Author: KA Byrnes

The Chase

See my Critical Notes after the breakdown for how I would fix a mistaken Three in an otherwise smoothly-structured episode.

ONE

Appa and the gang rest at a campsite. 

TWO

Appa’s fur covers the ground. Aang blames the spring season as Appa shakes loose more of his coat.

THREE

From the fur Sokka makes a silly wig and Aang a beard. Rolling her eyes, Katara says she’s glad there’s now another girl in the group. Toph steps between the guys and lifts her arms to show off her “hairy” pits. A beat, and then Katara joins in the laughter.

Continue reading “The Chase”

KATY, EIGHT

Who is this fabulous Shang-Chi goddess, lol? Awkwafina brings good-natured humor, compassion, loyalty, and grit to the role. (When she starts singing “Hotel California” at a thug on a skyscraper ledge, rip.) At first we think of her as a good egg and a comedic relief sidekick. That archery, though! I didn’t expect her to become a superhero partner.

So let’s take the archery seriously. Let’s say it’s not just a gimmick (Give the lively comedienne a pointy prop!) but a physical gift that surprises her, an inherent trait. Body Type, right? I have a hard time seeing Heart or Head jumping in and excelling at a complicated athletic discipline. With time and training, yes, but not in a few days’ timespan. (Again, we’re suspending our disbelief and calling the whole Ta Lo adventure plausible.)

She’s too flamboyant to be a Nine, but what about an Eight or a One? Her boldness and ribald humor could indicate either number.

I’m going to say Eight. I love the idea that the superhero Eight, an overworked and tired trope, is refreshed here by Katy’s unique perspective. Also, an Eight can hide their athleticism more than a One can. A One is an Energizer bunny, and that’s not our Katy.

Snow White

Can you recognize this? Haha. This was track art for “Paint It Red“. At the time I loved the use of cheesecloth and red India Ink to illustrate the lyric: when the muslin meets the wine. Also, of course, the stabby theme worked well with this piece, as it looks like blood.

Now it’s repurposed. When I thought of Schneewittchen and the drops of blood on mother’s embroidery frame, this track art piece wanted to lead a double life.

The Citadel

We dock at a flying city, the Citadel. It’s the hub of galactic civilization, the home of the Council. (The Galaxy Council? The Universe Council? Three races represent the three Council seats and humans aren’t one of them.)

We’re here to complain about Saren and ask that the Council revoke his Spectre status. Instead, Saren deflects any blame and makes us look like whiny babies. We’ll need more proof to convince the Council.

Mostly we’re here to introduce ourselves to the world-building. All the races have ambassadors here, so we meet Elcor (the elephantine creatures who tell you their feelings aloud with no passion), the Volus (small, round creatures who breathe through a mask apparatus and work back-end finance deals), the Hanar (pink jelly tentacle creatures who speak in the third person), and, of course, the powerful Asari (blue-skinned women who live a long time), and the lizard-like and super-brainy Salarians. Turian, Asari, and Salarian are the Council members.

We have the opportunity to load up on side missions that basically deliver flavor and immersion. It works, but the fighting is at a minimum, which can get boring.

BLACK WIDOW, ONE

Poor Natasha. Even in her own movie she’s basically a sidekick. The closest we get to specific character traits is in Endgame when she tries to keep the team and the world post-Blip together. Her willingness to run a radio base and contact station in the midst of chaos is one of her most interesting moments.

Otherwise, Natasha is a competent assassin with a monstrous origin story. All credit to Johansson for giving humor and stoicism to a one-dimensional character.

So who is this Black Widow? All of the girls in the program are trained physically. Can she claim a Body Type, or is every Widow forced into excellence? Let’s say no, and see where that takes us. She longs for community, yet keeps herself apart as someone undeserving of friendship and intimacy. Child Natasha is written as an Eight, the way she fights for her sister against soldiers and authority. It never felt right, though, because adult Natasha isn’t an Eight. Wait, is she a One?

Ah, of course. Her wit, her fast-paced fighting style, and her moral code (“there’s red in my ledger”) all point to One. This is why her movie isn’t good. The showrunners went dark. With a One, the tone needs to go light. A One’s quickness, their cleverness and problem-solving optimism, would shine more in an Antman-style format. Natasha’s so focused I can see why they went in the direction they did, but it was a mistake. The beauty of a One is the surprise: they’re physically dedicated and morally serious, yet they’ll come up with the sharpest jokes and insights. Natasha is given these gifts in movies like Winter Soldier, yet they forgot about them during her own project. Oh, man, that’s sad.

Zuko Alone

We have a problem, lol. See my Critical Notes after the breakdown.

ONE

We see Zuko riding his ostrich-horse across a ravine bridge in a desertscape. (The Western theme is set right away.) His stomach rumbles as he smells meat cooking. Grasping his knife, he considers killing the man tending the fire.

THREE

The man turns to attend to his pregnant wife. (This is a couple we will see again in a later episode.) Zuko continues on, drinking the last of his water.

TWO

Now woozy and faint, Zuko dreams of his mother as she walks away from him. 

Continue reading “Zuko Alone”

HAWKEYE, NULL

The first time we meet him in the MCU he’s co-opted by Loki and brain-manipulated into a villainous henchman. Bad choice! He becomes likable in later movies, but he’ll always have the taint, our memory, of the evil version of him.

(Why do so many movies remove a character’s free will? I hate that kind of lazy writing, but that’s another topic, lol.)

Later we learn that Clint has a family. He ends up as the most normal superhero in the series. When we finally spend time with him in his own show we see he’s dogged, dutiful, and honorable. His family disappeared in the Blip and he lost it, turning rogue. He’s really just a dedicated dad and husband who can shoot arrows.

Actually, I think he’s written all over the place. Early on, he’s not a character at all, just a plot point. He’s the Avenger with no back story. Even his eponymous series is more about the young woman who will team with him than it is about him. I want to call him a Null, a character the writers didn’t develop with enough consistency to fit into an Enneagram identity. Does he pull it out at the end in Hawkeye? He has the trooper qualities of a Six, although he’s much too physically fearless for that. He has the recklessness of a Nine in trouble.

No. I refuse to examine a character who’s been in multiple properties yet only begins to develop at the end. He’s important enough to deserve a fully-fleshed personality, and I find it disrespectful to the character that they did not give him that. A Hawkeye written with integrity helps the showrunners craft a better story and gives Renner more foundation for a better performance. Someone this haphazard is a Null.

Mum over Lava

Another repurposed piece, this was a screenshot from The Elder Scrolls Online of a volcano overflow near Ebonheart. (The lava still remains as the orange underneath.) It’s another encaustic I never posted because it was nothing special, and then the non-archival print faded with time.

The Beacon

There’s nothing we can do for Nihlus. A dockworker saw the whole thing and tells us about this other Turian, Saren. On we go, fighting our way to the spaceport and the Beacon. However, Saren’s there first.

A cut scene shows Saren approach the Beacon and get caught in its beam. He leaves before we can arrive.

After we clear the landing area, we’re alone with the Beacon. Kaidan, curious, approaches. It tries to grab him in its beam. I knock him aside and end up caught in the beam myself. Visions of Geth and destruction are shown to me until I pass out and collapse. When I awaken, I’m back on the Normandy. Kaidan and Ashley brought me in. Doc clears me for duty. I really don’t want to tell anyone about my dreams — they sound so childish and unspecific — but we’re on our way to the Citadel to report our experience to the Council.

Meanwhile, in a cut scene, we see Saren on his ship (that threatening claw from earlier). He has an associate, The Matriarch, who discusses me, the Normandy, and my superior, Captain Anderson. That I’ve accessed the Beacon makes Saren . . .

. . . unhappy.