The Boy in the Iceberg

As the very first episode of Avatar: The Last Airbender this one contains a lot of Rules of the Magic events. We have a fantasy world that needs explaining. The introduction before the credits carries a lot of weight, but we’ll need more for this initial look.

ONE

We meet Katara and Sokka, sister and brother, as they fish ice-laden water in a canoe. This entire episode is very good at summing up a character in one scene. Sokka’s humor, how he becomes the slapstick butt of the joke often, is introduced. Katara as sincere, serious, and unsure of her abilities, are shown right away. And we learn something about water bending. Boom.

TWO

An unexpected flow of water puts the canoe in danger, then crashes it. Certainly this is Trouble, but is it enough? After Katara and Sokka become stranded on a little iceberg they argue. As Katara becomes angrier, she unconsciously bends water behind her, making large waves. A sizable iceberg rises from the ocean. This is also Trouble.

Perhaps the combination of these events is the Two. Perhaps only one of them. Because this episode is continued, and this is not a complete Enneagram story arc, I can’t know for sure. Often the Two and Three can’t be labeled until I can look at the end and see the whole movement.

THREE

Inside the large iceberg is another, a blue bubble with a boy suspended in the middle. The arrow marking on his forehead glows. He’s alive. This discovery of Aang could be the Three.

Katara attacks the berg, breaking it open, and it explodes with a beam of light shooting into the sky. This magical moment could also be the Three.

FOUR

I think those are our only options, because the next scene shows Zuko and Uncle Iroh on their Fire Nation ship, searching for the Avatar. Again, each character is perfectly introduced. At this point we only know Zuko as a villain, but we see his drive. Iroh’s gentility helps soften Zuko’s obsessiveness.

And then we officially meet Aang and Appa. (Appa!) We learn the magic of air bending. We sense that Aang is avoiding something.

Everything we see is information we’ll need later in the series. The Southern Tribe has no men in the village and no benders. The war with the Fire Nation has been going on for one hundred years, and Aang knows nothing about it. Zuko must find the Avatar to restore his honor and return home. It’s all presented in a way that feels organic, not like exposition.

SWITCH

Again, I’m guessing without the rest of the story, but it seems natural that the episode break would come at the Switch. Aang and Katara accidentally trip a trap in an abandoned Fire Nation ship, sending a beacon into the air. Zuko, using a spyglass, sees them and the village. He is headed right for them. Cliffhanger! Stay tuned until next week.

HOME SWEET PINEAPPLE

ONE

Something. A group of somethings. Worms hopping together, all saying, “Walking.”

TWO

They stop. “Hungry.” 

THREE

They swarm and consume a coral structure in two seconds. Alright, their group-minded behavior is really funny, like Finding Nemo’s seagulls. Frightening, but funny.

FOUR

“Still hungry.” There goes some fish’s boat/car. “Dang nematodes,” says the fish. Ah, a name for this being. I got them confused with the Anchovies from the first episode. #CreaturesThatSwarm

“Thirsty.” Pan camera to reveal the pineapple neighborhood. Rut-roh.

Aaaargh! They pull out straws and suck on the house! It shrinks, still a perfect pineapple. Spongebob, inside, sleeps. Gary’s food bowl shrinks and disappears. The foghorn alarm gets smaller, ringing higher, until it disappears. Only Spongebob and Gary stay their size.

The house is shrinking around them. Spongebob calls Squidward on the shell phone. It shrinks away.

Patrick opens his rock. The pineapple shrinks away, leaving Spongebob and Gary in the crater. “Nematodes.” The only thing left is “this little pebble”.

Squid and Pat see that Spongebob’s house is gone. 

Thinking Spongebob will now vacate the neighborhood, Squidward shakes his hand and wishes him well. Party streamers come from the Head window.

Spongebob pockets the “pebble”. (I know, I’ve seen it. But I still think the pebble insert would be a sufficient clue for someone watching the episode for the first time.)

SWITCH

Move back with Mom and Dad? There’s their picture as an insert! (They’re so cute.) No, we’ll build you a new house!

FIVE

Shiny, hard hat-wearing duo. With tools! No surprise, but they’re terrible at building. Montage of their hijinks. And then there’s a finished pineapple. A small one. It’s the size of a hat. And it breaks.

Now where? Rockmates with Patrick. The rock is like a shared blanket. Hahaha! Trouble, ending with Patrick dreaming of spiders and smashing the rock on Spongebob. They always give you the joke you expect, and then take it one further. And even more. Cracking up.

Squidward sleeps peacefully. He agrees to let Spongebob stay. Wait for it . . . yup. There’s the close-up of his eyes bugging out as he wakes up enough to realize what he’s said. Kicked out.

Nighttime over the ocean. Moon and island shot. Dissolve to day.

Squidward wakes up. It’s a celebration day. He’s so happy to be saying farewell to Spongebob. 

Patrick cries. Mom and Dad drive up to gather Spongebob and his bags.

SIX

Spongebob reaches in his pocket! 

Destruction vs. Creation as the Three/Six? Visually it’s a stretch, but thematically it’s quite good. A large coral and a small seed don’t seem connected at first glance. I guess you could also say that the Three is the action of a crowd and the Six is the effort of an individual. It gets even lovelier!

SEVEN

He buries the pebble in his house crater and waters it with his tears. Underground shot of the pebble absorbing the water and activating.

EIGHT

Shaking hands goodbye. Squid, still in the crater, does a dance. Intercut Patrick holding back the boat/car, the pebble glowing, and the Squiddie victory performance.

A large vine sprouts next to the crater, grows a pineapple (with windows and door), and drops it on Squidward’s head.

“My house is back!” They all go inside, happy, and step on a flattened Squidward under the floor dirt.

NINE

“I’m back forever!” says Spongebob.

Squid, still a sand figure, mumbles, “Forever?” Thwarted again, buddy.

PIZZA DELIVERY

ONE

It’s the Krusty Krab. Spongebob wipes the tables while Squidward tells him to hurry. They’re closed.

TWO

Dunh-dunh! The telephone rings. Mr. Krabs takes the receiver away from Squidward. Someone wants pizza! Mr. Krabs whirls a platter of Krabby Patties into a pizza, which gets whirled into a box. 

THREE

Squidward will deliver, and he must take Spongebob with him. This actually is a Squidward episode. He only wants to go home after work. He’s not trying to avoid Spongebob or annoy him, or any of the usual plot lines. He’s just a dude who’s put in a full day.

FOUR

A boat/car. Is this Squidward’s? No, it can’t be. Is this Krabs’? Everyone knows Spongebob can’t drive, so why is Squid in the passenger seat? He appears to know how to drive, yet he’s not behind the wheel. Since when would he trust Spongebob at this?

Okay, you must have guessed by now that this episode of our beloved Spongebob is a bit . . . fraught with problems.

But let’s accept that the Krusty Krab will make a magical pizza that must then be delivered by a boat/car handled by someone who one episode ago couldn’t drive. Indeed, Spongebob speeds backward, panic-driving in reverse until he’s in the middle of nowhere.

SWITCH?

This may be a Switch. It’s too early in the episode, so probably not. The boat/car runs out of gas and strands our two employees. Or does it? Squidward, frustrated, hits the car and it drives away.

FIVE?

Now our team is on foot, walking to deliver this pizza. An underwater wind storm fights their progress; a rock with moss may show the direction to town (it does, but Squidward refuses to accept Spongebob’s “pioneer” logic).

Throughout this, Spongebob is peppy, singing and dancing.

SWITCH?

And then, he isn’t. The team droops. Their heads steam with exhaustion. This is a definite change, but it’s so late in the story.

FIVE?

The pizza is shiny, and then a large rock becomes motive and drives them right to the customer’s house.

Uh, wut?

The customer fish asks for his drink, which they don’t have. Angry, the fish throws the pizza and Spongebob breaks down in a puddle of tears.

SIX

Squidward, in a moment of genuine sympathy, asks Spongebob if he’s okay.

Told you this was a Squiddie episode. Since when is Squidward moved by Spongebob’s disappointment? They are an actual team, formed at the Three, and they have each other’s back.

SEVEN

Squid decides to approach the customer house.

EIGHT

Knocking, he tells the customer that the pizza is “on the house”. He then smashes it into the customer’s face. Returning to Spongebob, he says that the customer ate the pizza in one bite.

NINE

They drive the rock back to the Krusty Krab. Squidward realizes he’s at work, the one place he wanted to leave at the beginning of the episode. In this regard, Squid gets the Nine he always gets. Even though he was more of a friend, someone who owned the Eight, he’s still thwarted or punished in the end.

So, I’m quite curious: do serious Spongebob fans like this episode? I barely remember it, which certainly is a statement. I would argue (of course I would) that the muddled Enneagram at the Switch reduces the fun of this episode. Where is the midpoint? What changes at the Switch? Why (the eternal question) is Squidward nice?

Interesting, naturally. Even the best, the most beloved, and the tightest crafted show can fail once and a while.

BOATING SCHOOL

ONE

Here’s our pineapple neighborhood. Spongebob sleeps until his alarm goes off with that foghorn boom.

TWO

Spongebob says, “This is it, Gary!” as his bed catapults him into his giant calendar. Splat into: Boating Exam Today. He’s clearly excited about this event. “I’m ready!”

THREE

Outside on a unicycle he rides around Squidward’s house with his “I’m ready.” Obviously, this neighbor couldn’t care less about Spongebob’s day.

FOUR

It’s Mrs. Puff’s Boating School! Yay!

Spongebob’s ready! He’s so ready he throws his unicycle into the garbage bin. Won’t need that anymore!

We get Mrs. Puff’s POV through a porthole window. “I’m NOT ready.”

As Mrs. Puff expects, Spongebob aces the oral exam. Now it’s the driving portion.

Oh, you know how wonderful this is. Spongebob asks if he should floor it. Mrs. Puff says, “No, don’t floor it!” “Floor it? Okay!” And they crash. Mrs. Puff expands, as pufferfish do, and in a deep voice says, “Whyyyyy?”

SWITCH

The pineapple house at night. Spongebob in bed talks to Gary. He doesn’t know why he goes crazy behind the wheel, but he’s failed 37 times.

Help comes in the form of Patrick on the walkie talkie. Problem, buddy? 

FIVE

With Patrick involved, we’re now in the Five. He pushes the walkie talkie receiver into Spongebob’s head and covers the antenna with a ten-gallon hat. Using a giant telescope, Patrick watches the driving exam and coaches Spongebob.

Mrs. Puff is pleasantly astonished at Spongebob’s clean driving. Musical montage of Spongebob handling the boat like a pro as he cruises through the course.

And then Mrs. Puff makes a joke about Spongebob having a radio under his hat. That would be cheating, though. “I’m . . . cheating?” Uh-oh.

SIX

We see Patrick, upset, run home. I don’t think he has the moral sophistication to know what cheating is. All he knows is that Spongebob spoiled the fun.

These — at the Three and Six — are Spongebob’s neighbors. It’s actually not a great Three/Six mirror, but it does go from the flippant neighbor at the Three to the helpful neighbor at the Six. Neither can save him, though.

SEVEN

Yards away from the Finish Line Spongebob veers off and drives crazy again. 

EIGHT

“It’s alright! you can cheat!” yells Mrs. Puff, pointing. “Cheat that way!”

And the offscreen crash. Again Mrs. Puff expands and says, “Whyyyy?”

NINE

Gary has the unicycle, which he saved from the garbage. Away they go, Gary riding on Spongebob’s head.

NAUGHTY NAUTICAL NEIGHBORS

ONE

We appear to see Squidward reclining on a beach at sunset. Nope, it’s a souffle he’s made with a little model of himself on top. The best souffle he’s ever created! He wears a chef’s hat and apron and the table is set for one. Dashing away, clothes flying, he returns in formal wear with a middle-part toupee.

This is our first time seeing Squiddie in his fancy outfit. The hair is comedic genius.

TWO

As he prepares to sit, giggling is heard. Frowning, looking about, returning to the cake, and . . .  there it is again. Giggling.

THREE

Squid goes to his window and looks out. Uh-oh. He’s engaged with the world outside just by observing it.

FOUR

Spongebob and Patrick, holding bubble wands, sit across from each other on Squid’s front walkway. Blowing a bubble, Spongebob whispers into it. Off it floats, pops at Patrick, and says, “Hi, Patrick.” Pat, delighted, giggles and sends a whisper-bubble back to Spongebob.

Squidward in a huff pours his souffle liquid into the teacup and whips it up to a froth. I didn’t know that souffle had a liquid bottom residue. That’s gross, dude.

While Pat and Spongebob whisper-bubble that they’re best friends, Squid blows an angry bubble which kicks the Spongebob nice bubble away. (Literally. The bubble grows a foot.) Floating down from the window, the misshapen angry-bubble tells Patrick he’s dumb.

Patrick, sad, blows a bubble back to Spongebob that asks, “Really?” “Of course.”

You get the gist. Mischief and hurt feelings and misunderstanding. Squidward sits in a lawn chair eating his cake, laughing over the whole yelling argument.

SWITCH

Spongebob and Patrick separate and go home. Spongebob, disgusted, says, “Tarter sauce!” and Patrick slams his rock closed. (Tartar sauce! Yay! First usage.)

FIVE

Laughing and eating, Squidward starts to choke with his fork stuck sideways in his neck. Patrick leaps over and rescues him. Now they’re friends. (“Friennnnd.”)

Spongebob’s devastated, but eventually finds an opening where he can save Squid, too. (Sparkly eyes. “Friennnnd.”) After a little more helpful treatment, Squidward can take no more.

SIX

He screeches and runs away. He is now actively disengaging with the world.

SEVEN

Hiding in a trashcan Squidward decides he must get the two friends back together.

EIGHT

He throws them a dinner party and serves them fizzy soda. All we see throughout this is the hands holding glasses as they compete for more pop. Squidward, out of soda, leaves them alone. Now they are revealed to us.

Misshapen and plump from all the gas, they start to burp and hiccup, which gives them the giggles. The Easter Island Head house expands.

Not noticing that his house is bulging, Squid returns and reaches for his key. The whole head shakes from an internal eruption. When Squid opens the door, the house is destroyed. Only the door in its jamb remains. The friends are finally back together. He immediately kicks them out.

NINE

When he slams the door behind them, a bubble knocks it over and it flattens him.

PLANKTON!

ONE

Bubbles swoosh by, and there’s the Krusty Krab. Squidward in voiceover asks Spongebob to make a Krabby Patty. Inside, Squid watches Spongebob cook.

TWO

One by one the ingredients for a Patty pass in through Spongebob’s spongey holes. When they’re all in, Spongebob shakes himself to mix, and magically pulls the completed burger out from under Squid’s nose. The Krabby Patty itself, and this is the first time we get a good look at it, is The Trouble.

THREE

A shiny drawing of a Krabby Patty inserts here. It’s so amazing, regular animation can’t convey its magnificence.

FOUR

The Patty starts to dance and bobble toward the door. Is it haunted?

Mr. Krabs stabs it with his foot and pulls out a magnifying glass. Ohhhh, yes! Here he is for the first time: Plankton!

He wants the Patty formula. Mr. Krabs spins him on a plate like a flying saucer and sends him back to the Chum Bucket. (The Chum Bucket!)

Later, when Spongebob walks home from work, Plankton tries to bribe and trick him into giving him a Patty. Spongebob knows, though. Sometimes he’s ridiculously innocent and naive, and sometimes, like here, he sees through the manipulation. He leaves.

SWITCH

Bedtime. Spongebob says goodnight to Gary. (“Meow.”)

FIVE

Plankton, hiding and waiting, enters Spongebob’s head (body?) through a spongey hole in order to robot control his brain. 

Yes, it’s really that eccentric and wonderful. Spongebob walks with stiff legs and does as Plankton commands while delivering a running commentary. (“You’re RIGHT, Gary!”) Walls cannot stop him. He’s in one side and out the other of the Krusty Krab, Patty in hand.

At the Chum Bucket Plankton introduces the Analyzer. Just put in the Patty and he’ll know the formula! Spongebob tries to hold on, but Plankton controls his fingers. Losing the battle, Spongebob apologizes to the Krabby Patty and recognizes its steamy goodness.

SIX

Another insert. This is a photo of a real life burger. The stakes are increased from the Three!

SEVEN

Plankton drools. And then he drops his controller and reaches for the Patty. Oh, Plankton, you maniacal, intemperate little fool.

EIGHT

Plankton falls into the Analyzer. The computer (it’s not Karen yet!) analyzes him, and then traps him in the screen.

NINE

Spongebob takes the Patty in a comforting way and heads home. Plankton helplessly rants.

JELLYFISHING

ONE

The French narrator introduces the cheerful jellyfish, buzzing through the pineapple neighborhood. All is peaceful.

TWO

Spongebob and Patrick suit up for jellyfishing. Like superheroes, they rope slide to the basement — shh, just go with it — choose nets from the weapons closet, and emerge from the hatch in a Dynamic Duo power exit. Let the Trouble begin.

THREE

A static shot on the Duo at the door as the jellyfish scoots past. They skip after it, camera staying on the door, and then run back through, chased by jelly. Part of the humor of Spongebob is the predictability of shots like this. We all know the set-up. Our anticipation leads to the payoff, which is delivered with impeccable timing.

FOUR

Still being chased, they run to Squidward’s door. He’s heading out on his bicycle with paddles for wheels. They’ve brought him a net, and he’s invited to join them.

And here is our good old Squiddy being just as we expect. He pretends to like their idea, although he can’t hang out today. As he rides away he laughs, nose pulsing. With a straight face he’s tricked them into believing he’s their best friend. Hardy har!  

He keeps laughing . . . a lot. Cross-cut to the jellyfish on a collision course with Squidward’s bike. Closer, closer.

SWITCH

The jellyfish flies like a bee into his mouth. He hits at it, it goes down his shirt, and he crashes over a long cliff. Fiery explosion and a Squidward moan offscreen.

FIVE

Back at the pineapple house Spongebob sits in a chair and continuously jumps up to look out the window. Squid, in a wheelchair and bandages, rolls toward home.

Giving him the Best Day Ever, Spongebob and Patrick welcome him in. Soup that needs cooling is ready. Pat blows it all over Squid’s mummy head, and all Squid can do is moan. Spongebob offers to play the clarinet, wetting his lips forever. Ew! Hilariously disgusting.

SIX

None of this is the Best Day Ever. Only jellyfishing will qualify. They roll Squidward out to the pastoral Jellyfish Field. Again, as at the Three, the immortal chase begins.

SEVEN

Squid tries to motor away but Patrick insists he hold the net. Because Squid is in a full-body wrap, his hands won’t grab. Patrick stabs the base of the net into his hand and tells him to “Go!” after that jellyfish. Ow.

EIGHT

The Duo will show him how it’s done. A very painful version of the Blue Danube Waltz begins, and they leap away. Eventually they end up tussling with each other while the jellyfish attacks Squid. He chases it and traps it against a large . . . thing. We know, and soon they all know, that baby has gone home to mama. A humongous jellyfish is not happy. It chases Squidward offscreen. The electricity strike reflects off of the Duo’s horrified faces.

Poor Squidward. Even when he’s cooperating and winning, he still loses.

NINE

The Duo are covered in bandaids. Squid motors in wearing a full-body cast now, propped up in a hospital bed. They give him the jelly in a jar as an apology present. Sorry, do you forgive us?

He releases it on them, and it gives chase. As Squid laughs at his success, a large shadow appears over him. Mama jelly zaps him and his cast breaks open. Ow.

RIPPED PANTS

ONE

Our first look at Goo Lagoon, introduced by the French-accented narrator! The bottom of the ocean has a beach. You realize it’s a paradox, and then you accept the new reality.

Sandy (in full astronaut suit) and Spongebob sit out under an umbrella. Using sand Spongebob does a few impersonations that get Sandy laughing. All is companionable.

TWO

Larry the Lobster (Hi, Larry!) asks Sandy if she’d like to lift weights with him. Now Spongebob no longer has Sandy all to himself.

THREE

He’s sad. He has to follow along after them or be left behind.

FOUR

Various feats of strength, with a cheering crowd watching. Spongebob tries to join in by clean-and-jerking a stick. As the others add weights to their bars, Spongebob finds two marshmallows to add to his stick.

He tries mightily, while the crowd breaks into snoring, but can’t lift his stick. Instead, he rips his pants from the exertion. He’s terribly embarrassed — red-cheeked — until Sandy laughs and says it was hilarious.

SWITCH

A rainbow forms behind Spongebob’s head.

FIVE

And thus ensues a series of events where Spongebob rips his pants for the laughs. It works for a while, and then the laugh starts to get old.

For everyone. Including me. Haha! Sorry, this episode is not one of my beloved re-watches.

When Spongebob pretends to drown he loses all the good will on the beach, especially from Sandy.

SIX

Alone and sad again. A tumbleweed blows by him on the deserted beach.

Yay, another paradox!

SEVEN

Spongebob feels like a loser. When others step forward to claim the title of biggest loser, Spongebob listens and accepts their claims.

EIGHT

And he starts a surf band with them! They sing, play sand instruments, and even have a real-life half-pipe wave background like a music video. The episode is saved! The crowd cheers. Sandy hugs him.

NINE

Larry asks for Spongebob to sign his pants. As he does, his tighty-whities rip, and he’s embarrassed again, putting his hands over his spongey yellow nakedness.

BUBBLESTAND

Another classic Spongebob episode! I’ll probably write this exact line before every Enneagram review. My childlike delight in this rewatch is slightly embarrassing.

ONE

Again, the underwater world and the pineapple neighborhood are established. Spongebob steps forth from his door and enjoys the peaceful environment of the day.

TWO

Boom. Cut to Spongebob hammering on a construction project in his front yard. The timing is perfectly comedic. It’s also Trouble.

THREE

Squidward leans out his window and complains. How is this the Three? Well, first, this is the thing that happens next after the Two. Not a great reason! Also, this Squid behavior is in almost every episode that includes him. Again, why? Stay tuned . . .

FOUR

Squid practices his clarinet and Spongebob finishes his construction. It’s a Bubblestand. Twenty-five cents a blow. Patrick pops up, borrows a quarter from Spongebob, and gives it a go.

He can’t blow, though. And he really, really tries! Big physical humor here. When he finally tires, Spongebob displays a “lessons” sign. Patrick borrows the quarter again. Oh, man, it really is funny. The timing!

SWITCH

Teaching the “Technique” is the lesson. In the Four, bubble blowing was a known thing to us poor normal rubes. After the Switch, we are amazed.

FIVE

With the Technique, Spongebob blows a set of ducks that quack when they pop. A boat bubble sounds its horn. An elephant, working its way into Squid’s window, erupts with a trumpet. Patrick is so delighted with it all.

But here comes Squid. He eventually plops down a quarter to show them how it’s done. All he can blow is a misshapen little bubble that makes a fart noise when it pops. Meanwhile, as he tries again and again, Spongebob and Patrick encourage him to use the Technique, demonstrating it. Eventually Squid does, remembering it perfectly (which is so wonderful), and his bubble is immense.

SIX

Squid brags about his success and completely denies that Spongebob’s Technique helped.

Here’s why I think the Three is the Three: Squid at the mirror points is a bad neighbor. He starts out unfriendly and alone, and after all the antics of the story he ends up unchanged. I see his behavior as a set of brackets. Everything contained, the absolute wonder of the bubble-blowing, won’t impact him. He won’t let it.

It’s not my favorite Three/Six, and I had to squiggle to line it up, but I’ll count it as legitimate.

SEVEN

He chooses to ignore and/or lie about the Technique, leaves his neighbors in the yard, and returns to his clarinet. Saying, “I rock,” he takes the credit for his bubble.

EIGHT

The overly large bubble returns, descending with ominous music and a heavy shadow. It envelops Squid’s house and lifts it up. With a giant fart noise, the bubble (offscreen) bursts. Spongebob and Patrick run away.

Okay, this is interesting: How many times will an episode’s Eight be Squidward’s comeuppance? And we love it every single time.

NINE

The Easter Island head settles into its spot, crooked and askew. A sad clarinet sound is heard.

TEA AT THE TREEDOME

It’s one of the best Spongebob episodes ever! When in doubt, pinkie out! As the third part of Episode One, this story is the longest and conveys a lot of world-building and character-building information.

ONE

We’re underwater, of course. Spongebob often establishes this, which I like. It’s such a beautiful, peaceful world. Immediately I’m ready for a great episode.

This is our first time seeing Spongebob jellyfish. (Jelly fish? Jellyfish fish?) His glasses, his net, his sneaky smile — all so charming.

TWO

He hears a strange noise. It’s Sandy having a fight with a clam shell. We don’t know yet that it’s Sandy, so the Two is an introduction to her character. It goes on for a while, but Sandy has a lot of rules that need explaining!

Spongebob pulls out a book: Field Guide, and looks up “Land Squirrel”. This is all hilarious.

Karate, something Sandy and Spongebob share, is introduced. They like each other.

THREE

As part of their karate showing-off, they head chop each other. When Spongebob hits Sandy, her air helmet becomes the focus. Sandy says that air is good, and Spongebob, who clearly doesn’t understand, agrees.

FOUR

He’s invited over for tea and cookies. Immediately Spongebob stops by Patrick’s rock to ask, “What’s air?” Patrick goes with “putting on airs” and tells Spongebob to “pinkie out”.

And here’s the treedome. It’s so pretty! It has an airlock with an alarm light. We’re just waiting for Spongebob to finally understand. Delicious anticipation. Sandy has a great place.

SWITCH

Air vs. water finally becomes clear to Spongebob. 

FIVE

Either he doesn’t want to admit his ignorance, or he doesn’t want to be rude to his new friend, but Spongebob pretends the lack of water isn’t important as he becomes drier and drier. He is Sandy’s first “sea critter” visitor. Meanwhile, Patrick’s outside the dome looking in, reminding Spongebob to “pinkie out”.

As Sandy retrieves the baking cookies, Spongebob stares at the ice cold vase of water on the picnic table. He doesn’t need it! Water is for quitters!

SIX

HE NEEDS IT!

SEVEN

Spongebob makes the decision to guzzle the water, quitter or no.

EIGHT

Patrick comes in to chastise him and immediately wilts and coughs from the lack of water. 

“Air is not good, Patrick.” It’s a beautiful line, instantly memorable. I kinda, sorta wish Spongebob would’ve said it at the Six, with that satisfying mirror moment, but the air acceptance/rejection motif is good enough.

When Sandy returns with the tea she’s shocked. Cut to an insert of a yellow dry sponge and a plastic starfish on the ground. Another first — the live-object photo insert — is so wonderful.

NINE

Sandy fills fish bowl helmets on Spongebob’s and Patrick’s heads with water. Tea bags go in the water, and pinkies go out.