KA Byrnes – Page 40 – Enneagram and Encaustic

Back to Gran Soren

Immediately, the endless pit in the heart of the city catches our eye. Merchants still conduct business and people meander, but the hole dominates.

We’re not allowed to wander, though, without guards insisting we see the Duke. The nobles’ district is unchanged, and I enter the castle grounds and go up to the royal solar. I’m immediately confronted. “You met with the dragon! You conspired with it to wither me and usurp my seat as duke!”

Finally I get a good look at him. Yikes, buddy.

Notice that the Duke assumes I did as he did. I abandoned my love in order to rule, he believes. That I killed the dragon is not something he can accept.

And then the crazy old man raises his sword and attacks me. He’s pretty easy to defeat, although we’re both knocked through the window and out onto the balcony.

Run. The guards don’t do much damage, and the Pawns fight them all, but it’s constant harassment through the city. Eventually they back us up against the edge of the pit. A cloud of harpies come from within, and I lose my balance and topple over the lip.

WYLAN VAN ECK, TWO

Unless you’ve read the books you won’t know Wylan, but he’s a wonderful character: the regular guy surrounded by the thieves. His outrage or confusion or ignorance stands in for us the audience, and he’s the vehicle for explanations. Over time we see his traumas, and we develop a deeper affection for and understanding of him. Other characters have pain from tragedy: parental death, slavery. His pain is inflicted by his father, and it’s unbelievably cruel.

My first instinct is to place him as a Head Type. He’s not physical, and he’s not socially adept. But wait. What about a Two? He’s incredibly awkward with his father, even before the abuse starts, and the rejection forms a lot of his character. Are these the actions of a tender heart that’s been damaged? Are his bombs a kind of Two collection?

He’s not a Seven. The underworld isn’t intriguing enough to him for that. He’s not worried or hesitant enough to be a Six. And the odds that he’s a Five when Kaz is one are too long. They don’t have the nerdy impersonal relationship Fives would have.

His gentle sweetness, and his perseverance in the face of deep betrayal, lead me to Two.

The Conscience of the King

Overall I’ve found Star Trek to be much more uneven than I had remembered. This episode has some nice moments mixed in with its duds. Critical Notes are after the breakdown.

ONE

Scary music and a dagger wielded high. Stabbing and death. A man with heavy make-up examines his bloody hand. Elizabethan music. Cut to Kirk in the audience. Enjoying the show, he sits next to another, more serious man. “Watch MacBeth,” he says. We see Kirk’s POV of the stage play.

TWO

The play continues. MacBeth speaks to Lady MacBeth, and Kirk’s friend says, “That voice.” He’s certain. It’s Kodos the Executioner.

THREE

(There is no Three.)

Roll credits.

The Cave of Two Lovers

A Three this charming should’ve been mirrored at the Six. My heart is broken at the lost opportunity, lol. Critical Notes after the breakdown.

ONE

In a shallow river Katara and Aang practice their water bending. Sokka floats on a leaf raft, soaking up the relaxation goodness. They will head to Omashu today. While teaching Aang, Katara touches his arms, sending his cheeks into a blush. He’s doing well with the bending.

TWO

Momo sounds an alert and they hear music. A group of nomads who look like ‘60s flower children stroll up. They are . . . not the brightest bunch. They’re extraordinarily cheerful, though, and good company.

Cut to Iroh examining a flower. It could be a plant that makes a delicious tea, or it could be poison. Zuko grouses that he wasn’t meant to be a fugitive while Iroh decides whether or not to chance the tea.

THREE

Appa relaxes, braids and flowers festooning his large head. Everybody enjoys the hippie vibe except Sokka, who calls it a distraction.

JESPER FAHEY, FOUR

He’s tricky because he’s got a secret. A lot of his character is facade of his own making and also of his childhood fears. As a gambling addict he must always present a lie, as any addict will.

Like the rest of the Crows, his show persona matches his book persona. I love the moment in the show when he clutches the goat, it’s so character revealing and clever.

He’s not a strategist. Leave that to Kaz. His is easily socially wounded, so possibly a Heart Type. But he’s also so physically brilliant, so possibly Body. He’s not heroic enough to be an Eight or Nine, and not fastidious enough for a One, though.

Ah, of course, he’s a Four. He’s stylish in his gunplay, lol! The way he masks his gentle heart seems Four-ish, as does his emotional recklessness. He doesn’t really guard his heart, leaving him open to further hurt. Yet he throws himself into relationships and events fearlessly, regardless. Really only a Four is willing to be simultaneously vulnerable and brave with their feelings.

We Interrupt This Program

I actually gush after the breakdown. A rare moment, lol.

LEFTOVER 9

Echoing voices and a pixelated mist that resolves into Geraldine, bedside in a hospital room. She’s reforming, and others all about do the same. It’s chaos. Now we realize this is the moment after the blip when everyone comes back.

We really get a sense of the confusion and terror of all these people returning to the place they left off, while around them are the people who didn’t disappear, the ones who’ve had lives for the past five years.

Someone recognizes Geraldine and names her as Monica. For her it’s been twenty minutes, the moment she started napping in the hospital chair. The doctor who knows her, who hears her asking for her mother, says, “She died, honey.” Her cancer came back and she passed away three years ago, two years after you disappeared.

Cut to credits.

Grigori Battle

Here we go. We pass through the Greatfort and climb the mountain path, the same one we traversed in the opening tutorial. New beasts — succubi, hellhounds, geo-saurians — confront us. At the place, the courtyard, where we fought the first chimera, we now face an enhanced version, a gorechimera. This is the point when the tutorial ended and we built our avatar. Now we continue on to face the dragon.

First, he tests us. Goblins harass our beloved while the dragon looms. By completing the Quina quest, and Valmiro’s, either one had a good chance to be selected by the algorithm as our dear one. I’m pretty sure, though, that by doing the Aelinore quest, I cancel out any other option.

The choice is: kill the dragon, or . . . sacrifice love. Let her die, and the kingdom will praise me. I will be granted the duchy. That’s how the current duke ended up on the throne. (The scene where the duke chokes Aelinore, apologizes, and calls her by another name makes a lot more sense now.) “Wealth and power are sweet anodyne for heartache,” Grigori says.

Of course I shoot him with an arrow. Now we battle.

MATTHIAS HELVAR, NINE

If Nina is a Four, Matthias is a Nine. That pull these two numbers share, a conflicted romance, is baked in. We can also see his Nine-ness in his skill: big man. He’s no Grisha, no rogue; he’s pure tank.

He’s basically a Hitler youth who grew up to realize the system he was taught as a child was horribly wrong. To go along unquestioning, seeking the camaraderie of the group and avoiding any conflict of dissent, is Nine. To realize the truth, to reexamine his principles, is also Nine. One of the only things that will move a Nine to battle is justice.

He’s written as stodgy and dense — a bit of a Buzz Lightyear. The joke’s often on him. Underneath, though, he’s a hero in a very traditional sense. He’ll never be the protagonist, as is common for a Nine, yet he has those traits. I think the author could’ve leaned in a little stronger on that aspect. His physicality is given its due, but his innate bravery is turned into comic relief a little too often for my comfort.

Episode 6

What we have here is a series of “then this happened” events. See my Critical Notes after the breakdown for why I’m disappointed.

ONE

Downton’s grounds. Mary pushes Matthew in a wheelchair across the front of the property on a sunny day. Other recuperating soldiers also stroll the area. Matthew regrets that William isn’t here.

TWO

In the library, Richard and Robert watch from the window. Richard asks if he should be jealous. Robert changes the subject. Richard intends, it seems, to buy a neighboring property. Edith laments the times they’ve spent there growing up, and now it’s to change hands. Richard will modernize the property. Carson announces the Doctor, interrupting the discussion. Someone named Patrick Gordon wants permission to convalesce at Downton. No one seems to know who he is, but he’s welcome.

ARRGH

Just a few complaints from yours truly. See Critical Notes after the breakdown.

ONE

Mr. Krabs with a spyglass peruses the area outside the Krusty Krab door. Ah, no customers in sight.

TWO

From inside, Spongebob gives an excited yell. He and Patrick look down at eight gold doubloons. Mr. K hurries over, lol, and pounces. Oh, it’s just a board game. They play “The Flying Dutchman’s Treasure Hunt,” based on a real treasure map, Patrick says.

Did they clean off the tables already? And did they clean the gum off the underside? Cut to Spongebob and Patrick chewing and blowing bubbles. (Ack.) Well, Mr. K agrees to play.

THREE

Game antics. (It looks like fun!) Mr. K gets to dig for treasure with a leetle shovel, and becomes way too excited about the tiny treasure chest.