Episode Enneagrams – Page 7 – Enneagram and Encaustic

Werewolf By Night

Technically, this stand-alone episode is part of the extended MCU. It’s absolutely charming as a Halloween tidbit, though, and may become one of my routine annual watches. Let’s see if it stands up to a fisk. But, please! Watch it first so my spoilers don’t ruin the enjoyment.

ONE

Begin the Marvel credit introduction, and then, with a screech and a slash mark, change it from color to black-and-white. Put the theme song in a minor key. Roll credits in the style of an original monster movie from the 1930s.

Voiceover narration introduces the darker side of the Marvel heroes, the monsters that operate beneath the surface and their hunters. Introduce the Bloodstone family. The patriarch wields a supernatural relic, the bloodstone. (Wait, is the family named after the necklace, or vice versa, lol?)

TWO

Continue with illustrative sketches while the narrator informs us that Ulysses Bloodstone has died. The position of head of the family and the ownership of the relic are now up for grabs. Switch to live action as the narrator announces that tonight is his funeral. (And continue with B&W, throughout.)

Establish a wooded landscape with a many-windowed domed building situated in the middle. The narrator sets the Rules of the Magic: Global hunters, strangers, meet for a ceremonial hunt that will decide who next wields the bloodstone.

Reveal our main character, panning up from his feet, as the narrator proclaims, “Woe to the monster who finds itself” among the hunters. He’s a man in a suit, regular except for dark eye circles and a strange chalk-like face tattoo. (It will take a long time before we’re told his name, but I can’t just keep calling him “our hero”. He’s Jack.)

Summon the Suit

LEFTOVER NINE

A black screen with sounds of snarling and fighting, over. Coming into focus is sand, and then the camera races up the foot of Steven’s bed to him as he flies awake. It seems that in his mind he’s still in the fight. He dashes forward, stumbling out of bed, and is yanked short by the connected ankle brace. Crash, face plant.

ONE

That wakes him entirely. Realizing everything, he slumps back to the floor.

At his bathroom mirror, Steven tries to talk to Mark. No response.

Steven crosses the street, a red double decker bus passing in front of him, and walks toward the museum. As he approaches the front entrance, the overhead shot flips upside down to follow him in.

Repair tools. Cordoning tape. Steven slows and looks around. The security man says he’s just about to review the video footage. He takes Steven into the “arena”, a desk with multiple feed displays. Steven admits he might have information about what happened, and he warns the man: What you’re about to see will melt your brain.

The Goldfish Problem

I decided to give Moon Knight a try because some random YouTube mentioned it as an Egyptology show. I didn’t know that, really knew nothing about it and had no interest in it. Holy cow, was I wrong! I loved this quirky, beautifully-acted little gem. It doesn’t fit neatly into any expectation I held for an MCU project.

The reviews for MK are mixed, and I’m curious to see if my opinion changes during a rewatch. Alrighty, here we go. And remember, I load my breakdowns with all the spoilers.

LEFTOVER NINE

Hands adjust a cloth on a table. From overhead, we see the surface. Some kind of distinctive cane lays on one side, next to a pair of huaraches. On the cloth, arms rest, the right forearm tattooed with a balancing scale. The hands pour a tumbler of water, and then this person, face in shadow, drinks. The empty glass is turned downward, and the cloth is folded over it. With the cane head, the person smashes the glass. The shards are dumped into the shoes. Insert this person’s feet stepping into the huaraches, standing, and then smoothly walking.

Roll credits.

ONE

An extreme close-up of someone’s face in profile. It’s Oscar Isaac. He sits up, probably waking up, and looks around his garret apartment. He’s confused, maybe. Throwing back the puff, he reveals that his right leg is chained to the bed with an ankle brace. He checks that his connection to the bedpost is secure, and then frees himself. Now we see an insert of his feet. (Nice juxtaposition with the earlier scene!) The bed is surrounded by unmarked sand. He steps forward, leaving a clear footprint. He removes tape from the front door jamb.

The Desert

This is the episode I wish I could just skip. It’s too sad.

ONE

Desolate, vast, and sandy. Each of our team faces out on the desert, looking in a different direction. Turning around, Aang yells at Toph for letting Appa be taken. She defends herself with reasonable explanations, and Aang explodes, accusing her of not caring. Katara intervenes, supporting Toph. Sokka gives a pessimistic view of the entire situation.

TWO

Aang won’t hear any of it. He goes airborne to look for Appa.

THREE

Katara assumes leadership. They must get the information about the solar eclipse to Ba Sing Se. They start walking.

Neptune’s Spatula

ONE

Heroic gladiator music over the credits is replaced by our friendly uke with a bubble-wipe to the Fry Cook Museum.

In walk Spongebob and Patrick. (He wears a large ballcap and has a camera around his neck.) They ooh and aah at the displays, which are mostly creatures in glass cases wearing chef hats.

And then they arrive at the “ultimate cooking utensil”, the Golden Spatula. Ah. Larry the Lobster climbs a staircase behind the display in order to try — a la Excalibur — to pull the spatula from its bucket of — suds? wash water? mashed potatoes? He fails, and the spatula goes “Sproing.”

(Haha. It’s a bucket of “ancient grease”. While the gladiator music plays.)

TWO

Only a fry cook worthy of King Neptune himself . . . haha. We’re just waiting for it now. Too cute. Spongebob wants a picture next to the spatula, his hand lightly resting on the handle. An old lady fish interrupts Patrick asking for directions. While he drools with uncertainty, Spongebob valiantly offers to help. Pointing the way, he wields the spatula. Schwing! Golden fire surrounds the liberated, upraised tool. A swirly cloud surrounds Spongebob while Patrick, oblivious, still tries to take a picture.

THREE

Lightning. Fish gathering around. A voice from the cloud. Through a break we see a Mount Olympus-style tableau, and Neptune swims down and through. (His voice this time is J. Peterman from Seinfeld. In the movie it’s George Bluth from Arrested Development.)

The Story Enneagram of Reacher, Season 1

Notice when the story can be summarized by a simple sentence. Subject-verb-object. I’ve written basically a treatment of the show. It’s not meant to be thrilling, but it is meant to demonstrate concise beats. Any beat that is hard to condense is a red flag.

“WELCOME TO MARGRAVE”

ONE

Joe is killed.

Reacher is introduced.

He’s arrested while trying to eat pie.

TWO

Introduce Roscoe and Finlay at the station.

Background on Reacher; he shows off his detecting abilities.

Flashback: introduce Young Reacher.

Introduce Paul Hubble and the black sedan.

Hubble confesses. He and Reacher are sent to prison.

Spivey locks them in with the lifers.

Hubble tells Reacher the truth. He’s a currency manager for someone who will nail him to a wall.

Fight in the bathroom.

Pie

Lol, I haven’t even started watching, but I love the episode already from its title. The problem introduced at the very beginning of the season — will Reacher get to eat a piece of that delicious peach pie — promises resolution here.

LEFTOVER NINE

Ah, lovely. We pick up exactly where we left off, with KJ pointing a gun at Finlay’s head. Reacher submits to Teale disarming him. Picard explains himself to Finlay.

ONE

Reacher asks about Roscoe, and KJ holds up a phone video of her, hands tied over her head. Teale agrees that they’ll all die except the Hubbles. The townspeople don’t like to see an innocent family killed. Well, no. KJ intends to torture Paul Hubble. He’s the last loose end.

Unintimidated, Reacher tells how much he knows about the Venezuelans. Pretty soon they’ll come for KJ and give him the “same necktie” they gave his daddy.

KJ responds, “I killed my father.” (YIKES. Reacher looks a little gobsmacked, too, lol.)

And now we know, as does Reacher, that KJ is batshit evil. We get a little proud monologuing as KJ claims responsibility for all of it. Holy crap, the long list of murders ends with, “I killed your brother.” Lol, take a beat on Reacher’s reaction to that.

(The casting of KJ is excellent, because all we want to see is Reacher decimate that little toad. And we know from his face here that KJ’s a dead man.)

Teale, just a low-level scumbag, sums up the plan. The Reacher brothers were working together with a bad cop (Finlay), or at least that’s how they’ll make it look to the community.

TWO

And now the threats and exposition are over and the story begins. KJ demands that Reacher use his tracking skills to find Hubble. If he doesn’t call by the morning, the Hubble women and Roscoe will die in unimaginably horrible ways.

Hold on Reacher’s face. Roll credits.

The Story Enneagram of the Mass Effect Trilogy

The Catalyst docks with the Crucible over a war-ravaged Earth

This is my granddaddy review of the entire gaming trilogy. It’s been a lot of fun (and a little bit of frustration) to play through it all again. If the plot is too long to read, I hope you’ll jump to my Critical Notes at the end

ONE

We meet Shepard and the Normandy. Humans are a new addition to the galaxy civilization, which includes multiple races. Geth, though, are an AI race that most of the worlds have never seen in person. We learn about the universe’s elite special forces group just in time to meet our ME1 villain, a rogue Spectre named Saren.

TWO

The First Beacon overwhelms Shepard and implants a vision in her brain. At this point she doesn’t know what it means, only that something bad happened. War, destruction. Later we look back and realize this is the first warning about the Reapers, delivered by the Protheans, a doomed race that was wiped out.

Reacher Said Nothing

ONE

A house exterior at night. Inside, Officer Stevenson prepares for bed with his wife. They discuss their distress and the difficulty he’s having with the case. Finlay won’t talk to him. The Hubbles (their cousins, right?) won’t answer the phone. She suggests they move away from Margrave, especially as they’ll need a babysitter soon. They’re happy and cuddly about her early pregnancy.

TWO

As they kiss, the camera cuts to a view looking out the window at a black car pulling up. Ominous music. White booted feet and hazmat-suited legs exit the vehicle. One of the four men carries a crowbar. Roll credits.

THREE

An establishing shot of the Atlanta airport runway. Cut to a slow pan of Reacher, starting at his boots and ending at his face above a “stupid” NYC tourist T-shirt. He frowns. (Of course, lol.) Someone wheeling a carry-on calls for a taxi, and Reacher focuses in on the luggage for some reason.

Ah, cut to a flashback. Young Reacher wrangles a bag as he and Joe leave the house. The family is moving to Germany, and the boys consider it a punishment. Mom, with her French accent, gives them a pep talk. Reacher, with the strength of three boys your age, what will you do, she asks. You’re going to do what’s right. The close-up of Young Reacher’s thoughtful face becomes present day Reacher. Finlay screeches up in the POS minivan.

The Story Enneagram of Mass Effect 3

Jump down to my Critical Notes if you can’t stand one more pass at the plot, lol.

ONE

The Reapers land on Earth. We knew it was coming, but it’s worse than we ever imagined.

TWO

The Boy doesn’t escape in the shuttle, which is destroyed. All of the Mars mission is included in this section: Finding the ultimate Prothean device. (Using it — the Crucible — is the key to the Eight.)

THREE

Dream One