KA Byrnes – Page 25 – Enneagram and Encaustic

House of the Dragon

Should I even touch on this? I have no Story Enneagram of Episode One because I turned it off in disgust. I was only watching for pleasure, with no thought of writing about it, and the purview of this blog is not for me to rant with no structural issue worth discussing.

However, I’m horrified at the casual violence a showrunner would create surrounding a woman. I specifically refer to Aemma Arryn and her birth scene. And, no, I don’t mean a Cesarean section performed by Renaissance-equivalent maesters. Physical agony is a part of childbirth, and often a plot will take an extreme angle on it. (See A Quiet Place for an astonishingly honest look, deeply connected to character and story.)

LADY GRANTHAM, SEVEN

The genteel American with an abrasive mother, lol. Mostly I forget that Cora wasn’t born English. The aristocracy suits her.

She’s kind and easygoing. She does like to work, to get involved, and she’s good at it. Her role on the hospital board is a bone of contention in the family, but she’s insistent in a very mild way. Peace is important to her.

I want to say Nine, but that’s not possible. Robert is a Nine. Numbers don’t marry each other; it’s too much like marrying yourself. Also, Cora isn’t a Body Type. She doesn’t engage in the world physically. If anything, she’s social, although I can’t think of her showing envy.

She’s a Seven. It’s that calm effectualness. She has zero interest in drama. When trouble strikes, though — think of Mary and the Turkish diplomat — she gets the job done. (It’s possible that’s why she and O’Brien are a pair. They understand each other without trying.) Cora will go along, content to stay in the background, and then become super competent when the need arises. That’s quite Seven.

Assault on London

The galaxy throws everything at Earth as Shepard prepares to shuttle down to London. Before landing, Joker rises from his pilot’s chair and salutes us. It’s a pause in the story that feels like a key beat.

Then we’re on the ground. It’s a good battle that turns absolutely hellacious as we fire up missiles to take out the Reaper blocking the street ahead.

The Reapers are sending humans up to the Citadel via this conduit, a giant light beam. It’s our only way in, as the Citadel arms are closed.

Most of this is straightforward endgame. Teammates have tender goodbyes, fighting is at its most difficult, and the prospects are very grim. Shepard holds it together, encouraging soldiers that we’ll win, but this is a dark ruin of a future.

And then things get weird.

MIDGE MAISEL, ONE

Any comic who does live shows will be very quick-witted, very spontaneous. (Do all comedians fit into a certain Enneagram slot? Wow! There’s a thought!) Midge, however, has something more than a gift for stand-up: an impulse control problem. She should push the boundaries, of course. Like Lenny Bruce, she goes to jail for saying forbidden words. It’s more than that, though. She damages her career and her friendships by blurting out jokes that she regrets in hindsight.

Immediately I go to One. They are some of the funniest people and some of the quickest. A One is not afraid to shock. (How many professional comics are Ones or Eights, lol? They are the most willing to speak bald truth in a way that surprises and delights.) Is Midge an Eight? No, she’s not aggressive enough. Her weapon is her incredibly fast brain. Her best routines are when she riffs rather than when she goes with prepared notes.

Also, as Body Types, Ones can cultivate an unhealthy obsession with their physical shape. When Midge measures her thigh circumference, it’s creepy. It’s supposed to be. In the show it represents her focus on being the “perfect little wife” trope, including her nighttime cold cream and curlers that she hides from her husband. She breaks free from these restrictions, which is the point. But, lol, it’s also a One indicator.

However, a One will not necessarily sabotage their own professional life with loose lips. That trait belongs solely to Midge. It’s her fatal flaw. It bugs me, actually, that she doesn’t seem to learn from her mistakes and adapt her behavior. A One is extremely competent. I would like to see Midge in future seasons get a handle on her carelessness. It would help her to have an Enneagram character that rings true. And it would help me to not curse at the TV. Heh.

LORD GRANTHAM, NINE

My first instinct is that Robert is a Nine. He likes to keep the peace and avoid conflict. He also tries to be a fair manager of his household staff and his tenants. Every now and then he’ll go off, but mostly he likes it calm. Isis the dog is one of his coping mechanisms, and his ulcer is a sign that he doesn’t always succeed.

He kind of snaps into place, doesn’t he? I suppose he could possibly be a Two. All of the above traits could also fit. I’m going to say no, though. He attends and gives parties without a social person’s joy. His attitude is more one of duty. A Nine is always a good host, hoping to put people at ease and give them a good time. He’s also the only other family member who rides with the hunt.

Daughters who are an Eight, a Two, and a Three align with a Nine father, as well. Now I wonder about Cora!

The Third Dream and The Catalyst

Chasing after Kai Leng and the Illusive Man, Shepard finds Sanctuary, a world devoted to taking refugees. However, it’s a false front. Cerberus is using the humans for experiments on Reaper indoctrination, turning people into husks. Miranda’s father leads the research. He does discover a way to reverse engineer the process, so that he thinks he can command Reapers. Kai Leng escapes with the data and returns to the Illusive Man. Because Miranda’s planted a tracker on Leng, he leads Shepard and the Alliance to Cerberus’ doorstep.

Admiral Hackett goes for a final check-in: once the fleet makes a move on the Illusive Man, the Reapers will become aware. The Crucible is ready except for the Catalyst. Everyone hopes that the Illusive Man knows what it is and how to implement it. Otherwise, humanity battles Reapers over Earth as, probably, a last stand. Shepard gives the go-ahead.

Immediately, we’re back in the molasses realm, chasing that Boy.

Shepard in armor watches as Boy runs into the arms of Shepard in casual wear. They all gaze at each other. Shepard awakens in bed wearing her underwear. (This is the point where Shepard becomes intimate with anyone she romanced. I just couldn’t work up the energy to care, although I’ve pursued all the options in the past.)

And then we’re on Cronos Station, the Illusive Man’s base.

It’s a straightforward fight into the center to recover the Prothean VI. Along the way we see the giant skeleton Reaper from the Collector base. Apparently the Illusive Man retrieved it. It’s just hanging there in tatters.

No Apologies

For the first time Reacher has disappointed me. I don’t know if I’ve ever written a breakdown for a show with nothing, not even a nod, to an Enneagram framework.

LEFTOVER NINE

This time we have a small skip. The trio is in the car, listening to a news broadcast. All three look upset, and Finlay, driving, speaks first. “We shouldn’t have left her.”

They fear crooked cops, even at the state level, or being blamed for Molly Beth’s death. The disrespect of leaving her body behind, though, weighs on them.

ONE

As they continue to drive, Reacher notices they’re passing the yard with the picket fence. The dog is down, injured. Finlay pulls over and hops out while Reacher clears the fence. Coming in through the gate, Finlay has had enough. He unchains the dog, prepared to take it. When the owner storms out, Reacher nails him in the nose. Roscoe, lol, has no idea what’s happening. The dog, its neck bleeding a little, sits in the back seat with Reacher as they take it to a safe shelter.

Reacher borrows another car from the Hubble’s garage.

Roll credits.

The Asari Secret

Many worlds are burning, including the Asari homeworld. Finally the Asari Councilor informs us that a religious temple there has an important artifact. We go to retrieve it.

The fight against Reaper minions is tough. When we reach the temple the place is deserted, the scientists dead with their throats cut. Liara, who insists on accompanying us, tells us this temple is ancient, a legacy of a near-dead religion. The large statue of the goddess, though, hums for Shepard. She can hear it. Underneath the statue facade lies a Prothean beacon, intact.

Briefly we can lament that the Asari, the most advanced species in the galaxy, hoarded the Beacon and gleaned knowledge that propelled them to their status. The universe really could’ve used this information earlier in its battle against the Reapers.

URSULA, FOUR

We lost another great this week. RIP to Pat Carroll, the fabulous pipes of The Little Mermaid’s villain. I vaguely remember her, with that contralto voice, as a guest on different TV shows. She was tiny! Nothing about her looked anything like Ursula. Carroll resembled someone who was here to prepare your taxes.

So, what Enneagram is that audacious and larger-than-life? Well, lol, I’ve got to start with an Eight. Oh, no, wait! Hahaha! She’s an Envy Person. Ursula’s a Four.

We don’t see her ride a low wave of depression. It seems like she probably did a lot of that when she was younger, and she’s over it. She battles the defeats, the failures, the sadnesses. As a mature being (mer-squid?) she’s learned much, including where she wants to invest her energy. By now, the marks are easy to spot.

I’m just guessing at her mindset, judging by the performance Carroll delivered. She packed a lot of backstory and subtext into her one showstopper. That’s what happens when a studio casts a master to inhabit a cartoon.

LT. UHURA, SEVEN

I’ve recently rewatched the original Star Trek series and wrote about episodes here at the blog. Immediately I think of Uhura singing in the crew lounge. Yes, she was an efficient and brave bridge officer, competent at her job. But that mischievous twinkle when she’d perform a duet with Mr. Spock! Mostly, she kept the light-hearted side of her personality under wraps.

Did Uhura get few of these break-out character moments because she was a Black woman? It’s probable, but also the triumvirate sucked most of the oxygen out of the plots. (And Kirk, even if the episode wasn’t his, would upstage everyone anyway, lol.) I can’t think of any episode that was solely hers. We don’t have much to judge her Enneagram number, but she’s delivered enough. For a supporting character, Uhura hit hard.

I immediately go to Seven. Her professionalism at comms, her cool head during a crisis, and her surprising love of fun are defining traits.

Someday I will do more Enneagram dives into the extended Star Trek universe, but for today I want to get this posted. RIP, Nichelle Nichols. Fair winds and following seas, ma’am.