Episode Enneagrams – Page 6 – Enneagram and Encaustic

Mickey’s Christmas Carol

When I wrote my own version of Dickens’ classic I also had this charming short film in mind. Believe it or not, it’s one of the better adaptations in terms of being true to the original while bringing a unique flavor.

ONE

Credits roll over sepia drawings. A page of Victorian London transitions into a moving shot that finds Scrooge walking along a snow-covered street. The Big Bad Wolf in a Santa suit rings a bell while the Three Little Pigs sing a carol. (Recognizing Disney characters is part of the fun.)

Scrooge (McDuck, of course) gives a “Bah!” when asked to donate to the poor. He arrives outside his Counting House and acknowledges that Marley is dead. He also establishes his miserliness (albeit, a cartoon take on it).

TWO

Entering, he catches Mickey Cratchit trying to place one coal into the cold stove. Denied the chance to heat the room, Mickey asks for a half day tomorrow as it’s Christmas.

(The film is so good at showing all the meanness while making it light for children. Scrooge is horrible and Cratchit is pitiable, as they should be, yet this version gets us to laugh, too.)

Gods and Monsters

The previous episode of Moon Knight picked up the pace. Let’s see if they close strong.

ONE

After the recap and Marvel credits, with “At the End of a Rainbow” playing, we return to Mark’s last moment when he lies, shot, in the tomb’s pool of water. Arthur supervises as two of his men drag the body up and out. Oh, they only want the Ammit statue he was holding.

TWO

A beat on Arthur, who has achieved his goal of the entire season. Placing the golden scarab on Mark’s chest, Arthur apologizes that it had to be this way.

Layla, hiding behind a pillar and listening, watches as Arthur holds up the Ammit icon so his followers can bow before it. His cane handle morphs into a glowing purple head. He and his people leave.

THREE

Checking on Mark, Layla cries. She kisses him goodbye, takes the scarab, and floats him back into the pool.

Asylum

This episode of Moon Knight begins with a recap, followed by the credit roll. Let’s go!

ONE

The sound of screaming while a stream runs in a dark place. A woman, looking directly at the camera, tears up and forcefully says, “It’s all your fault!”

Cut to the hippo, Steven, and Mark, startling each other and screaming.

Cut to Mark screaming in Dr. Arthur’s office. His nose looks broken. Again, we hear Arthur speaking reason while Mark looks at the Egyptian artifacts placed around the office. He’s in a facility in Chicago and everything else is a fantasy he’s created. Mark says, “You’re not a doctor.”

Arthur seems briefly offended, and then defers to the patient. “Alright, retrace your steps. How did you come to be here?” (A question we would also like answered!) He mentions Mark’s last words about meeting a hippo. “Is that sense, or nonsense?” Mark looks shaken.

The Tomb

This is an unorthodox Storytelling Enneagram, but I’m going to count it. Moon Knight has been hit and miss so far. Let’s see what the showrunners tried with this episode.

LEFTOVER NINE

An upside down image of someone walking flips and resolves into the banker-looking avatar. He carries the Khonshu statue, placing it in a ceremonial room lit by candles. The wall contains a number of little icons; this must be Egyptian god prison.

Roll credits.

ONE

We’re back in the overly dark desert with Layla as she tries to wake Steven.

She drags him as headlights approach. Gunfire. Layla rolls both of them down a dune. Leaving Steven, she runs for their truck, hiding alongside.

TWO

The other truck doesn’t find her, but it does locate Steven, who looks dead.

Layla lights a flare, drawing their attention. She dodges their gunfire, then comes up alongside. In the bed of their truck is a rack of bullets. She tosses in a flare, igniting their ammunition.

THREE

As she watches the men dive from their truck, the camera reveals Steven standing behind her.

The Friendly Type

I’ve left this breakdown of Moon Knight, episode 3 as is. It’s fairly unreadable; it was a difficult watch to translate. I could cut it down to a quick summary at the Four and Five, but I want the flow (or lack thereof) to show. Jump down to the Critical Notes, if you prefer. I won’t blame you for skipping.

ONE

Video of Layla talking about Mark. Ah, she’s complaining to a woman who takes photos and builds a fake passport for her.

Layla, we’re told through this conversation with a friend, hasn’t been home to Egypt in ten years. She only steals artifacts that were previously stolen. She’s returning them! (Mostly.) As a child she accompanied her father to dig sites.

(Yes, this is an awkward exposition dump of a scene. But, if you ever wondered how to construct an illegal international document, you’re in luck!)

Roll credits.

Werewolf By Night

Technically, this stand-alone episode is part of the extended MCU. It’s absolutely charming as a Halloween tidbit, though, and may become one of my routine annual watches. Let’s see if it stands up to a fisk. But, please! Watch it first so my spoilers don’t ruin the enjoyment.

ONE

Begin the Marvel credit introduction, and then, with a screech and a slash mark, change it from color to black-and-white. Put the theme song in a minor key. Roll credits in the style of an original monster movie from the 1930s.

Voiceover narration introduces the darker side of the Marvel heroes, the monsters that operate beneath the surface and their hunters. Introduce the Bloodstone family. The patriarch wields a supernatural relic, the bloodstone. (Wait, is the family named after the necklace, or vice versa, lol?)

TWO

Continue with illustrative sketches while the narrator informs us that Ulysses Bloodstone has died. The position of head of the family and the ownership of the relic are now up for grabs. Switch to live action as the narrator announces that tonight is his funeral. (And continue with B&W, throughout.)

Establish a wooded landscape with a many-windowed domed building situated in the middle. The narrator sets the Rules of the Magic: Global hunters, strangers, meet for a ceremonial hunt that will decide who next wields the bloodstone.

Reveal our main character, panning up from his feet, as the narrator proclaims, “Woe to the monster who finds itself” among the hunters. He’s a man in a suit, regular except for dark eye circles and a strange chalk-like face tattoo. (It will take a long time before we’re told his name, but I can’t just keep calling him “our hero”. He’s Jack.)

Summon the Suit

LEFTOVER NINE

A black screen with sounds of snarling and fighting, over. Coming into focus is sand, and then the camera races up the foot of Steven’s bed to him as he flies awake. It seems that in his mind he’s still in the fight. He dashes forward, stumbling out of bed, and is yanked short by the connected ankle brace. Crash, face plant.

ONE

That wakes him entirely. Realizing everything, he slumps back to the floor.

At his bathroom mirror, Steven tries to talk to Mark. No response.

Steven crosses the street, a red double decker bus passing in front of him, and walks toward the museum. As he approaches the front entrance, the overhead shot flips upside down to follow him in.

Repair tools. Cordoning tape. Steven slows and looks around. The security man says he’s just about to review the video footage. He takes Steven into the “arena”, a desk with multiple feed displays. Steven admits he might have information about what happened, and he warns the man: What you’re about to see will melt your brain.

The Goldfish Problem

I decided to give Moon Knight a try because some random YouTube mentioned it as an Egyptology show. I didn’t know that, really knew nothing about it and had no interest in it. Holy cow, was I wrong! I loved this quirky, beautifully-acted little gem. It doesn’t fit neatly into any expectation I held for an MCU project.

The reviews for MK are mixed, and I’m curious to see if my opinion changes during a rewatch. Alrighty, here we go. And remember, I load my breakdowns with all the spoilers.

LEFTOVER NINE

Hands adjust a cloth on a table. From overhead, we see the surface. Some kind of distinctive cane lays on one side, next to a pair of huaraches. On the cloth, arms rest, the right forearm tattooed with a balancing scale. The hands pour a tumbler of water, and then this person, face in shadow, drinks. The empty glass is turned downward, and the cloth is folded over it. With the cane head, the person smashes the glass. The shards are dumped into the shoes. Insert this person’s feet stepping into the huaraches, standing, and then smoothly walking.

Roll credits.

ONE

An extreme close-up of someone’s face in profile. It’s Oscar Isaac. He sits up, probably waking up, and looks around his garret apartment. He’s confused, maybe. Throwing back the puff, he reveals that his right leg is chained to the bed with an ankle brace. He checks that his connection to the bedpost is secure, and then frees himself. Now we see an insert of his feet. (Nice juxtaposition with the earlier scene!) The bed is surrounded by unmarked sand. He steps forward, leaving a clear footprint. He removes tape from the front door jamb.

The Desert

This is the episode I wish I could just skip. It’s too sad.

ONE

Desolate, vast, and sandy. Each of our team faces out on the desert, looking in a different direction. Turning around, Aang yells at Toph for letting Appa be taken. She defends herself with reasonable explanations, and Aang explodes, accusing her of not caring. Katara intervenes, supporting Toph. Sokka gives a pessimistic view of the entire situation.

TWO

Aang won’t hear any of it. He goes airborne to look for Appa.

THREE

Katara assumes leadership. They must get the information about the solar eclipse to Ba Sing Se. They start walking.

Neptune’s Spatula

ONE

Heroic gladiator music over the credits is replaced by our friendly uke with a bubble-wipe to the Fry Cook Museum.

In walk Spongebob and Patrick. (He wears a large ballcap and has a camera around his neck.) They ooh and aah at the displays, which are mostly creatures in glass cases wearing chef hats.

And then they arrive at the “ultimate cooking utensil”, the Golden Spatula. Ah. Larry the Lobster climbs a staircase behind the display in order to try — a la Excalibur — to pull the spatula from its bucket of — suds? wash water? mashed potatoes? He fails, and the spatula goes “Sproing.”

(Haha. It’s a bucket of “ancient grease”. While the gladiator music plays.)

TWO

Only a fry cook worthy of King Neptune himself . . . haha. We’re just waiting for it now. Too cute. Spongebob wants a picture next to the spatula, his hand lightly resting on the handle. An old lady fish interrupts Patrick asking for directions. While he drools with uncertainty, Spongebob valiantly offers to help. Pointing the way, he wields the spatula. Schwing! Golden fire surrounds the liberated, upraised tool. A swirly cloud surrounds Spongebob while Patrick, oblivious, still tries to take a picture.

THREE

Lightning. Fish gathering around. A voice from the cloud. Through a break we see a Mount Olympus-style tableau, and Neptune swims down and through. (His voice this time is J. Peterman from Seinfeld. In the movie it’s George Bluth from Arrested Development.)