Character Enneagrams – Page 14 – Enneagram and Encaustic

BRAN STARK (BOOK), NINE

He’s young, and the chapters from his perspective reflect a child’s understanding and interests.

He’s a knight-stan. It’s logical that a youngster in a medieval era would love the warriors and know their names by heart. This child, though, is clearly a Body Type. He climbs because he must.

When he and Robb receive Sansa’s letter proclaiming Ned a traitor, Bran cuts to the chase: Sansa lost her wolf. If the children and their wolves share a bond, then Sansa’s was broken, she was broken, against her will. (Nymeria runs free with Arya’s permission.) What a great insight — and a glimpse of the wisdom Bran will have — as to why Sansa would weaken.

He has a chance to study as a Maester, a vocation he’d excel at, but turns it down. It has no magic, and that’s what he wants. He wants to fly. Again, Body Type. He wants to ride out like Robb and hear the cheering. It’s the image of trotting rather than accolades that moves him. More than his body is broken by the fall. His inner self, his connection to life as a Body Type, is broken. If that can be rebuilt it will take a while.

I don’t think he has the vitality of an Eight. Nine or One? He’s a natural diplomat with no love of accounting. Nine.

CERSEI LANNISTER (BOOK), EIGHT

She’s insightful, but is it a natural diplomacy or is it keen self-preservation? She sends Joffrey to a frightened Sansa (on the trip south), which is exactly the right thing to do at that moment. It’s a kind and attentive act. It also stops a potential scene. It stills the waters. Impressive, but what underlies it?

When Arya is held to account for her attack on Joffrey, Cersei is determined. She knows all the angles to get some kind of justice, or revenge, for the sake of her son. It’s as if she’s followed all the branchings in her mind, all the permutations of reactions, and decided what to do in response. Either that, or she’s incredibly quick-witted. She has an iron discipline.

Ned confronts her in the godswood. She’s so calm, so straightforward! She doesn’t flinch or dissemble. Whoa! She had an abortion rather than bear Robert’s child. That’s different from the story TV Cersei tells Catelyn. She hates Baratheon. Quite a choice by the showrunners to make Cersei . . . more likable? Weird. Robert called her Lyanna on their wedding night. Another moment when the ghost changed his life and he didn’t even know it.

And Cersei makes a pass at Ned! An orgasm for a favor, for forgetting who fathered the children. When he tells her to flee, that Robert will chase her with his wrath, she asks, “And what of my wrath?” To underestimate Cersei, to not see her as a power broker, is a fatal mistake.

Only Tyrion can annoy her enough to make stupid mistakes. Or is Tyrion the only one who looks closely enough to see them? What is she?

She acts from her gut. Her heart and her head don’t hold sway. She’s too manipulative to be a Nine and too dull to be a One. An Eight, then. Hmm. It would explain why she and Tyrion rub each other wrong: they are each other’s strength and weakness number. As much as I love Lena Headey I wouldn’t have cast her as this Cersei. She’s playing (and is written to be), probably, a Four. A true Eight portrayal would’ve been magnificent.

THE HOUND (BOOK), NINE

He’s Joffrey’s dog. Mean and biddable. At the beginning he’s just a tool, and that’s how he sees himself. His will is not his own. Just because he’s a servant, though, he’s not a simpleton. He sees The Game around him and understands it. It amuses him. Killing and laughing, really, are the breadth of his range. He’s quite interesting as a character study.

Ah, he’s the first person to challenge Sansa, to point out that she’s a puppet. She has not begun to discover herself but only behaves as she’s been trained. Why does he care enough to confront her with this?

And the story of Sandor’s burning is told to Sansa by him, not by Littlefinger’s gossip, here in the book. Why diminish such a powerful story, such a powerful moment between these characters, by giving this speech away? He threatens her to secrecy later, not that she would tell anyway, afraid possibly at the vulnerability he’s shown. His behavior is a wonderful mystery that makes him very interesting.

When he jumps in at the tournament to rescue Loras from the Mountain he’s magnificent. Brave, obviously, but he’s also a kind of watchman on his brother, who’s a truly evil creature. Stop Gregor from hurting anyone else might be Sandor’s only motto.

Now he’s part of the Kingsguard, standing watch over Joffrey. At the “gnat’s” tournament he takes Sansa’s part, although with a stone face. He won’t hit Sansa, the only guard who isn’t challenged to do so. He doesn’t care about anything, it seems, yet he interjects himself so effortlessly at key moments.

The ironic detachment, the physical competency, the lack of will to create his own destiny — what number? Nine, of course. He avoids conflict by not caring about anything. Only Sansa, through innocence, vulnerability, or naivete, can get him to engage.

TYRION LANNISTER (BOOK), FIVE

When Catelyn captures him Tyrion is most offended that he didn’t see it coming. She successfully tricks him and it galls. When Cat is cornered, though, and against his own reason, Tyrion steps forward to fight. After the battle he takes the time to observe their foe. Poor weapons and thin bodies. He’s always gathering information. Afterward, he rides armed and free, with Bronn beside him. He can convince anybody of anything, it seems. Cat takes him to the Vale and claims he’s her prisoner, but that’s not how it looks.

He sees himself as the brains of the Lannisters. Cersei has “low cunning” and Jaime is rash. For all of Tyrion’s smarts, though, justice will not let him shut his mouth to save himself pain. He antagonizes Lysa when he should lay low. His mouth — his wit and his ability to craft an argument — is his strength. He’s stronger when he takes his time rather than reacting in an instant. Planning and the nerve to carry the idea to fruition as he does on trial in the Vale, that’s Tyrion when he’s successful. Risk, gamble, and study.

“A Lannister always pays his debts.” That phrase is particularly poignant when Tyrion uses it as part of his telling of his wife, the maiden who ended up to be a whore Jaime had hired. It’s a great story, moving and character-revealing, and when Bronn says he would’ve made Tywin pay for what he did, Tyrion comes out with the motto, giving it a whole other meaning. Lovely writing.

He might be the greatest player of The Game. His observation skills, his poker face, his ability to think outside the box, his clarity in understanding the greatest threat. As Hand he’s perfectly situated to use his strengths.

So, which Enneagram number is he? Head Type, without a doubt. Everything is about deducement and plotting. Interestingly, we can’t use his build as a clue.

He’s no Six. Rules are more like guidelines to Tyrion. He has a great love of the sensate pleasures of life, suggesting a Seven. I’m going to say Five, though. It’s his attention to detail. He misses nothing and he notices everything. I also kind of love the notion that if he were a full-sized man, he’d be tall. It’s so perfectly Tyrion.

AMALIA TRUE, EIGHT

She’s an absolutely marvelous character with a lot of mysteries to her. Who was she before? Why was she drowning herself? Is she really a widow? How did she learn to fight so well?

That’s our first clue to her Enneagram. She’s very physical. Although she obviously has a sharp mind, Amalia really likes to hit things. She’s also very quick to react. The immediate assumption is she’s an Eight.

Her blunt speaking — truths about herself and others don’t intimidate her — suggests an Eight. She only tells secrets that are hers to tell, and only if she wants to, but embarrassment won’t hold her back.

Her detective work is excellent and she is a loyal friend. Her impulse to action, though, is what defines her. In episode four we learn a little more about why she is this way (no spoilers). A lot more unravelling lies ahead for Mrs. True. If I call her Enneagram now there’s a high possibility it will change with more information. However, Laura Donnelly is killing it in this role, and I must speak about her now. This show deserves eyeballs.

UPDATE: Episode five, sadly, shows that the writers have no idea of the marvel they’ve created. No shade to Donnelly, who is masterful, but Amalia has lost her core. I am done watching and am hesitant to recommend any of it.

PENANCE ADAIR, SEVEN

The Nevers is a new show on HBO/Max. Because I’m really enjoying it I want to contribute to its buzz, so I’m jumping in. It’s a little early, four episodes dropped so far, to judge a character’s Enneagram but I think Penance is fairly settled.

She’s an inventor, specifically for electricity. We know that she was a natural innovator before becoming “touched”, the word for someone (usually a woman) who’s been gifted by events on a certain day in Victorian London. Now she can see the flow of electricity all around her, helping her design mechanics that can shape that pattern.

She’s an incredibly kind heart, a Christian specifically. Helping is important to her. She’s loyal to the other Touched. She and Amalia run an orphanage, a gathering place for the Touched whose families are horrified by them. She would never do or say anything to hurt someone unless they were an evildoer out to torture (which is a plotline).

Although she will join Amalia, the warrior of the group, in battle, her inclination is as more of a Q: the inventor. In some ways her function is to keep Amalia on the right course, knowing what is just and gentle.

Penance is no Body Type. Her inclination for invention is an important trait. She’s curious. Her kindness, her connectedness to all the other Touched, suggests a Heart Type. However, as thoughtful to others as she is, she can also be socially awkward. She’s not averse to interaction, but she’s more of a loner. I think we’re looking at a Head Type.

Her curiosity, her daring, her social consciousness, suggest a Seven. The actress herself, as wonderful as she is, doesn’t physically represent a Seven. She’s too willowy for that. However, as of now four episodes in, I will call Penance as I see her.

I can’t wait to see if my opinion changes as the season progresses!

UPDATE: The writing on episode five became too chaotic and unstructured for me. I’ve stopped watching with much regret.

KHAL DROGO (BOOK), EIGHT

He’s even less defined here than in the show. He’s powerful, he’s barbaric, and he has affection for Dany. He’s learning the Common Tongue. In a way he’s like Baratheon: we’re all waiting for him to die so that the true leader can come forth. He doesn’t seem vulnerable as Robert does, but he also has less character development. You don’t give so little time to someone who has meaning to the story.

However, we explicitly get the detail multiple times that his long hair has never been cut because he has never known defeat in battle. A naturally gifted warrior is probably an Eight or Nine.

Drogo also gives the speech about conquering the Iron Throne after the poison attempt on Dany. The written words have none of the energy Momoa brings, with his fusion of character and Maori Haka. It’s one of the few times the show is better than the book.

Unlike the TV series, where Drogo is wounded in an argument, here he is cut in battle. He has sent the healers to help the other injured men, as a good leader would. Dany intervenes when she sees his pain and calls the healers back. Instead, though, Mirri the Maegi offers her services. Whatever is in her poultice, he rips it off after six days. It itched and burned. Is that good? Now he has a soothing mud plaster and poppy wine that he drinks heavily. Flies are following him.

After he falls from his horse, Mirri is called. It seems that the poultice was true. Why would someone so very strong, someone who must have been injured before, shy from healing? Ah, because it was delivered by someone he didn’t trust. Eight. His paranoia and aversion to mysterious healing is the tell. Eights, the strongest of the strong, are vulnerable when it comes to understanding sickness.

KHAL DROGO (TV), NULL

He’s a product of his culture. When Dany teaches him to make love differently, he’s fine with that. He’d just never done it that way before.

Mostly Drogo is a placeholder: husband, warlord, savage. When Dany is threatened by the wine merchant’s assasination attempt, though, he comes through with a career-making (for Momoa) moment. This scene where he proclaims he’ll fight for the Iron Throne is astonishing and powerful. Don’t cross Drogo. Something he cared little about will now drive him completely. Family, tribe, love. This is his hierarchy, his core. Threaten them and you’ve called forth the fire.

And then he’s dead. Whatever hint of character we got is now over. He’s big, he’s a leader, and he’s decisive. The Enneagram options are numerous, and we have no more information to glean. I could assign a number to him on the assumption that he’s drawn from choices made in the novel, but I don’t like that. The show must stand on its own feet.

SAMWELL TARLY, TWO

What sort of man proclaims himself a coward?

As a child Sam loved books, kittens, dancing, and cakes. His father hired men to make a knight of him, which failed. Eventually it’s take The Black or die. As eldest Sam is the heir. The only way the younger son, the preferred son, can ascend is if Sam is gone. How many sons over the years have been forced to join the Night’s Watch as a way to manipulate the inheritance?

His backstory is very pitiable. He’s an ugly duckling at the Night’s Watch. He’s so loyal he’ll take his vow before the Old Gods with Jon. And he’s quite wise. When Jon freaks out over being assigned to the stewards rather than the rangers it’s Sam who brings the facts. Jon is dense and Sam gives him a depth and breadth to his understanding. A true counsellor.

Both versions of Sam, Book and TV, are the same Enneagram. Hilariously, it’s the kittens and cakes that define him. He’s a Two and these are his childhood collections. It’s not his lack of physical mastery that is the key to understanding him, it’s his kindness. Another clue is his size. Twos more than any other number can be large. Their gentleness makes them vulnerable to abuse, as we see with Sam, and in defense they disappear into their bodies.

A Two is a great choice for a man of The Watch who must study and pursue book-learning. We all love Sam, right? The dichotomy of someone who collects — potions, crows, information — while finding his calling at a battle station is just lovely.

EDDARD STARK (BOOK), ONE

Book Ned has a lot more intel than TV Ned. Varys informs him that the tournament melee was going to have an assassin for Robert. Cersei openly forbade him from fighting, a devious way to get the king to insist. Only Ned being his brutally honest self diverted Robert. Ned’s consciousness of the swirling danger is much higher in this form and Ned seems smarter, more active. TV Ned seems like a well-meaning fool in comparison.

He has a duty to Robert, the realm, and the dead Hand Arryn to tell the king his children are not his offspring. The girls are booked on a ship home, and Ned will now speak. However, when the moment strikes, when Robert is deathly injured, Ned refuses to act. He’s offended at the suggestion. His sense of the flow of time and proper order for actions is completely out of sync with the reality of The Game. To be fair to Ned, grief plays a part in this. His best friend is dying.

Make your peace with the Lannisters, Littlefinger counsels. It’s really good advice, better than Renly’s more aggressive answer. Be the Protector of the Realm that Robert appointed you, basically. Guard and train the boy, build allies, position yourself. All the peace that Ned thinks he wants can be his. It’s reasonable and fair to all. But it’s treason. And wrongs have been done. Ned genuinely thinks he has no choice but Stannis and war. He never considers the kingdom, though, or the people in the streets. His choice will be the hardest on them.

Cersei, when the confrontation comes, offers him a deal similar to Littlefinger’s. Bend the knee, step down as Hand, and go home in peace. Does she mean it? She’s already ripped up the paper, removed his chance at Protector and shown how much power she believes she wields. She offers the deal in front of everyone. It might be an honest offer. Again, Ned underestimates her, but mostly he will refuse because of honor. He also completely misunderstands Littlefinger, who turns on him. And the letter he wrote to Stannis, committing his intentions to paper, is captured with his seal on it. What a blithering idiot.