Screenwriting, Lyrics, Art, and Investigation
ONE
A sedan drives up to the police department, and Reacher climbs out and walks away. From the driver’s seat, Finlay pops out and yells after him.
TWO/THREE
When Reacher won’t listen, Finlay sends Roscoe to follow him. Roll credits.
Continue reading “First Dance”Wrex has one condition for leading the Krogan against the Reapers: cure the genophage. He wants his people to thrive, and he also wants some payback. Salarians invented the genophage and Turians distributed it across the Krogan planet. Now these two races need hardy and indefatigable warriors to defend their homeworlds.
We find Mordin with a Krogan female who is immune. As he brings her back to health, he also develops the cure. Meanwhile, we assist the Turian Primarch in defusing a bomb, and Wrex with a Krogan team that’s discovered a Rachni nest. (Consequences related to the Rachni queen decision on ME1 are relatively insignificant here, a huge disappointment.)
When the cure’s ready, Mordin’ll use the same delivery method the Turians used for the genophage, a monument called The Shroud, to spread the airborne cure across the world.
As we prepare to deliver the cure, a Reaper latches itself onto The Shroud, cutting off our access. The Turians send air support, and the Krogan travel overland with Mordin. It’s not going to be enough, though, to defeat the Reaper.
And then the Krogan remember Kalros, the mother of all Thresher Maws who lives beneath the planet’s surface. Shepard must activate the hammers that call her. (I had forgotten how difficult this moment is. As I gasped with only one health bar I finally remembered to stop fighting and run like hell. Heh, good times.)
Kalros attacks the Reaper in an epic cut scene. Great game making, oh yeah.
The way is now clear, and Mordin can go up the tower and disperse the cure. Ah, dear. So many variations are possible at this moment based on earlier choices in ME2. It’s everything gamers want, all the consequences that can result from our actions, and the final scene is as emotionally powerful as the end of ME1. In every way that Bioware failed with the Rachni result, they exceeded all expectations with the Krogan plot. This is stellar storytelling. Sometimes the genophage is cured, and Shepard genuinely celebrates with the Krogan. Sometimes it isn’t, and Shepard flat out lies to their happy faces. And every time, the wonderful Mordin is dead.
Clark Gregg parlayed a bureaucratic bit part in the Marvel Universe into a complex, beloved leader with his own agency. Coulson’s appeal lies in his light-hearted approach. He’s no fool — crises are serious business — but his glass-half-full view of problems and people is just so wonderful to spend time with. His irony and belief in the cause are a charming mix.
Well, after all that I go to Three. What other number can overcome a minion role to become the star of the show, lol?
He’s not a Body Type. Surrounding him are super-powered individuals, and he always engages on a social level. He’s a curious person, but he doesn’t wield a Head Type view of the world.
He’s very Heart. Alright, though, what about a Two? His car Lola is just one of a number of mementos he keeps. His office is cluttered with antiques. Although we don’t get a tour of all his memorabilia, it’s always in the background of his desk scenes. I could even say that his job, to organize and assemble Inhumans, is a kind of collection.
What makes him so lovable is that the world overwhelms him at times. He’s not a Nick Fury, who micromanages everything. Those wide-eyed moments when Coulson is wracked with feeling — whether it’s anguish or joy — are what point to a Two. Under all the SHIELD paraphernalia, he’s a kind soul trying to make the world a gentler place.
LEFTOVER NINE
Margrave, Georgia. Nighttime, with a man running through a field under an overpass. Someone, arm and head obscured by clothing, raises a silenced pistol and shoots the man. This person’s hand, wearing latex gloves, picks the shell casings from the grass. The foot is covered in cloth booties. They, or another person wearing full hazmat clothing, violently and repeatedly kicks the downed man. Dissolve to black, and then someone drapes the body with a flattened cardboard box, dirty and weathered. Dissolve again to black, and roll credits.
This is the well-received Amazon original, Reacher, based on the Lee Child book. I’ve seen the series once and really enjoyed it. I thought it might be fun to break it down. As always, my Story Enneagram will contain detailed spoilers. Go away, watch for yourself, and come back!
ONE
A lovely over of Howlin’ Wolf, and we see a boot step from a transit bus in the rain. It’s a deserted crossroads surrounded by open land. The man begins to walk the road, the angle close on his work boots. He passes the Margrave town sign, and approaches a diner. So far we’ve only seen him from a distance or from the back, but it’s obvious he’s a big guy.
Before he can enter the diner, a young couple exits. In the parking lot, the man, a weasley fellow, abuses the woman. Our big man takes a step in their direction. The camera comes around and we finally see his face. Handsome, strong jaw — your basic Clark Kent in road clothes.
Hahaha! The camera lingers on his silent face, and then Weasel starts apologizing and backing away.
Cut to inside, where the waitress sets down a black coffee and peach pie slice. He sits alone at a corner booth. This is basically our introduction to how his biceps move in a polo shirt, lol.
Continue reading “Welcome to Margrave”Alright, back to the action! As we know, the Council won’t help Earth. Each species wants to defend their own planet first, which isn’t completely illogical. However, the Turian Councilor meets with Shepard and Udina separately and suggests that the leaders of each world organize a war effort that bypasses the Council. His Primarch is a military general fighting on the Turian homeworld’s moon. Shepard will go there and recruit him.
However, when we get there, we learn that this general is dead. War with the Reapers is everywhere. The next in line for Primarch is another general defending a distant location. We march to him, fighting along the way. Also, we get a little backstory about the different races and some of the IP’s history (for those gamers who started the trilogy here). Garrus is with us, which is great. And the scenery, the game design, is utterly magnificent.
We find the general, inform him of his promotion, and take him with us on the Normandy. We’ve got one leader! Millions are dead, though, and the Turian military is overwhelmed. If we want to stand any chance, he says, we must convince the Krogan to join us. The Asari and Salarians won’t like this, but we need every species in the galaxy if we’ve any chance of winning.
Her movie jumps around in time and her relationship to her superpower changes. All of these unknowns and variables make it hard to pinpoint her Enneagram. Let’s look at what we know at the beginning of her timeline.
She’s a pilot, a test pilot. Daring, physical, brave. She’s a beloved friend. She’s your basic Eight: outspoken, competent, and naturally heroic. Because Hollywood’s default position for most women superheroes is Eight, Carol is an easy call.
Reviews of the Captain Marvel movie and the Carol character are mixed. I recently watched it and can barely remember what happened. I’m going to say that’s because she’s an Eight. Nothing stands out, nothing distinguishes her. It’s too trope. She’s a cardboard cutout of a superhero whose powers are so hypercharged nothing poses a challenge against her. It’s hard to write plot conflict for a character like this, which is why she comes in as a deus ex machina in Endgame. Perhaps future iterations of her will develop into something more.
Brace yourselves. Anyone at all familiar with Avatar, knows what happens in this episode just from the title.
ONE
The gang stops in a rocky wilderness.
Toph, touching the ground, says that actually a lot is out here. Aang shushes her: Don’t ruin the surprise. Sitting, he plays a flute that causes prairie dogs to pop up out of their holes and sing. (Sing is a generous term. Ouch.)
Plugging the flute end, Sokka stops him. “We should be making plans.”
Ah. They’re each picking mini vacations, regardless of Sokka’s protests. Well, Aang trains hard every day. On their down time they’ll do something fun. Sokka still argues. “We don’t even have a map of the Fire Nation.”
They’ll worry about it when they’re done. Katara’s turn to pick! (The singing prairie dogs must have been Aang’s choice?)
TWO
She chooses a pristine natural wonder that turns out to be a dried up water hole with raiders hanging about. At the bar they run into a man who recognizes Aang as an air nomad, a living relic. The Professor, very excited, questions Aang about air temple life. Jumping in, Sokka asks if the Professor has a more current map.
He does, but it’s mostly of the desert where’s he’s been searching for a lost library. As he extols the wonders of this library and its clever fox workers, he unrolls a drawing of the building with its domes and spires. Sokka wonders if this fabulous place would have information about the Fire Nation. Of course!
That settles it. Sokka wants his vacation to be at the library. Sadly, the Professor says, the desert is impossible to cross.
Perhaps the Professor would like to see our sky bison?
THREE
When they go outside, the raiders are too close to Appa. The Professor shoos away the “sand benders,” who jump on gliders with runners, earth bending little dust devils to power the sails.
Continue reading “The Library”We’re at the Citadel, rejected once again by the Council. We do the usual — tour the tower, meet some old friends, gather a news person who will travel with us. It’s no surprise. Atmosphere and some fun moments are good content.
When we return to the Normandy we transition into a dream. A foggy, wooded landscape surrounds us. Laughter, and there’s the Boy. We must chase him, moving through molasses. Finally, he stops, looks at us, and dissolves into flames. Waking, Shepard is shaken.
Is Boy a metaphor for Shepard of the suffering on Earth? Perhaps he’s just an avatar, a storytelling way of keeping the invasion in our minds, to keep us connected to the threat of the Reapers. Or, he’s a ghost, a former corporeal being who haunts Shepard.
This sequence in the middle of a shoot-em-up game is pretty damned annoying, especially if the game glitches and I have to play it again in all its slowness and with no chance to skip. (Yes, that happened.) Boy is still twee, and I still feel frustrated by having to watch him at all. When a developer stops my action to give me feels, they’d better earn it. The ending of ME1 is an example of this done brilliantly. At an early point like this, though, I feel emotionally manipulated. I want to learn fight mechanics and try out my skills. I don’t want an author’s message.
To be continued later, if I’m remembering correctly.
She and Barrow are a team — my “evil smokers” — until they aren’t. She’s incredibly loyal. It’s only after Barrow spikes her nephew’s career that she turns against him. Her malignant twist against Cora is only because she thinks her loyalty has been spurned.
Is she, like Barrow, a Heart Type? She’s not particularly sociable. She connects downstairs with Barrow and upstairs with Cora. No one else has her friendship.
I’m leaning toward Seven. She’s extremely competent at her job, but she’s not a stickler for rules at all. Her interest in gossip, the thing she and Barrow conspire about, is mostly a desire to know things. She has a Head Type relationship to the world, and she doesn’t give a tinker’s dam whether or not anyone else likes her.
Have I also just described a Five? Wait, no. She likes to gather knowledge but she doesn’t like to share it. A Five is a bit of a know-it-all who can’t resist educating the world. Because the plot focuses on her machinations, it’s easy to forget that she’s incredibly efficient and thorough as a lady’s maid. We often see her mending and tailoring at the servants’ table. The rules, though, are malleable. She’s a Seven.
Hello, Envy person, lol! What’s funny is that he’s very good at his job when he isn’t scheming. He should have every expectation of rising in the service ranks. No one likes him, though, so no one wants to work with him. Lord Grantham and Mr. Carson try to get rid of him over multiple seasons.
Of course, underneath the villainous “evil smoker” (as I called him and O’Brien in my breakdown reviews) is a tender heart that wants to be loved. Because he’s gay in a social era of illegality and punishment, he can’t love. He tries and fails, risking freedom and his job. Prejudice against him, and the extreme caution he must exercise, explains some of his envy and separateness.
However, he’s also someone who likes yanking people’s chains. He and O’Brien love the downstairs game they play. They both like access to the upstairs and hearing the gossip. Thomas isn’t looking to break from his role in service, unlike other characters. He just wants to get to the top and become butler for a great house.
He must be a Four. It’s the self-wounding in the war. A Three wouldn’t choose that path. And he can’t be a Two, lol, because he has no collection. Also, Barrow feels the ups and downs so deeply. His gentleness with the children — he’s the only servant who gives piggyback rides — is that sweet side of the Four when joy is let out for a spin. And his suicide attempt is the darkness winning for a moment. He’s a Four drawn and acted with full complexity. Well done.