KA Byrnes – Page 4 – Enneagram and Encaustic

Story Enneagram of Season Two, “Avatar: the Last Airbender”

Let’s finish this!

ONE

The first episode explains Aang’s Avatar state. Remember, coming out of Season One, the last thing we saw was Giant Fish Aang wrecking the Fire Nation in the North. He can’t control or understand this superpower and it frightens him. We also learn that, although he’s unbelievably strong, he’s also vulnerable. If he’s killed in the Avatar state, the entire reincarnation cycle ends.

We also get a brief reminder that Zuko and Iroh travel alone, outcast.

TWO

The Cave of Two Lovers, that ridiculously silly episode, encompasses the season’s Two. Aang and Katara, through plot contrivance, kiss. Aang’s affection for Katara is critical at the season’s Eight.

Also, Omashu’s on fire. Returning to Bumi was Aang’s plan for learning earth bending. Now he has no teacher, and that’s definitely Trouble.

Bandcamp Friday

I mostly forget that I have music posted to Bandcamp, but recently I’ve been wondering if any of it stands up. I haven’t listened to Heart of Iron since I published it in 2019. After playing through the album, I would say that the singing is tolerable, the music is greatly enhanced by the musician who helped me record, and the lyrics are still my pride and joy in the project.

It sounds obscure and somewhat crazy now, but I wrote a musical screenplay of Jane Eyre. If you listen to the album and you’re familiar with the story, you might be able to guess which songs go with which part of the plot. (It plays in chronological order.) Fair warning, though: I sing Jane’s and Rochester’s songs. I tried to beef up my voice for Rochester, but that’s utterly ridiculous. I sound the same.

Bandcamp, I’m informed in a recent email, has brought back “Bandcamp Friday”, a day in which they waive their revenue sharing and pass all funds to the artist. Give the album a try, if you’re so inclined. On listening again to the songs, some were as I remembered — not bad — and a couple were worse. One song, though, “Fly”, which takes place at the story’s climax, gave me that great feeling every artist seeks on returning to past work: Did I write that? Damn.

Ash Wednesday, 2025

For the past three years I have set a painting per week as my Lenten observance. I’m very proud of this wall in my house where I display all of that work.

However, this year I will be following a private observance. I don’t have any encaustic ideas, and my weekly requirement to produce a painting, regardless of how finished it is, can be exhausting.

May your Lent (and mine) be fruitful.

HEATHCLIFF, FOUR

I’ve been re-reading Wuthering Heights. I’ll have something to say about the story later, but for now, let’s look at some Character Enneagrams.

First caveat: this is Heathcliff from the novel. More film versions of this story exist than I could possibly want to watch. Laurence Olivier gives one of the iconic portrayals, and it might be interesting at some point to compare the different well-known iterations of Heathcliff. For now, though, I’m looking at the book.

If you’ve only watched the movie(s) you might not know that Heathcliff is one of two characters who’s in the story from beginning to end — and the other isn’t Cathy. (Cathy dies halfway through. Most film versions ignore this.) The story arc in the book is labyrinthine and finding a protagonist is tricky, but focusing on Heathcliff as a throughline is a good choice.

He’s brought into the Earnshaw house as a child, probably at five years old. The Master finds him abandoned and begging in the city. Heathcliff is dark-skinned (maybe West Asian, maybe Native American) and speaks no English. He has obviously had a very rough life up to this point, and it doesn’t improve much. After the Master dies, his son and heir turns Heathcliff out into the stables to labor.

Heathcliff’s defining characteristic, after brutality and cruelty, is his love for Cathy. The novel barely touches on physical affection and never indicates that Cathy and Heathcliff are intimate. It’s their souls that merge and twine.

I want to say that Heathcliff is a Four. He is emotionally driven. Love for Cathy, hatred for Hindley Earnshaw, revenge on all who’ve hurt him — these are his motivations. Besides Cathy (and sometimes Hindley’s son Hareton), Heathcliff is temperate only to Nelly Dean, the housekeeper. Everything else is a high or a low, never a middle. He absorbs the abuse of his childhood, and the wonderment of a soulmate in Cathy, and sets them at his center. To contain the extremes of love and hate so completely seems very Four to me.

The Story Enneagram of Fort Defiance

ONE

Establish the Emerald Rose Saloon in the late 1800s American west. Two middle-aged sisters own and run the place that their parents, now deceased, built. The elder, Izzy, is a more steady presence. The younger, Luisa, is more restless.

TWO

A mysterious wagon, coming into town at the head of a monsoon, crashes in front of the Saloon. Driver and horses are crushed. Only the cargo, a large box, remains intact. Emerald Rose customer Leon notices a handbill attached to the wood. He shows it to Luisa: a reward for return of the box to its owner in Fort Defiance.

THREE

Luisa agrees to upend her life and accompany (and finance) Leon’s trip. In order to smooth her decision with Izzy, Luisa plays their family song, “Desert Lullaby.” Moved, Izzy relents. She’ll travel with her sister.

Fort Defiance

I’ve published a new screenplay at Amazon!

Perhaps, lol, you will remember this post about my decades-long project. I claimed that the original story for Fort Defiance was dead. Time had passed and I had changed.

It turns out I was wrong. I considered how I could adapt the screenplay to suit who I am now. What’s interesting, at least to me, is that the core of the story hasn’t changed in 30 years. It exists separately from me, an entity in the world. I tinkered with the protagonist, making her older, but the basic bones of the plot are consistent. I’m so very proud to publish this — again — after all this time, and I believe the story became better with age.

The Crossroads of Destiny (Season Two Finale, Part Two)

For the first half of this Story Enneagram, please see Part One.

FIVE

Sokka and Aang ride on Appa, headed for Katara. As they approach the Outer Wall of Ba Sing Se, they see a moving cloud of dust. Of course, it’s Toph. Dipping down, they invite her to join them.

Azula meets with the Dai Li under the city, advising them that the Earth King doesn’t trust them. They must seize power now while they can. “Long Feng has placed you in my command while we overthrow the government,” she says. After the Dai Li march out, Ty Lee congratulates Azula on her speech. The Avatar and her brother and uncle are still loose ends, Azula warns.

Zuko and Iroh arrive at the palace, ready to serve tea. Iroh had often imagined himself here, but always as a conqueror for the Fire Nation. Now he’s a guest.

The Guru (Season Two Finale, Part One)

We have many storylines to resolve in this episode. It could get a little chaotic.

ONE

Iroh cooks soup — jook — in their shiny kitchen. Zuko, recovered, smiles and asks for a bowl. He’s so cheerful Iroh raises an eyebrow at him. They have a new apartment and a new tea shop. Things are looking up.

Appa lands near the dock where the Water Tribe fleet is docked. Sokka feels ill he’s so nervous about reuniting with his dad. “See you in a week,” Aang says as he and Appa lift off. On the beach, Sokka walks through camp. The men greet him and ruffle his hair. In the command tent, Hakoda holds a council. When Sokka enters, he rises and hugs him.

The Earth King, petting Bosco, chatters to the fake Kyoshi Warriors about the mutinous Dai Li and (oh, dear) the planned invasion of the Fire Nation. Close-up on Azula’s pupil as it contracts. She responds with sympathy, though, playing her part.

Katara attends the Earth Kingdom war council. They task her with taking a scroll to the Earth King so he can sign off on their plan.

Appa and Aang arrive at the Air Temple where the Guru waits. He’s ready to teach Aang how to master the Avatar state, but first he must drink an onion and banana soup. (It’s the soup episode. Blech.)

And finally we see Master Yu and Xin Fu drive a cart with a metal box in the back. They argue over which road to take. From the prison, Toph yells that she needs to use the bathroom. They won’t let her out, though. Xin Fu taunts her: she may be the greatest earth bender, but even she can’t move metal. Toph places her hand on the box.

The Earth King

ONE

Our gang rests on an island while everybody reunites with Appa.

TWO

Sokka argues that, after so much success, they should return and meet with the Earth King. It’s always been his objective to seek help against the Fire Nation, and he eventually convinces the rest of the gang to join him.

THREE

In the distance, ships sail the lake. Aang says the Dai Li are looking for them.

Lake Laogai

We’re at the last few chapters of Book Two of Avatar: The Last Airbender. This season has been a tough watch at the end. The beginning, with the introduction of Toph, is so much fun. I had forgotten, though, where the arc is headed. Let’s push forward through the darkness.

ONE

Inside our gang’s Ba Sing Se house, Sokka draws childlike illustrations of Appa.

TWO

Katara and Aang enter with a professionally printed poster of Appa. Sokka, who’s been working all day at it, protests. Toph (who, remember, is blind) says his posters look great to her.

THREE

Gliding over the city, Aang and Momo drop leaflets.