut to Nori and Poppy (an instant reminder of Frodo and Sam). They lead the younger children on an adventure.

A Shadow of the Past (Part One)

Shall we look at The Rings of Power? Season One impressed me as a flawed, ambitious project. I want the show to succeed, and I’m willing to give it latitude to develop its themes.

However, the reviews were brutal. I’m curious. Is the show a structural boondoggle? Do the characters ignore their motivations? Is tRoP actually terrible?

The episodes are long, so I’ll partition them. Let’s begin.

LEFTOVER NINE

A child Galadriel folds a parchment boat. Other children (dressed like creepy Logan’s Run extras) demean her efforts. When the floating boat magically unfolds into a paper swan, the children sink it with rocks. Galadriel jumps on the loudest offender, but is stopped by her grown brother. He gives her a wise elvish pep talk.

Pirate Cove

Lava Aquatic

Doomchar Aquarium 1

One of my guilds is running a contest for an ESO-inspired piece of art. This is my first attempt, something that allowed me to practice perspective. Doomchar is a house you can own in-game. I used a greenhouse as my tableau, posed a screenshot picture, and went from there. I figured, let’s do more undersea fish art! It’s as good a reason as any to be inspired.

Old Glory

LUCY LIU’S DR. WATSON, SEVEN

Joan’s a surgeon who quit after a patient died on the table. This is the doctor part of Elementary‘s Watson, and it’s good. However, if she’s serving as Holmes’ Sober Companion, why didn’t they make her a psychiatrist? Her medical background is acceptable at first, but as time ticks down and Sherlock’s father refuses to extend her employment, it’s harder to believe a surgeon would stay for Holmes’ own good. She starts to look codependent and she’s required to lie to him. Why can’t she admit she likes solving cases with him?

As the seasons continue, this misstep is resolved and Watson feels more solidly like a Seven. She’s competent and calm, professional and curious. Her abrupt change of career is very Seven. However, her costuming is problematic — those uber-high heels and cocktail waitress skirts. It doesn’t suit her and it pulls too much focus. What did she wear as a surgeon? Business casual seems closer to her personality and is probably what she’d already have in her closet.

With this Holmes and Watson we have Five/Seven, Strength and Weakness numbers. A lot of conflict and similarity is possible here. By Season Two the showrunners start to utilize this interplay. It’s no longer codependency, but cooperation. Joan’s firm boundaries for her personal life become established — very Seven. She’s more than Sherlock’s assistant, in her own mind and in reality.

The clothing, though, doesn’t change and it really bothers me. I see that Liu needs extreme heels so that the full shots have her at a comparable height to Miller, but they’re so ridiculous and ugly. How does a detective in four-inchers and a short skirt manage to investigate a crime scene? The costuming continues to contradict her practical and efficient character. It’s a silly complaint, but I refuse to give it up.