Enneagram – Enneagram and Encaustic

Portkey to Gringotts

Flying over the quidditch pitch in the fresh morning air … someday

Hogwarts Legacy (2023) is an absolute blast of a video game. It was so successful upon release that a sequel is in development. HBO is shooting a Harry Potter reboot series of the books. It’s a good time to like the Potterverse.

One of Legacy’s strengths is how it combines the expected lore we all know with a fresh story. The plot has nothing to do with Potter and takes place years prior — the late Victorian era — to the books.

Our character begins as a fifth year student who’s attending Hogwarts for the first time.

ONE

On a street in London I and Professor Fig, who’s quickly teaching me what I’ve missed for four years, load a carriage and prepare to travel to Hogwarts.

TWO

A ministry official, George Osric, apparates in. He’s got news to share with Fig, but not here on the street. The coachman shakes the reins of invisible steeds and we fly away.

UNCUT GEMS

A lot of content nowadays is generated just to trash on someone else’s creativity. The worse a show is, the more people will make a video about it. It’s not my intent to be that person. My Enneagram reviews of unsuccessful shows are because I hope to find an answer. Usually it’s because I love the content and am disappointed that it failed. I believe that a great Story Enneagram structure will lead to a great movie.

Sometimes, though, a subjective reaction will overcome the objective reality of a solid Enneagram.

From my unused files, a case in point:

I can’t say I enjoyed Uncut Gems, 2019. This is a well-crafted movie, heavy with intentions. The filmmakers knew what they wanted to do. No, my dislike comes from the character and plot. Again, well-acted. I just don’t want to watch this protagonist. I don’t really care about his drama. He’s repugnant. I’m pretty sure this is what everyone was aiming for and they succeeded. Hat tip to them, and please never put this movie in front of me again.

LEFTOVER NINE

The movie opens in Ethiopia, 2010, as if it were a Raiders or Jurassic Park franchise. Locals work a gem mine under hazardous conditions. A man with a wounded, bleeding leg is pulled from a cave-in. The crowd is restless, angry. Miners still underground chip out a rock loaded with gems (or a single gem peeking through the layers). It’s shiny.

ONE

We dive into the gem. Colors, music, the kaleidoscope — it’s like an outer space nebula. This is a very particular shot. This gem — The Rock — is like Sauron’s Ring. It plays a protagonist of sorts, a force with an impact on agency. You could even say it has a magical influence. All of this is suggested in this shot.

Then the gem interior cross fades seamlessly into a colon interior. (Yes. I know.) Howard is undergoing a colonoscopy. Afterwards, the credits run as we follow him forward with his day. It’s New York City, 2012, Howard runs a sketchy jewelry store, and disorder emanates from him like a noxious gas. Even for the city, he’s loud and brash.

Flying

ONE

Picking up where Episode One of The Good Place left off, Chidi still stresses while Eleanor tries to evade the problem. She calls for Janet. (Actually, Chidi calls for Janet because Eleanor can’t remember the name.)

TWO

First, Eleanor confirms that any conversation with Janet is confidential. Yes, not even Michael can access it. Then she asks Janet for bee-striped clothes.

At the town meeting in Tahani’s palace, everyone wears the same fabric. Michael, with false confidence, tells them all that he has no idea how the chaos happened.

THREE

And then Tahani’s normal clothes return as the bee-striped outfit fades away.

Roll credits.

Everything Is Fine

Although it’s been around for nearly a decade and I’ve rewatched it multiple times, I’ve never written about The Good Place. I’ll be very surprised if the episodes, especially in Season One, don’t have a tight Story Enneagram. Let’s make sure, though. Any excuse to have a good laugh is worth taking.

ONE

Eleanor Shellstrop opens her eyes. She’s in a generic waiting room and the wall opposite her shows the chirpy message: Welcome! Everything is fine.

(I won’t jump ahead with spoilers, but be warned that each episode rolls out information. Once you know the season’s ending, the rewatches — especially the ironic touches — become even more delightful. We can talk about that at the Season One overview.)

Michael, the manager, takes her into his office and informs her that she’s dead. She was killed by a column of shopping carts that swept her into traffic. Now, Eleanor’s in the Good Place.

Roll credits.

BRAX, THREE?

In flashbacks of The Accountant we know that protagonist Wolff has a younger brother but we don’t know what became of him. For quite a while we only see Wolff. Eventually we realize that the man set against Wolff is his brother, who’s given the non-descript name of Brax. It’s an intriguing Eight moment when they recognize each other. And now we know that the sequel will feature the brothers together prominently, as almost a buddy comedy, or so it sounds. Therefore it’s important to look at him in the first movie.

Brax is an assassin. How he ended up in this job is not explained. He’s also slightly too enthusiastic about the chase. I would not say that Brax is psychotic. However, he’s not breaking his own moral code to do the work.

So, does assassin line up with a particular Enneagram?

I immediately gravitate toward a Body Type. All we see of him, from child to adult, is physical aggression.

But I want to say he’s a Heart Type. He’s become an accomplished fighter in order to defend his brother. In the flashbacks we see how much the father depends on Brax to protect Christian. His dad can send him into a fight like he would a dog. As a child, Brax acts from loyalty; as an adult, no one holds his leash.

I’m not sure that this movie gives us enough on Brax to identify which of the Heart Types he would be. We’ll need to wait for more information. Two, Three, or Four? I’m going to lean toward Three, just because he’s so competent. He’s always had a confidence. Let’s put a question mark on it, though, and revisit his character after watching the sequel.

UPDATE: Brax is a Four.

In The Accountant 2, a film I cannot recommend, Brax shows the emotional volatility of the other Heart Type number.

Galaxy Quest (1999)

Happy Ship Weekend! As I’ve mentioned elsewhere, our personal family holiday originated when the Pirates of the Caribbean movies released annually on Memorial Day weekend. Before each new installment, we would watch the previous film to build enthusiasm. Eventually we branched out to other tall ship stories. When we included Disney’s Treasure Planet, it seemed appropriate to diversify into a wider definition of ships. Now Ship Weekend includes air ships, space ships, and fishing boats. If we’re in the mood we’ll stretch the definition all the way down to the tiniest ship possible, the surfboard. The best movies combine our ship holiday with the official memorial for the fallen. Battleship and submarine stories are wonderful. However, the grandaddy is Master and Commander. It’s a near-perfect film. Maybe next year I’ll take a look at it. Until then, I have a holiday-appropriate Story Enneagram review that’s been sitting in my completed folder for a while.

ONE

Heroic music and a television’s aspect ratio introduce a show called “Galaxy Quest.” A clip from an episode plays, showing us the crew and tone. Catch phrases are spoken. “Activate the Omega-13”, with dramatic music, transitions into a “to be continued” screen.

We’re at a fan convention. Cosplayers applaud. An enthusiastic host (Guy) prepares to announce the actors from the show.

Cut to the green room where, in costume, they all wait. Everyone except the Commander. As they complain, we meet their characters. These actors have had this very conversation innumerable times. When Jason finally enters, everyone’s dislike of him is evident.

CHRISTIAN WOLFF, NINE

With The Accountant 2 releasing to theaters, I took the chance to watch the first movie and enjoyed it. Wolff, the protagonist, is a high-functioning autist with a talent for math and numbers. However, as we learn in flashbacks, Wolff’s father, an Army officer, has trained him (or abused him) to be a martial artist and gun expert. Wolff’s accounting office in a backwater strip mall is a cover for his business with mafia-type clients.

I’m interested to look at Wolff’s character. He will have certain traits common to autists: sensitivity to bright light, loud noise, and touch. He is compelled to complete tasks. These behaviors will be the first thing we notice about him; finding his Enneagram becomes more difficult because we need to look beyond his autism. The showrunners — writer, director, and actor, Ben Affleck — must give us a complete person and not rely solely on his neurodiversity. Did they?

He’s physically competent. I don’t know if that makes him a Body Type, though. His father basically forced him to learn. What we do see is a determination of will in him. He won’t quit when he’s a child, and he won’t abandon his mission when he’s an adult. This is possibly a Nine’s sense of justice.

Although he longs to connect socially with other people, Wolff doesn’t seem like a Heart Type. We briefly meet a girl, Justine, at the medical facility who has a very difficult time with stimuli. Yet we can feel how strongly she wants to connect with others. This character feels like a Heart Type to me. Although she and Wolff are both autists, they handle the world differently.

I also wonder if people immediately assume that an autist with a mathematics gift is going to be a Head Type? Nothing about Wolff leans into that. Partly, the casting of Affleck, a large man, stops that. Typically a Head Type would be a smaller, slighter man. Also, Wolff processes the world physically rather than mentally.

You know, I started out with a Nine and I think I’ll end up there. I’ve never delved into Affleck’s roles, but at a glance he seems to always play a Nine. Think Batman and Good Will Hunting. Some actors, even the great ones, will settle into a niche. Spencer Tracy is beloved for it. I have no problem with an actor who knows his sweet spot. This is an action movie with an interesting backstory. Casting someone who reliably plays a Nine is good business, and it works. The movie is entertaining.

But it wouldn’t work as well without Wolff’s brother. We’ll need to take a look at his character, too, on another day.

Who is the protagonist of “Wuthering Heights”?

Hopefully you’ve read my other musings on this novel. (If not, click on the tag.)

We know that Heathcliff and Nelly Dean are the only characters who are present at the beginning, middle, and end. It’s natural to look to them as potential protagonists.

However, film versions focus also on Catherine. In movies, she and Heathcliff are the main romantic pairing, even though the book portrays them as beyond romance. In the novel they have no sexual chemistry or desire to build a married life and family — they are simply one person in two bodies. For love in the book, look to Cathi and Hareton. Every meeting they have is described in the language of a romance novel. They begin star-crossed, overcome their adversities, and become a couple. We see them being ‘shipped at every step of the way and enjoy the unfolding of their love. All of the remaining characters who strike at and torment each other are forgotten due to the winsome duo at the end. We are redeemed by their tenderness and forgiveness. I don’t know how a faithful adaptation could leave them out and focus instead on the Catherine relationship.

Film versions also downplay Nelly’s character. She’s just the narrator, they say. That attitude ignores how often she moves the story forward. The conflict between her role as an innocent storyteller and an interfering servant is essential to the plot. She wins in the end. Her two “children”, the babies she nursed, fall in love and achieve happiness. Heathcliff’s plan to tear down the households is defeated. These competing objectives, Heathcliff vs. Nelly, are the foundation of the story. We need both of these characters in complete detail. To focus on Catherine is to miss the tension. Also, adding to the complexity, Nelly is one of the only people Heathcliff doesn’t treat with malice. They are comrades and adversaries simultaneously. Their objectives are opposite; neither can let the other win. Yet, they are kind to each other. They are the only characters who consistently treat each other with charity.

Story Enneagram of “Wuthering Heights” (the novel)

Is this a compelling story? It’s been made into many film versions, so the obvious answer is yes. But why? It tells of unbelievable cruelty. Somehow showrunners have twisted this plot into a romantic drama with Heathcliff as a hero. Let’s see what the book actually says.

ONE

Introduce the players and the two house locations. We are approximately six months before the present day.

The tenant of Thrushcross Grange (TG), Mr. Lockwood, is our entrance point. He walks over to visit his landlord Heathcliff at Wuthering Heights (WH). We meet some very unhappy people: Young Catherine (Cathi) and the rustic Hareton.

TWO

Lockwood returns the next day and becomes caught by a snowstorm and is forced to stay overnight. No one will help or take pity on him. Finally the housekeeper Zillah finds him a place to rest. This is Catherine’s room when she was a child. Lockwood sleeps in her cupboard bed and encounters her ghost. When Heathcliff finds him there he kicks him out and begs Catherine to come to him.

THREE

Lockwood, who caught a cold from his adventures in the snow, is bedridden. Nelly Dean, the housekeeper at TG and an old family servant at WH, entertains him with the story of Heathcliff, which is the majority of the book. Let the history begin . . .

CATHERINE EARNSHAW, EIGHT

This is The Cathy, the one everyone who’s seen a Wuthering Heights movie probably considers the protagonist. Her maiden name is Earnshaw, her married is Linton. Her daughter is named Catherine Linton, so the Cathys in this story pile up and become confusing.

However, this is the Cathy who loves Heathcliff. (The one Kate Bush wrote a song about.) They are wild children together, running over the moors. Later, when Cathy grows into a beautiful and eligible young woman, she drops Heathcliff in order to marry her respectable and gentle neighbor, Edgar Linton. She loves him, too, in a different, less volatile way.

And then Cathy dies. Remember, I’m looking at the book characters. Merle Oberon dies at the end of the movie; in the novel Cathy dies in the middle and the other characters continue forward through the second half. For someone who seems central to the plot, she disappears in a shocking way.

Also, when you read the book, Cathy’s cruelty is surprising. She spits on Heathcliff when she first meets him. She’s barbaric and unrestrained until an injury lays her up at the Linton house for a month. Their gentility and manners change her. Because she’s not the protagonist, though, her motivations are muddy. She dumps her soulmate, Heathcliff, for an elegant life. She claims she can’t live without him — Heathcliff is her soul — but then she does for a while. The conflict between the two men wears her down and her health succumbs to weakness.

Cathy is not a kind person or even an admirable one. She is passionate sometimes (as opposed to Heathcliff, who is on fire every moment). What Character Enneagram could she possibly be?

She’s no Head Type. It’s plausible that she’s a Heart Type, but compared to Heathcliff she pales. I think we need to call her a Body Type. Her reaction to conflict is to strike or react physically. She longs for the moors, the fresh air, and the unencumbered space to run free. I could argue that when she marries and confines herself to a lady’s life in the house, she begins to decline. Heathcliff wants to get her outside to revive her spirit; it’s the right instinct.

This is an Eight. She’s too unbound by rules to be a One, and she’s too eager for conflict to be a Nine.

Interesting. I complain often about Hollywood making their girl boss characters an Eight as a default position. Cathy is a true and complex Eight. She’s not heroic, but she’s strong. Why does she step away from that strength to marry Edgar? Social expectation? A desire for comfort and beauty? She and Heathcliff are two halves of one person, by their own admission, yet she parts them.

I’ll dig into the actual story later. My answer must lie there, I hope.