Season 2 – Enneagram and Encaustic

Episode 9

It’s Christmas at Downton Abbey! Beautiful dresses and heartfelt acting compete with an overly melodramatic, season-ending plot. I love the characters, the setting, and the time period, but I don’t know if I’ll write up future seasons. The disordered structure of the series takes all the fun out of examining it.

ONE

Roll credits and theme music while a truck carrying a pine tree drives toward Downton. When the truck arrives at the front door, Thomas waves workers forward to untie the tree. Inside the house, Daisy totes cleaning supplies from room to room. She walks past the tree, now set up in the front hall, as O’Brien helps decorate it. People wander through and admire the tree. Now Cousin Rosamund and her lady’s maid approach the house in a chauffeured car, to be greeted by Mary. The Dowager pokes around the Christmas cards, tutting at whatever’s written.

End credits. Christmas 1919.

TWO

The family is dressed formally, and giving out presents. Mary hands Anna a small box and Cora says they all prayed for Bates today in church. As each servant is given a present from the family, filing up one by one, Hughes talks to Anna. “I wish I could tell you not to worry.”

Cut to downstairs where the servants enjoy the meal at their own table. Crackers pop, hats are worn, and cheering goes up. Rosamund’s maid makes a cheeky question about Bates, “the murderer”.

Upstairs, Sir Richard complains about the lack of service. Downstairs has their luncheon, the family has dinner, Mary says. It’s Christmas Day. Well, that’s not how he’ll run his household. Basically, the family exchanges gifts and barbs in equal measure.

THREE

In the hallway Mary comes upon Matthew hanging up the phone. Mr. Swire (Lavinia’s father) is ill — dying, and Matthew’s on his way in the morning. They discuss Bates’ trial. Some of the servants will need to testify.

Episode 8

One structural misstep, otherwise a moving and solid episode. See my Critical Notes after the breakdown.

ONE

Establish the house exterior, then . . .

TWO

. . . go into the front room where the ladies discuss presents (wedding, I assume). Servants carrying candlesticks and vases follow Mrs. Hughes to the drawing room. Isabelle worries that a display of presents looks greedy. Mary and Lavinia greet Matthew as he enters with a cane.

THREE

Hughes brings a letter into Carson’s office. Mrs. Bryant — the dead Major’s mom — wants to see the baby. So does her husband! Hughes is a bit gobsmacked.

Return to Omashu

ONE

We start up right where the last episode stopped: Omashu is under Fire Nation control. Sokka says, you’ll have to learn earth bending from someone else. No, Aang’s going in. Bumi’s my friend, he says.

TWO

He shows the gang a secret passage into Omashu: the sewer. Aang air bends the muck and Katara water bends it, while Sokka’s left to just wallow.

In the streets Sokka comes up out of the sewer like a monster. Katara washes him, and Aang dries him. A kind of cute, pink leech, a pentapus, is attached to his face. Aang tickles it and it releases, leaving behind red sucker marks. When a Fire Nation patrol comes upon them and asks what’s wrong with his face, the team invents pentapox. It’s contagious! Sokka acts like a zombie, and the patrol dashes away.

THREE

Azula’s old lady mentors offer her advice. Form a small elite team, they say.

Episode 7

ONE

Soldiers load supplies into an ambulance outside of Downton’s front door. (I assume the hospital here is closing up.) Edith watches them leave. 1919. Hughes remarks that the Drawing Room is now back to normal.

TWO

Robert walks through the house, his good doggo prancing alongside. He checks in with Cora. They argue whether or not Matthew, the last patient, should now go home. The married couple are . . . not a strong team at this time.

Now we follow Carson with a tea tray for Matthew and Lavinia. He makes clear he looks forward to the return of a footman who would do this job. Ooh, a little Matthew dig at Carson for leaving to butler at Mary’s new house.

Strolling the property, Robert comes upon Maid Jane who’s dropped her basket in the path. They have a chat, all twinkle eyes and smiles. In asking how Jane fares without her husband, Robert goes into a moving count of all the lads on the property who are now gone, including William. He’s in a dark mood.

THREE

An arriving car breaks them apart. It’s Richard. Robert brings him inside.

Episode 6

What we have here is a series of “then this happened” events. See my Critical Notes after the breakdown for why I’m disappointed.

ONE

Downton’s grounds. Mary pushes Matthew in a wheelchair across the front of the property on a sunny day. Other recuperating soldiers also stroll the area. Matthew regrets that William isn’t here.

TWO

In the library, Richard and Robert watch from the window. Richard asks if he should be jealous. Robert changes the subject. Richard intends, it seems, to buy a neighboring property. Edith laments the times they’ve spent there growing up, and now it’s to change hands. Richard will modernize the property. Carson announces the Doctor, interrupting the discussion. Someone named Patrick Gordon wants permission to convalesce at Downton. No one seems to know who he is, but he’s welcome.

Episode 5

Hang on until the end, because this episode is a tear-jerker.

ONE

Amiens, 1918. Establishing shot of a wasteland battlefield with shells dropping in the distance. Inside the bunker, William outfits Matthew. They prepare, it appears, for a horrendous campaign. The troops smoke, pray, and take a last look at letters from home. The mood is grim and fatalistic. As the English charge, the Germans in their own bunkers mow them down.

TWO

Cut to Daisy in the kitchen. She pauses, a goose walking over her grave, as she says.

Back to the fighting. Matthew in the vanguard. Cut to Mary in the parlor as she drops her tea cup. She also has a premonition. And back to the war. An explosion. The camera moves over a rise to show us Matthew in a ditch, William sprawled on top of him. Alive or dead is unknown. It appears that William knocked Matthew out of the way, saving him, but the footage is too chaotic to tell for sure.

Moon over Downton. O’Brien, in mobcap, enters the master bedroom to awaken Cora and Robert. Downstairs, Molesley waits. He’s had a telegram for Mrs. Crawley (who’s still away) and brought it to the big house. Matthew’s not dead. He’s patched up and coming to Downton hospital. We see Cora’s and the daughters’ reactions. Carson in robe enters, and behind him is the rest of the staff, wanting to hear the news. Matthew’s seriously wounded, and William’s fate isn’t known.

THREE

The next day Anna and Bates in the courtyard discuss the news update: William is in hospital and it sounds bad.

Haha, next scene is Violet elegantly ripping into the Doctor. It doesn’t matter if Downton hospital is for officers, get a bed for our village lad. The Doctor stands firm, though, behind military order.

Episode 4

I had some serious structural complaints about this episode, which I detail at the end of the Enneagram breakdown.

ONE

1918. We hear ping pong and see that the rec room is still in business. Men sit at tables in the converted front room. Edith asks Mary to join her in some kind of concert. She must; it keeps up the men’s spirits.

Episode 3

As always, Critical Notes are after the breakdown.

ONE

Downton becomes a hospital. Isabelle directs the maids how close the bed frames should be. Cora wonders where the family will actually sit now, but Isabelle’s in charge it seems. In comes the Doctor and Sybil, helping, as they discuss why only officers will be at Downton.

The Dowager, with Carson, defends the practice to Sybil. Rest is needed, not tension. And Edith, eager to help and be supportive, is told by Isabelle to get out of the way.

TWO

At the servant’s table Carson thanks staff for their help. With O’Brien’s adamant opinion, Carson reiterates that chain of command will be sorted soon. Isabelle won’t always be the dominant voice. Lang leaves the table suddenly.

Violet finds Mary. How does Lavinia know Richard Carlisle? Mary seems unconcerned. Well, the Dowager is going to London for the day and she’ll have Lavinia to tea.

In the kitchen Patmore wonders if she’s now to run a canteen. The officers will eat with the family? I think that’s what Carson told her. Daisy reads a letter from William that says he’ll come home for a night before shipping out. Branson receives a mysterious letter, but the focus goes back to Daisy and her concern that William might have “plans”.

THREE

Anna running an errand in the village sees, well, that’s Bates. He went behind the tree very quickly. Hard dolly in on Anna, and then she runs toward where he was. He’s gone, though.

Episode 2

Critical Notes are at the end, after the Enneagram Story and Breakdown.

ONE

A bicycle messenger arrives at Downton. April, 1917. In Robert’s room his new valet arranges his uniform. The message is for William. Carson is still overworking and Hughes is still taking him to task over it.

Robert’s man seems timid, speaking softly, and Robert snaps at him. Ah, he’s named Lang. Robert apologizes. Lang was invalided out of the military. Trench warfare. Oh, Lang feels people look at him and wonder why he’s not serving. Must be an unobvious injury.

TWO

Patmore reads something that upsets her, but we pass on. William’s excited: he’s been called up. He asks Daisy for a picture to take with him. Lol, Daisy doesn’t seem to know what to make of that.

Cora asks O’Brien about Thomas. Oh, haha! These two are fabulous. Cora will talk to the doctor about bringing Thomas home. O’Brien is so humbly grateful, the conniver. I know it’s terrible to see Cora so manipulated by someone she trusts, but, really, their relationship is wonderful.

THREE

The trenches and Matthew. It’s always the same overhead shot, the same set, but it’s evocative. Matthew, walking the line with another, drops the exposition that he’s being transferred back to England to help the war effort.

Episode 1, Part 1

ONE

The Somme, 1916. We’re with Matthew in the middle of war. Grit, explosions, trenches, and wounds. He’s some kind of officer with news that his unit will soon be relieved. He’s got a bit of leave coming, and he’d like to see a certain girl (unnamed). Downton, he says, seems like another world.

Roll credits.

TWO

Establishing shot of the Abbey. Anna leads the new maid through her duties, although the house is in disarray. A banner that says, “Help Our Hospital” hangs in the front room as Carson directs servants to remove the furniture.

William dresses Lord Grantham in his military uniform, but he doesn’t know the proper arrangement of of all the regalia. A bit of exposition as Robert tells William that he’s not back in the army (“they don’t want me”) but is basically in the Home Guard. Why is Bates gone to London? We don’t know yet.

Everything’s all a-bustle, with furniture carried in and out. O’Brien smokes alone in the yard.

Robert asks Carson if we’ve news of Bates. Ah, the funeral was last Monday. (Who died?)

THREE

Joining Cora and Sybil at breakfast, Robert reads a letter: he’s back in the army proper as a Colonel.