Episode Enneagrams – Page 22 – Enneagram and Encaustic

Charlie X

ONE

The Enterprise in space, maneuvering to come alongside a cargo vessel. Captain’s log, over. Kirk wears the more formal gold shirt and heads to the transporter room. The Antares is beaming over an “unusual passenger”.

The captain and navigator come aboard, along with “young castaway” Charlie, a regular-looking human young adult. Kirk reaches to shake his hand, something Charlie takes a second to understand. We get a closeup of his face as he looks at Kirk with — awe? admiration? The two crewmen look nervous.

TWO

The captain hesitates, and we see Charlie frown and roll his eyes into his head. The two crewmen immediately begin to praise Charlie, talking over each other. Kirk gives them a look like, oookay, take it easy. They quickly drop the information that Charlie was alone on a planet, possibly for a long time.

Charlie grabs his luggage and interrupts them. Kirk frowns at him, but the other captain enthusiastically answers his question. Over 400 people on a starship! The captain is glassy-eyed as he regrets having to part with Charlie. Again, Charlie interrupts. This time Kirk corrects him. “That’s considered wrong.” It’s firm but kind instruction. Now the other crew hurries to transport away.

Yeoman Janice comes in. She’s to escort Charlie. He stares at her. My beautiful basket head is here! It was probably this episode that started my girl-crush.

Roll credits.

EMPLOYEE OF THE MONTH

ONE

The Krusty Krab. Spongebob pesters Squidward, who reads a book while manning the register.

TWO

Today’s the beginning of the judging for Employee of the Month. Squid considers the award a scam. Work harder for no extra money in order to win. He indicates the “wall of shame”, a series of winner’s photos that are all Spongebob. Spongebob gives a genuine statement about pride in your work, and Mr. Krab gives him an arm hug. Then he tells him it’s a tough judgment this month. Squidward’s on the verge of a breakout!

THREE

Elbowing him, Squid says, “I might sneak up on you.” Hardy har.

FOUR

Spongebob imagines Squid’s laughing face inside the waiting empty picture frame and wails. “How can I let the quality of my work slip so much?” Actually, this is a terrible, bullying episode! Stop gaslighting the Sponge.

Episode 3

ONE

The grounds at Downton as Bates, in coat and bowler hat, walks off the property. A lovely period-dressed shot to establish the village, and then Bates is in the post office. He runs into one of the maids as she enters on her own business.

At the house Anna tries to wrestle a trunk from a high place. In walks Post Maid. “What are you doing?” They’re roommates and Anna needs space. But the luggage is unusually heavy, which is mysterious. Anna insists on knowing the contents.

Outdoors Cora approaches Mary on a bench reading a letter from Evelyn. He’ll be in the area. Cora insists he stay with them.

TWO

Cut to the luggage open on the bed. It’s a typewriter. Post Maid has been taking a correspondence course. O’Brien barges in on business and the two maids quickly block view of the secret until she exits. To want to leave service, to look for a job, is a big deal.

Cora tells Robert and the Dowager of Mary’s interest in Evelyn. Let the matchmaking begin! The Dowager’s only hesitation is to keep fighting for the inheritance for Mary.

Matthew on a bicycle freewheeling through the village, fresh off the train, comes upon Edith. Oh, aha. She and Mary, last episode, argued over Matthew. Mary doesn’t want him and Edith does. Here, she suggests a picnic lunch while touring the local churches. It’s very cringe.

Back to the typewriter. It’s now on the kitchen table and all the staff poke at it as an oddity. Carson comes in with Hughes to tame the wild beast. Ah, O’Brien brought it to light. Big tattletale! Gwen (Post Maid’s name) walks in, quite upset to see her private object in the public kitchen. Hughes, in charge of her and her welfare, insists she has a right to know. Lovely reaction shot of O’Brien as Anna says, “It was you.” Why, Hughes asks, did you buy this typewriter? “I want to be a secretary.” Oh, haha, delicious. The staff react as if a lion is loose. Carson’s face is priceless.

The Man Trap

Season One, Episode One of Star Trek OG! I’ve seen every episode multiple times. How will it stack up?

ONE

The Enterprise in orbit. Over, Kirk dictates his log. Mr. Spock temporarily has command as Kirk and Dr. McCoy have beamed down to the planet. Notice the introductory tone and the attention to military detail. We shall ignore the pilot episode with Captain Pike and consider this the very first episode. The show definitely does.

Okay, they’re here for a routine medical examination of an archeologist husband and wife duo. However, Nancy is someone from McCoy’s past. Dunh-dunh! Also, we have a third man, someone wearing a blue shirt, on the away team. First episode, the red shirt curse hasn’t been codified yet. I fear for you, crewman!

Kirk makes a joke about bringing flowers to an old girlfriend. McCoy ribs him back.

Inside, the living quarters are empty. No one’s currently at home. Closeup of the blue shirt looking around!

A history lesson: it’s been ten years since McCoy saw Nancy.

THE CHAPERONE

ONE

The Krusty Krab. Spongebob is in the kitchen, sniffing patty meat. Mustard check mark — perfect!

TWO

Crying is heard. Spongebob peeks his head out the order window and then hides. Pearl, tears streaming, runs through the dining area and into the office. Spongebob follows the trail of moisture and listens at the door.

Haha! Mr. Krabs’ voice tells her to calm down and the office door slams to the ground from the tsunami of tears. Spongebob fights the wave to put the door back. A stream of water knocks down the door and ejects Mr. Krabs across the restaurant, tears filling the room. (Yay, finally. Water flooding a building that is already underwater. I’ve been waiting for that reality check!)

THREE

What’s wrong with Pearl? Her scurvy prom date stood her up.

Episode 2

ONE

A car with luggage passes a horse-drawn carriage through the village. Ah, the Crawleys, mother and son, are inside.

TWO

They arrive at Crawley House. Interesting: there’s a house waiting. Feel the weight of the legacy. Matthew wants to turn down the inheritance; his mother makes clear that is a legal impossibility. This is all good storymaking. Characters must accept the thing they want least.

Molesley, butler and valet, greets them. Of course Matthew balks. He’s a middle-class man who doesn’t want to be changed by a title.

THREE

Now we get Cora’s and Robert’s perspective. The former heir, Patrick, was raised to understand his role. Again, reinforcing the fish out of water trope for Matthew.

The Fortune-Teller

ONE

Typical One: where is our team camping? We have a lake with fish.

TWO

However, Sokka can catch nothing because Aang has taken the fishing line and used it to weave a necklace for Katara. The lack of line is not the Two; survival is not the point of this episode. It’s the lovey gift, unasked for.

THREE

And here we have a stylized vision of a glowing Katara wearing the necklace. Sokka says, “Smoochy, smoochy,” and Katara says they’re just good friends. Each of these elements is not the Three (they’re more part of the Trouble). It’s the notion that one of the team cares in a way that isn’t reciprocated.

SQUIDWARD THE UNFRIENDLY GHOST

ONE

The Easter Island head. Inside, Squidward talks to . . . himself. He’s sculpted a wax replica of himself. It’s disturbing. Haha! Hands on hips, it’s just as judgy as the original.

Crash! Outside Spongebob and Patrick play football with a rock. Nope, not football. It’s an undersea Calvinball with chess and bubble blowing. This could also possibly be the Two.

TWO

Squidward opens his window to yell at them. Once he’s disrupted their game he puts on a record and draws a bath. The clash with Squidward, wherever I draw the line, is the Trouble. The lack of a Three makes this Two hard to tack down.

THREE

(There is no Three.)

Cockatrice

Here’s the first hint dropped. On the side of the road is a dead monster.

We have yet to fight our first cockatrice. Technically I’m not strong enough, although we could scare one up in Bitterblack’s arena. From a story perspective, this is a boss for later.

No one killed it, it was just found there. And it’s still in good shape! The guard will take it to the castle for the duke to see.

Stay tuned . . .

More so because I’ve recently been hit with gamer’s thumb on both hands. As I incorporate exercises and alternate controller usage I’ll be easing off on my hardcore gaming. I anticipate taking a break from Dogma.

Episode 1

ONE

As the credits roll we see a wireless transmitting a message intercut with a rolling steam locomotive. Immediately we know we’re in an historical period. Whatever is on this ticker tape, the news shocks the clerk.

The house, the grand Downton estate exterior, is established. April 1912.

Inside, the servants awaken. The staff, a lot of people, bustle throughout the house, lighting fires, opening drapes, preparing trays. Different characters get close-ups, and then here come the keys. It’s Mr. Carson and Mrs. Hughes, our chiefs of staff. I have no idea, but this seems like a huge house of servants for the early 20th century. The sense that Downton is approaching a milestone is evident before we even hear the plot.

TWO

A bicycle messenger approaches the house, meaning the newspapers have finally arrived. “You’ll see why,” he says. The staff all know what the big news is, but we don’t.

Lord Grantham and his dog descend for breakfast. Ah, he knows, too. It’s Titanic. Of course. Someone important to the family was onboard.

O’Brien, Her Ladyship’s maid, gossips with staff and lets us in on what’s important: Mr. Crawley’s dead and Mr. Patrick was his only son. They were heir to the title.

A just-arrived man with a cane is Bates, the new valet. Handshake from maid Anna, stone face from O’Brien (which pretty much tells you what you need to know about each character). Mrs. Hughes wonders how he can manage with his limp. Mr. Carson comes in and smoothes it all, even though he has concerns.

THREE

Grantham again reiterates that his first cousin and the son are dead. Mary, the eldest daughter, will be the most impacted. She was unofficially engaged to Patrick so that the estate could stay in the family, but no romantic feelings were involved.