KA Byrnes – Page 41 – Enneagram and Encaustic

NINA ZENIK, FOUR

She’s a Four. This is a character who shouts her Enneagram number to the world.

Her passions are large and out in the open. Everyone feels her joie de vivre. She also has that Four stubbornness — remember, for a Four each day has a 50/50 chance to be terrible, so they aren’t dominated by bad times — that we can see when she’s caged in the ship’s hold. She’s a survivor, even through the worst that life offers.

I have a difficult time with Nina in both the show and the books. Her character is fine, but her romance with her captor is deeply problematic. This is a man from a culture that kills her people, a culture that has imprisoned her for being grisha, and she has every expectation that when the ship reaches port she’ll be tortured and put on trial with no hope of reprieve. She can come to see the good in Matthias, that he, too, is a victim of a culture that raised him from boyhood to hate her kind, but not as quickly as she does. The whole relationship is too fast, and it taints my impression of her character. It’s a shame, because she’s brave and loyal. There’s a lot of heroism in Nina, but it’s buried by this cringe-inducing rush to romance.

The Corbomite Maneuver

Oh, dear. Critical Notes are after the breakdown.

ONE

We’re on the bridge, but from a very strange camera angle, swooping and rising. Lol, what in the world? Why would a bird’s eye view that zooms down to a console button be necessary? (Did someone get a new lens toy?) Spock leads the crew in some kind of experiment or test. Some Lieutenant assists him.

TWO

Noticing a blinking red alert, Sulu says an object moves toward them. Evasive maneuvers. They slow and stop, and we see the object on the view screen.

It’s a Rubik’s cube, lol. Close-ups of everyone looking at this spinning, neon-colored block.

Ahead slow, and steer a course around it. Naturally, it moves to stop them. Condition alert. Captain Kirk to the bridge.

Roll credits.

THREE

(There is no Three.)

The Avatar State

I have one early complaint, detailed below, but mostly this is a great season opener. Questions are answered that may have dragged down future episodes. We have a clean slate now.

ONE

Fog. A dream. Aang sees himself in his first Avatar State at the Southern Air Temple. Avi Aang attacks Dream Aang. Now the Ocean Spirit Aang attacks him. He startles awake. They’re still at the Northern Water Kingdom.

TWO

Master Poku gives Katara a parting gift, a water-filled amulet from the spirit oasis. He gifts Aang a box of water bending scrolls. And for Sokka? A pat on the shoulder, lol. Our team leaves on Appa. Eventually, Aang will learn earth bending from King Bumi. They must stop first at another Earth Kingdom destination.

Iroh, after three weeks floating on a piece of driftwood, gets a massage. Meanwhile, Zuko recognizes that it’s his three year banishment anniversary. “I want it all back,” he says.

THREE

A Fire Nation ship. Everyone onboard bows as a canopied chair is carried forward. Azula steps out. (That grating voice!) She gives a speech about the shame that’s been brought on the royal family. When the captain tells her they can’t dock until the tides turn, she terrorizes him.

MAL ORETSEV, NINE

Mal is a man’s man. He can shoot, he can fight, and he can hunt. Women swoon.

Of course he’s a Nine. Physically, he dominates, even against grisha power. Conflict finds him, not the other way around. He wants a quiet life and ends up at the center of a maelstrom, valiantly heroic.

It also explains his relationship with Alina. He is her Enneagram strength number, she is his weakness number. This is why she’s drawn to him and he shies away from her.

In the first season of the show we don’t see how complicated their relationship is. They’re portrayed as hesitant romantics. In the book, though, they’re much more co-dependent. Because Alina has stuffed her sun summoning power, she’s psychologically and physically harmed. And Mal carries the weight of the trilogy (spoilers, darling), which shapes his character in ways the show has not yet addressed. Like Alina, the book version of him is not as likable. His Nine-ness, his reluctance to engage and shape his destiny, turns to nihilism, and the heroism a Nine carries is more of a burden for him. I like the actor and how he plays Mal; I hope the show can sidestep some of the darker aspects of his arc.

Now in Color

As always, Critical Notes are after the breakdown.

ONE

Oh, the sitcom homage is going to be The Brady Bunch this time. The title card has that groovy font, and the living room is all brick and wood. Wanda is pregnant and Vision is styled like Peter Fonda. It’s pretty funny. Geraldine has a large afro and Agnes has Marsha hair.

TWO/THREE

Exterior of the house, looking very ‘70s ranch style, and then inside as the doctor listens to Wanda’s belly. Laugh track at the birds-n-bees jokes. However, Vision is seriously trying to ask about the suddenness of this pregnancy. As he walks the doctor out the door, he asks if the doctor can keep the whole pregnancy quiet for now. And the doctor is headed away for vacation.

Salvation’s End

We’re to stop Salvation’s terrorism at the Greatwall, so we fight our way up the tower. Skeletons, cultist sorcerers, a chimera. At the top, the leader Elysion turns two dudes into wights. After we defeat them, he stands on the parapet and monologues. “Don’t you feel it? The very air dances around us! The dragon’s reign at last begins! Merciful winged death! All-powerful and merciless Grigori! Behold, you unrepentant blasphemers!”

Then the dragon flies in and eats him.

So, that’s it for the creepy guy who’s tailed us throughout. Hunh. He corrupted some people, thought he had something important to say, and ended up a boat snack. The dragon will now do what it always intended to do, and Elysion’s impact on it all was nothing.

Frankly, I’m intimidated. But I keep it all inside.

It was basically busywork for us. The only surprise, or relevant information, is the reference to the Dragonforged, that old guy who lives with his doppelgänger in a cave. Apparently, the Dragonforged never did confront the dragon, or he was unable to defeat the dragon and went away a failure. Interesting. I don’t think I put it together that the guy with a chest scar, someone who lost his heart to the dragon, was still here because he was a loser.

ALINA STARKOV, SIX

If you are unfamiliar with the “Grishaverse”, I sympathize. Until I watched the Netflix show, and then deep-dived into the novels, I had never heard of this IP. The Crows, the underworld gang characters, are much easier to scan and appreciate. How they’re written in the books is basically how they’re played in the show. They’re clear and extremely enjoyable.

However, Alina, the protagonist of the Netflix series and of the Grisha plotline, is portrayed very differently in each work. Because we only have one season, talking about the show is difficult. The novel, though, is complete. We can look at this particular Alina and make some choices.

Throughout the Shadow and Bone trilogy, is Alina a consistent character? Can the changes to her be explained by her summoning power? I don’t particularly like Alina, and I’m curious why that is.

Episode 5

Hang on until the end, because this episode is a tear-jerker.

ONE

Amiens, 1918. Establishing shot of a wasteland battlefield with shells dropping in the distance. Inside the bunker, William outfits Matthew. They prepare, it appears, for a horrendous campaign. The troops smoke, pray, and take a last look at letters from home. The mood is grim and fatalistic. As the English charge, the Germans in their own bunkers mow them down.

TWO

Cut to Daisy in the kitchen. She pauses, a goose walking over her grave, as she says.

Back to the fighting. Matthew in the vanguard. Cut to Mary in the parlor as she drops her tea cup. She also has a premonition. And back to the war. An explosion. The camera moves over a rise to show us Matthew in a ditch, William sprawled on top of him. Alive or dead is unknown. It appears that William knocked Matthew out of the way, saving him, but the footage is too chaotic to tell for sure.

Moon over Downton. O’Brien, in mobcap, enters the master bedroom to awaken Cora and Robert. Downstairs, Molesley waits. He’s had a telegram for Mrs. Crawley (who’s still away) and brought it to the big house. Matthew’s not dead. He’s patched up and coming to Downton hospital. We see Cora’s and the daughters’ reactions. Carson in robe enters, and behind him is the rest of the staff, wanting to hear the news. Matthew’s seriously wounded, and William’s fate isn’t known.

THREE

The next day Anna and Bates in the courtyard discuss the news update: William is in hospital and it sounds bad.

Haha, next scene is Violet elegantly ripping into the Doctor. It doesn’t matter if Downton hospital is for officers, get a bed for our village lad. The Doctor stands firm, though, behind military order.

Rescue Aelinore

As I’m leaving the castle, fired up to fight Salvation for the Duke (not really), Mirabelle, Aelinore’s maid, stops me. The Duke banished milady to the lonely northern manse where he’ll probably have her killed. She plans to flee, and seek refuge in her native Meloire if someone could just sneak into the fortified outpost and break her out.

Here’s a guard’s uniform to help you, Mirabelle says.

At the top of the manse is a lonely room with Aelinore locked in it. When I enter, she kisses me and pulls me onto the bed. (Dude, we’re in a hostile castle!) After, she’s ready to escape. Now I must lead her to the cellar all by myself and keep her alive. My Pawns will meet me at a certain point in the lower level, but it can be tricky to get there in one piece.

Also, Aelinore has a tendency to say this: “I’m sorry, I … I cannot possibly cross here. Might you … carry me across?”

Her people wait for her outside the back door. Mirabelle says they must leave immediately, and her guards shake their heads at me, threatening, if I try to follow.

Thus ends the duchess quest.

INEJ GHAFA, ONE

Without a doubt this is a Body Type. The Wraith is an athletic phenomenon. She’s small, which suggests a One. Is this true?

Of course. She’s no Eight, certainly. Anger and impulse are not part of her character. She’s a dart, an arrow. A stab. These are not the movements of a Nine. Her quickness, litheness, and stealthiness all say One.

The orderliness of a One is there, too. Her gathering of secrets, her accumulation of knowledge, it’s like a filing system in her head. The city, its rooftops, are another filing system to Inej. Everything is so tidy.

She’s a One and Kaz is a Five. I love them both, but I don’t have high hopes that these Enneagram numbers will make a match if their story were ever to continue.