KA Byrnes – Page 47 – Enneagram and Encaustic

EMPLOYEE OF THE MONTH

ONE

The Krusty Krab. Spongebob pesters Squidward, who reads a book while manning the register.

TWO

Today’s the beginning of the judging for Employee of the Month. Squid considers the award a scam. Work harder for no extra money in order to win. He indicates the “wall of shame”, a series of winner’s photos that are all Spongebob. Spongebob gives a genuine statement about pride in your work, and Mr. Krab gives him an arm hug. Then he tells him it’s a tough judgment this month. Squidward’s on the verge of a breakout!

THREE

Elbowing him, Squid says, “I might sneak up on you.” Hardy har.

FOUR

Spongebob imagines Squid’s laughing face inside the waiting empty picture frame and wails. “How can I let the quality of my work slip so much?” Actually, this is a terrible, bullying episode! Stop gaslighting the Sponge.

Episode 3

ONE

The grounds at Downton as Bates, in coat and bowler hat, walks off the property. A lovely period-dressed shot to establish the village, and then Bates is in the post office. He runs into one of the maids as she enters on her own business.

At the house Anna tries to wrestle a trunk from a high place. In walks Post Maid. “What are you doing?” They’re roommates and Anna needs space. But the luggage is unusually heavy, which is mysterious. Anna insists on knowing the contents.

Outdoors Cora approaches Mary on a bench reading a letter from Evelyn. He’ll be in the area. Cora insists he stay with them.

TWO

Cut to the luggage open on the bed. It’s a typewriter. Post Maid has been taking a correspondence course. O’Brien barges in on business and the two maids quickly block view of the secret until she exits. To want to leave service, to look for a job, is a big deal.

Cora tells Robert and the Dowager of Mary’s interest in Evelyn. Let the matchmaking begin! The Dowager’s only hesitation is to keep fighting for the inheritance for Mary.

Matthew on a bicycle freewheeling through the village, fresh off the train, comes upon Edith. Oh, aha. She and Mary, last episode, argued over Matthew. Mary doesn’t want him and Edith does. Here, she suggests a picnic lunch while touring the local churches. It’s very cringe.

Back to the typewriter. It’s now on the kitchen table and all the staff poke at it as an oddity. Carson comes in with Hughes to tame the wild beast. Ah, O’Brien brought it to light. Big tattletale! Gwen (Post Maid’s name) walks in, quite upset to see her private object in the public kitchen. Hughes, in charge of her and her welfare, insists she has a right to know. Lovely reaction shot of O’Brien as Anna says, “It was you.” Why, Hughes asks, did you buy this typewriter? “I want to be a secretary.” Oh, haha, delicious. The staff react as if a lion is loose. Carson’s face is priceless.

BRAN STARK (BOOK), NINE

He’s young, and the chapters from his perspective reflect a child’s understanding and interests.

He’s a knight-stan. It’s logical that a youngster in a medieval era would love the warriors and know their names by heart. This child, though, is clearly a Body Type. He climbs because he must.

When he and Robb receive Sansa’s letter proclaiming Ned a traitor, Bran cuts to the chase: Sansa lost her wolf. If the children and their wolves share a bond, then Sansa’s was broken, she was broken, against her will. (Nymeria runs free with Arya’s permission.) What a great insight — and a glimpse of the wisdom Bran will have — as to why Sansa would weaken.

He has a chance to study as a Maester, a vocation he’d excel at, but turns it down. It has no magic, and that’s what he wants. He wants to fly. Again, Body Type. He wants to ride out like Robb and hear the cheering. It’s the image of trotting rather than accolades that moves him. More than his body is broken by the fall. His inner self, his connection to life as a Body Type, is broken. If that can be rebuilt it will take a while.

I don’t think he has the vitality of an Eight. Nine or One? He’s a natural diplomat with no love of accounting. Nine.

The Man Trap

Season One, Episode One of Star Trek OG! I’ve seen every episode multiple times. How will it stack up?

ONE

The Enterprise in orbit. Over, Kirk dictates his log. Mr. Spock temporarily has command as Kirk and Dr. McCoy have beamed down to the planet. Notice the introductory tone and the attention to military detail. We shall ignore the pilot episode with Captain Pike and consider this the very first episode. The show definitely does.

Okay, they’re here for a routine medical examination of an archeologist husband and wife duo. However, Nancy is someone from McCoy’s past. Dunh-dunh! Also, we have a third man, someone wearing a blue shirt, on the away team. First episode, the red shirt curse hasn’t been codified yet. I fear for you, crewman!

Kirk makes a joke about bringing flowers to an old girlfriend. McCoy ribs him back.

Inside, the living quarters are empty. No one’s currently at home. Closeup of the blue shirt looking around!

A history lesson: it’s been ten years since McCoy saw Nancy.

CERSEI LANNISTER (BOOK), EIGHT

She’s insightful, but is it a natural diplomacy or is it keen self-preservation? She sends Joffrey to a frightened Sansa (on the trip south), which is exactly the right thing to do at that moment. It’s a kind and attentive act. It also stops a potential scene. It stills the waters. Impressive, but what underlies it?

When Arya is held to account for her attack on Joffrey, Cersei is determined. She knows all the angles to get some kind of justice, or revenge, for the sake of her son. It’s as if she’s followed all the branchings in her mind, all the permutations of reactions, and decided what to do in response. Either that, or she’s incredibly quick-witted. She has an iron discipline.

Ned confronts her in the godswood. She’s so calm, so straightforward! She doesn’t flinch or dissemble. Whoa! She had an abortion rather than bear Robert’s child. That’s different from the story TV Cersei tells Catelyn. She hates Baratheon. Quite a choice by the showrunners to make Cersei . . . more likable? Weird. Robert called her Lyanna on their wedding night. Another moment when the ghost changed his life and he didn’t even know it.

And Cersei makes a pass at Ned! An orgasm for a favor, for forgetting who fathered the children. When he tells her to flee, that Robert will chase her with his wrath, she asks, “And what of my wrath?” To underestimate Cersei, to not see her as a power broker, is a fatal mistake.

Only Tyrion can annoy her enough to make stupid mistakes. Or is Tyrion the only one who looks closely enough to see them? What is she?

She acts from her gut. Her heart and her head don’t hold sway. She’s too manipulative to be a Nine and too dull to be a One. An Eight, then. Hmm. It would explain why she and Tyrion rub each other wrong: they are each other’s strength and weakness number. As much as I love Lena Headey I wouldn’t have cast her as this Cersei. She’s playing (and is written to be), probably, a Four. A true Eight portrayal would’ve been magnificent.

THE CHAPERONE

ONE

The Krusty Krab. Spongebob is in the kitchen, sniffing patty meat. Mustard check mark — perfect!

TWO

Crying is heard. Spongebob peeks his head out the order window and then hides. Pearl, tears streaming, runs through the dining area and into the office. Spongebob follows the trail of moisture and listens at the door.

Haha! Mr. Krabs’ voice tells her to calm down and the office door slams to the ground from the tsunami of tears. Spongebob fights the wave to put the door back. A stream of water knocks down the door and ejects Mr. Krabs across the restaurant, tears filling the room. (Yay, finally. Water flooding a building that is already underwater. I’ve been waiting for that reality check!)

THREE

What’s wrong with Pearl? Her scurvy prom date stood her up.

Our Lady of Guadalupe

3″ x 3″ on wallboard. Photographed in a beam of sunlight.

SOLD

Episode 2

ONE

A car with luggage passes a horse-drawn carriage through the village. Ah, the Crawleys, mother and son, are inside.

TWO

They arrive at Crawley House. Interesting: there’s a house waiting. Feel the weight of the legacy. Matthew wants to turn down the inheritance; his mother makes clear that is a legal impossibility. This is all good storymaking. Characters must accept the thing they want least.

Molesley, butler and valet, greets them. Of course Matthew balks. He’s a middle-class man who doesn’t want to be changed by a title.

THREE

Now we get Cora’s and Robert’s perspective. The former heir, Patrick, was raised to understand his role. Again, reinforcing the fish out of water trope for Matthew.

The Fortune-Teller

ONE

Typical One: where is our team camping? We have a lake with fish.

TWO

However, Sokka can catch nothing because Aang has taken the fishing line and used it to weave a necklace for Katara. The lack of line is not the Two; survival is not the point of this episode. It’s the lovey gift, unasked for.

THREE

And here we have a stylized vision of a glowing Katara wearing the necklace. Sokka says, “Smoochy, smoochy,” and Katara says they’re just good friends. Each of these elements is not the Three (they’re more part of the Trouble). It’s the notion that one of the team cares in a way that isn’t reciprocated.

THE HOUND (BOOK), NINE

He’s Joffrey’s dog. Mean and biddable. At the beginning he’s just a tool, and that’s how he sees himself. His will is not his own. Just because he’s a servant, though, he’s not a simpleton. He sees The Game around him and understands it. It amuses him. Killing and laughing, really, are the breadth of his range. He’s quite interesting as a character study.

Ah, he’s the first person to challenge Sansa, to point out that she’s a puppet. She has not begun to discover herself but only behaves as she’s been trained. Why does he care enough to confront her with this?

And the story of Sandor’s burning is told to Sansa by him, not by Littlefinger’s gossip, here in the book. Why diminish such a powerful story, such a powerful moment between these characters, by giving this speech away? He threatens her to secrecy later, not that she would tell anyway, afraid possibly at the vulnerability he’s shown. His behavior is a wonderful mystery that makes him very interesting.

When he jumps in at the tournament to rescue Loras from the Mountain he’s magnificent. Brave, obviously, but he’s also a kind of watchman on his brother, who’s a truly evil creature. Stop Gregor from hurting anyone else might be Sandor’s only motto.

Now he’s part of the Kingsguard, standing watch over Joffrey. At the “gnat’s” tournament he takes Sansa’s part, although with a stone face. He won’t hit Sansa, the only guard who isn’t challenged to do so. He doesn’t care about anything, it seems, yet he interjects himself so effortlessly at key moments.

The ironic detachment, the physical competency, the lack of will to create his own destiny — what number? Nine, of course. He avoids conflict by not caring about anything. Only Sansa, through innocence, vulnerability, or naivete, can get him to engage.