Enneagram – Page 26 – Enneagram and Encaustic

YONDU UDONTA, FOUR

Tough love! We don’t completely understand until the second Guardians how much Yondu loves Peter and looks on him as a son. It’s a great roll-out. Yondu doesn’t arc, but our understanding of his character does. He is quite consistent.

He’s not gentle, though. No coddling. The whole “the crew wanted to eat you at first” bit seems slightly villainous. Only after he repeats it do we understand that this is just a gag. Yondu’s sense of humor is dry and biting. He’s not a cuddly fellow. And why should he love Peter? He has a job to deliver a human kid to a godlike being. There’s something gentle and quiet in Yondu that makes him break from the job and raise Peter himself.

Again, all of this depth is only revealed over two movies.

So, who is this lovable ravager? He’s not a Body Type. His weapon asks no physical capabilities from him beyond the ability to whistle. He’s a thinker, but he doesn’t dwell there. What he enjoys is to mess with your mind. Think of the scene in the store where he mumbles gobbledy gook at the orb-buyer to manipulate him. Yondu gets a kick out of the show. Heart Type.

Hahaha! He collects little cute action figures for his dashboard. Does that indicate he’s a Two? Hilarious! No, I think he’s a Four because of his acerbic humor. He thrives on the battle of wits. When Peter replaces the infinity stone with a troll doll, Yondu loves it. His protege tricked him, and he thinks that’s wonderful. He’s a gamesman, and personality quirks are his playfield. And no one must ever know how tender he is under that rough blue exterior.

MASS-ive Undertaking

I’d like to try looking at the Story Enneagram of another game, and the grandaddy awaits, Mass Effect. Can I do it? I bought myself the Legendary Edition, all three games, and I haven’t played in years, so I have a tiny feeling of freshness and a large feeling of nostalgia. The minute that menu music started playing, I teared up. This and Dragon Age were my first RPGs. Let’s try!

Backstory begins. We’re told that humans in the year 2148 discovered alien ruins on Mars that jumped our space-faring civilization forward. We now have the plans — I think? — to build a relay machine, the Mass Effect. Yet, the universe and many alien races already use this technology, so Mass Effect relays are spread about the cosmos.

My little, tiny ship flies into the glowing ball of the Mass Effect relay and shoots out across the universe like a bullet from a barrel

The Blind Bandit

Oh, what a great episode to watch after a long break! Finally, Toph. Yay!

ONE

Sokka, shopping in a city, wants to buy a bag. It’s too expensive, but he gets it anyway. On the street a salesman approaches Aang with a flier for an earth bending academy. We’re reminded that the Avatar needs a teacher.

TWO

Cut to Aang in a silly uniform, surrounded by a bunch of little kids taking class. Master Yu teaches. (It’s pretty much the kind of “quick karate” school we’d see in our own time.) Aang leaves, knowing this isn’t the training for him. Two students walking by speak about an earth bending tournament. When Aang, excited, asks them about it, they ridicule him and don’t respond.

THREE

Katara will take care of this: “Hey, strong guys, wait up,” she says with a flirting voice as she pursues them around a corner. She returns, saying, “We’re going to Earth Rumble Six.” How did she do it? We get a shot of the two boys, perpendicular to the street, encased in ice against the buildings.

DRAX, EIGHT

I immediately want to say Eight. His reaction to everything is physical. He has a bluntness that I think goes beyond the literal thinking of his people. He’ll say anything, which is an Eight trait. The filmmakers use that, an Eight’s willingness to speak without a filter, and combine it with his innate lack of metaphor, to drive much of his comedy. He calls a sympathetic character, Mantis, ugly and we laugh. That’s a tough balance to hit.

At the end of the first Guardians, he comforts Rocket by petting him. It’s such a beautiful, honest moment that feels perfect. That is the Eight coming through. Physical, tender, and the absolute right thing to do when a heart is broken.

The Series Finale

Check the Critical Notes after the breakdown for my thoughts on the structure of the entire series. I figure out why I felt so dissatisfied when the season ended.

ONE

We pick up where the last episode left off. Wanda’s twins are bound by Agatha’s magic purple rope. The witches fight, and Agatha holds Wanda’s red power beams. “I take power from the undeserving,” she says. Wanda’s hand withers and turns black from the drain. Just when Agatha appears to be winning, Wanda hits her with a car that crashes through a house window. Looking through the broken glass, Wanda sees two empty boots under the car in a Wizard of Oz homage. (I laughed.)

TWO

Behind Wanda, White Vision floats down. He touches her cheek in what appears to be a tender moment, then squeezes her head in a vise grip. Our Vision rams him away. Wanda says to him, “I should’ve told you everything.” They’re a team, though. “This is our home. Let’s fight for it.” The Visions fly off in one direction, and the witches go the other.

THREE

Meanwhile, Pietro has Monica trapped inside his house, using his superspeed to corral her.

So This Is Christmas?

Well, rats. The Hawkeye finale is not up to the standards of the last few episodes. It’s fairly generic, with obligatory fight sequences and stilted humor.

Ah, I just noticed. The episodes I liked were directed by Bert and Bertie. The ones I didn’t were directed by someone else. Fascinating. Let’s jump in.

ONE

Stepping into frame is a cane and a large body in a suit. It’s Kingpin. This is his meeting with Eleanor that was teased at the end of last episode. We get a little backstory: her husband owed a small fortune to Kingpin when he died. Eleanor, working with him all these years, has repaid the debt ten times over. Now that Kate is getting close to the secret, Eleanor wants out. Kingpin is not happy.

TWO

The video of this scene plays on Kate’s phone. We’re back with her and Clint at the kitchen table. Kate freaks — I need to talk to her — and Clint says, Your mom needs our help. When Kate tries to send him home, Clint declares that they’re partners. “Your mess is my mess.”

THREE

We’re back at Kingpin’s lair, or whatever. (It’s a small room surrounded by colored hanging beads. No idea why.) Maya arrives to apologize, declare her loyalty, and ask for time off. Kazi, who’s already there, translates for her. Slowly and deliberately, Kingpin signs to her, I love you. She signs it back. After she leaves, Kingpin says to Kazi, “Maya, my Maya, has turned on us.”

DUDLEY (1947), FOUR

A real angel would have no Enneagram, I suppose. Dudley, however, has many human traits. He feels romantic love for Julia. He takes a perverse pleasure in wrapping Henry around the axle. Even with the Professor, whose alcohol bottle Dudley magically replenishes, he likes confounding him and playing with his expectations. Dudley is an imp as a character archetype and, possibly, as a religious one. Henry has doubts, calling him a demon. I have doubts, too!

So, what Enneagram is the Mischief Maker? Dudley can ice skate beautifully, although I credit that with magic rather than a physical proclivity. Not a Body Type. He’s not particularly intellectual. His purpose on Earth, ultimately, is to save Henry’s soul. A different Enneagram, a Head Type, would argue with Henry and engage him in philosophy in order to guide him. Dudley, instead, goes right for the social levers.

In general, a Four is quite impish. It’s one of the things we love about them, that mischievous sense of finding buttons and pushing them, even their own. Dudley isn’t very self-reflective, though. It’s everybody else’s weaknesses he likes to manipulate.

I’m going to say that the writer purposely subverted the angel trope in order to create humor. It must’ve been funny in 1947, or it wouldn’t have become a beloved Christmas movie. In my lifetime, though, it’s gone from charming to drudgery. For me, The Bishop’s Wife is now unwatchable, and a lot of that centers around Dudley.

Ronin

Hawkeye is on a roll. This penultimate episode is delicious.

LEFTOVER NINE

A snowy, wooded landscape. Over, we hear Natasha’s voice from Black Widow tasking Yelena with curing the Widows of their mind control. 2018. Tucked in the woods, a small mansion.

Sneaking on the roof and entering are Yelena and a sidekick. Inside, they surprise Anna, another Widow. Pause, and they battle like crazy until Yelena can hold her down and hit her with the antidote. Turns out Anna wasn’t brainwashed, and all this is a chance for some exposition. Yelena has helped many Widows. “It’s hard watching them wake.” Anna asks, How is your sister? (Emphasize Yelena’s relationship to Natasha, for those not up on the latest Marvel storylines.)

Yelena steps into Anna’s powder room and splashes her face. A pixelated disintegration, and the room changes color around her. Out she comes to a different decor. Confused, she’s ready to attack. A man and child play quietly, and from the corner comes Anna. “You’re back!” (Another representation of what it felt like to return from the Blip. Wandavision did this, which I enjoyed.)

So now it’s five years later. Anna catches Yelena up on life. “I was in for five seconds and I’ve lost five years,” Yelena says. “I need to find Natasha.” A long beat as we remember that, if there’s been a Blip, Natasha is dead. The screen goes black, and the Marvel logo runs.

Echoes/Partners, Am I Right?

I’ve combined Episode 3 with Episode 4.

Echoes

Finally, Hawkeye hits its stride. We’ve got a real show here!

ONE

A child at school in 2007. It’s not Kate, it’s someone new. Her world is silent. As the teacher’s lips move, subtitles appear. Seeing the child writing in a workbook, the teacher comes over and taps it. We see her name on the teacher’s lips: Maya. She’s a good student.

Now we have sound. Shadow puppets. It’s little Maya signing with her dad. Their relationship is absolutely charming. (Kudos to both actors.) She asks about dragons, and why she isn’t in a school with kids like her. Dad is sorry, he can’t pay for deaf school. She must learn to jump between two worlds.

In judo class little Maya watches as a larger boy shifts his weight and scores a takedown. Her dad observes class, then says her uncle will take her home. We see a black suit coat and a hand that lovingly pinches her cheek. (Subtle Easter egg there, for anyone looking.) Maya steps onto the mat, and now we see she’s also a right leg amputee with a prosthetic. Watching for the shift, she takes down the bigger boy.

Time passage, and it’s the Woman In The Red Light from last episode. In case we had any doubts, we see her leg prosthetic as she spars in a boxing ring. (I already totally love Maya.) She’s fierce as she watches for the shift again.

On a motorcycle, she arrives at a warehouse. Sneaking, she can see Ronin through the window stabbing and attacking. She runs inside, but it’s too late. Among the people dying is her dad. They sign with each other, and she cries. “Fly away from here, little dragon,” he says to her.

Run title logo.

HENRY (1947), THREE

How can David Niven be unlikable, lol? A bishop, a revered community and religious figure, is played as a git. Bold choice.

He’s determined to build his cathedral. We all see the irony immediately: he thinks he’s glorifying God, but by ignoring his family and his flock he’s doing the opposite. Because of that tension he’s stressed all the time. What he’s feeling is unsustainable.

I want to say he’s a Three. His charm and success, the ease of his vocation, are all things that happened before this story began. All we see is his crisis. Still, though, a man in his position is gifted at the social skills. He’s greatly admired in the community, even now. Only his wife sees the first signs of fraying.

And one of the things that upsets him the most is his failure. He looks bad as a bishop when he can’t get the cathedral funding, and Dudley makes him look bad with his wife, which he hates. Threes, who succeed at so much of what they touch, really dislike the rare moment when they don’t.