UNCLE BILLY, TWO

He’s forgetful. When Mr. Bailey dies no one suggests that Uncle Billy could run the Savings and Loan. He’s a beautiful, loyal heart, but a manager he is not.

Uncle Billy loses the deposit — forgets it — because he wants a piece of Mr. Potter. He just has to tell him off, which causes him to leave the money behind, momentarily forgotten. Is this a trait that helps identify his Enneagram? Anyone would want a righteous poke at Potter. Not everyone would let their emotion out until the deposit was secured, though.

And when George yells at him . . . oh, doesn’t it break your heart? It’s because Uncle Billy, in a small way, deserves it. He’s a grown man who can’t be trusted with a grown-up’s responsibility. However, it’s possible that Billy is mentally challenged. No one spells it out, but that’s how he’s played. Without George, in the angel’s version, Billy is committed to a mental institution. No one’s asked him to step up, no one’s depended on his support. On his own he can’t cope.

I’m tempted to say that Uncle Billy has no Enneagram. He has the strings on his fingers, and all else could be attributed to challenge rather than personality. Is he a Head Type? A Body Type? Probably not. As a Heart Type is he a befuddled Two? His sweet enthusiasm, and his love for George, are priceless. 

Actually, that’s the clue that he’s a Two, albeit a challenged Two. Sevens, which is George, tend to collect Twos as precious sidekicks. (Notice that Clarence is also a Two.) Without George, Billy has no purpose or direction.

The Fifth Husband, pages 5-6

In honor of the feast day of St. Thomas Becket, martyred in Canterbury Cathedral in 1170, I present these pages. As always, the published book handles the screenplay formatting efficiently. The blog post, not so much.

PRIORESS, an elderly nun surrounded by pampered doggies, nods at Alys.  She is a Very Important Person who is always treated with deference.  Feeding table scraps to her dogs is the NUN’S BOY.

                                   ALYS 

Mother Prioress, my pleasure. Another woman on the journey will be most welcome.

Continue reading “The Fifth Husband, pages 5-6”

Scrooge, page 82

REVERSE as Cratchit walks away. We see a whole gaggle of
Spirits looking in the window at Scrooge’s efforts.
Satisfied, they disperse.
PULL OUT to show a bird’s eye view of the Spirits who walk
London, now leaving Scrooge’s presence and looking for new
lost souls to bemoan.
PULL OUT FURTHER to the Lone Spirit on the spire of St.
Paul’s Cathedral. Beneath him London is coated in a hazy,
coal-burning smog, yet he sits in the sunlight. Shading his
eyes, he looks off.
SPIRIT-POV. In the distance, leaving the city, is a train,
its engine sending steam into the blue.

Continue reading “Scrooge, page 82”

Tiny Tim’s Song

Listen at bandcamp. I did apply a saturation filter to this photo. Encaustic can be so difficult to capture the color and texture.

1 When the bakers start their fires
and the stuffed goose casts its lure
and the baskets full of chestnuts loll
like gentlemen at doors,

We thank our gracious Father
for the feast laid at our feet
and all the meat and fish and fruit
He’s given us to eat.

2 When the girls dance round in furs
and the sharp men doff their hats
and the lamplighters tap fire to wick
like mischievous black cats,

We thank our gracious Father
for our friends and family
and all the health and wealth and love
which makes us so happy.

3 When the church bells toll their call
and the people gather in
and the Bible tells of sinners whom
the Good Lord has forgiv’n,

We thank our gracious Father
for His Son whom Mary bore
and all the blind and deaf and lame
that Jesus may restore.

4 When the dead man fades to dust
and the spade turns up his bones
and the mourners in black armbands face
the rest of life alone,

We thank our gracious Father
for the angels bending near
to bring our lost and lonely prayers
to God’s eternal ear.

5 When the boys give glad noel 
and the snow drifts on the air
and the mothers in the workhouse sing
to babies who aren’t there,

We thank our gracious Father
for the stable and the star
that hope in dark and troubled times
may beckon from afar.

MARY HATCH, NULL

She’s determined. She wants George and she pursues any opening he gives her. She’s organized. Very. Ridiculously so. She leads the local USO while refinishing an old house and raising her children.

All of the community facets –such as parties for Savings and Loan customers — are a joy to her. When George needs help she calls so many people, local and further away, because she’s established those social connections over the years. Everyone loves Mary.

What Enneagram is she? Her effortless ability to juggle so much suggests a Three. Her belovedness suggests a Two. Her organizational skills could also suggest a One.

Is Mary more of a perfect-wife archetype than an actual character? Does she have any flaws? The honeymoon dinner with the chicken rotisserie that uses the turntable is wonderful, but possibly too clever.

Is Mary so Not Me that I have trouble accepting her as believable? Haha, maybe. This is George’s story, though, through and through. He arcs, he faces a true crisis. Mary is a set piece. All of George’s woes belong solely to him because what man could complain about this wife? She’s designed to be perfect.

Hmph. I’m disappointed.

I’m also relieved, because she’s a high bar to face every Christmas season. If she’s not an actual character I don’t need to measure myself against her. Whew.

CLARENCE, TWO

He’s an angel. He’s an inept angel. In the hierarchy of heavenly beings, he’s on the bottom rung.

The more I think about Clarence, the more he bugs me. He’s so twee! As a trope subverter — dufus angel — he feels very contrived. Of course this bumbling fool will find a way to save George’s soul. No competent angel could figure out how to show George the purpose of his life? All the wise angels were busy? And heaven is ordered like a first-grade classroom, with wings passed out like gold stars for getting the math quiz correct?

Whew, I had no idea poor Clarence pushed my outrage button like this!

He connects with George on an emotional and sympathetic level. Heart Type. Not a Three, obviously. (A Three on the bottom rung of the angel ladder? Puh-leaze.) He’s too gentle with George to be a Four.

Two. He has that oddball quality. Heaven is happy to have him, they just can’t figure out what to do with him yet. To devise a plan that shows such heartbreak to not only the family but the entire town, is not something a Head or Body would’ve thought up. Not in this way. The social fabric of Bedford Falls is ruined by George’s absence. That’s very Heart.

HOME SWEET PINEAPPLE

ONE

Something. A group of somethings. Worms hopping together, all saying, “Walking.”

TWO

They stop. “Hungry.” 

THREE

They swarm and consume a coral structure in two seconds. Alright, their group-minded behavior is really funny, like Finding Nemo’s seagulls. Frightening, but funny.

FOUR

“Still hungry.” There goes some fish’s boat/car. “Dang nematodes,” says the fish. Ah, a name for this being. I got them confused with the Anchovies from the first episode. #CreaturesThatSwarm

“Thirsty.” Pan camera to reveal the pineapple neighborhood. Rut-roh.

Aaaargh! They pull out straws and suck on the house! It shrinks, still a perfect pineapple. Spongebob, inside, sleeps. Gary’s food bowl shrinks and disappears. The foghorn alarm gets smaller, ringing higher, until it disappears. Only Spongebob and Gary stay their size.

The house is shrinking around them. Spongebob calls Squidward on the shell phone. It shrinks away.

Patrick opens his rock. The pineapple shrinks away, leaving Spongebob and Gary in the crater. “Nematodes.” The only thing left is “this little pebble”.

Squid and Pat see that Spongebob’s house is gone. 

Thinking Spongebob will now vacate the neighborhood, Squidward shakes his hand and wishes him well. Party streamers come from the Head window.

Spongebob pockets the “pebble”. (I know, I’ve seen it. But I still think the pebble insert would be a sufficient clue for someone watching the episode for the first time.)

SWITCH

Move back with Mom and Dad? There’s their picture as an insert! (They’re so cute.) No, we’ll build you a new house!

FIVE

Shiny, hard hat-wearing duo. With tools! No surprise, but they’re terrible at building. Montage of their hijinks. And then there’s a finished pineapple. A small one. It’s the size of a hat. And it breaks.

Now where? Rockmates with Patrick. The rock is like a shared blanket. Hahaha! Trouble, ending with Patrick dreaming of spiders and smashing the rock on Spongebob. They always give you the joke you expect, and then take it one further. And even more. Cracking up.

Squidward sleeps peacefully. He agrees to let Spongebob stay. Wait for it . . . yup. There’s the close-up of his eyes bugging out as he wakes up enough to realize what he’s said. Kicked out.

Nighttime over the ocean. Moon and island shot. Dissolve to day.

Squidward wakes up. It’s a celebration day. He’s so happy to be saying farewell to Spongebob. 

Patrick cries. Mom and Dad drive up to gather Spongebob and his bags.

SIX

Spongebob reaches in his pocket! 

Destruction vs. Creation as the Three/Six? Visually it’s a stretch, but thematically it’s quite good. A large coral and a small seed don’t seem connected at first glance. I guess you could also say that the Three is the action of a crowd and the Six is the effort of an individual. It gets even lovelier!

SEVEN

He buries the pebble in his house crater and waters it with his tears. Underground shot of the pebble absorbing the water and activating.

EIGHT

Shaking hands goodbye. Squid, still in the crater, does a dance. Intercut Patrick holding back the boat/car, the pebble glowing, and the Squiddie victory performance.

A large vine sprouts next to the crater, grows a pineapple (with windows and door), and drops it on Squidward’s head.

“My house is back!” They all go inside, happy, and step on a flattened Squidward under the floor dirt.

NINE

“I’m back forever!” says Spongebob.

Squid, still a sand figure, mumbles, “Forever?” Thwarted again, buddy.