I’ve dropped a new album (so far with only one track). Based on Pride and Prejudice, the concept is for each track to be a moment from the novel. The next track is being recorded now!
Ardent
Category: Enneagram
Posts related to the Enneagram Storytelling System and/or the personality typing of the Enneagram.
HALL MONITOR
ONE
The French narrator establishes Mrs. Puff’s Boating School. Fish students drool and sleep while Spongebob takes diligent notes.
TWO
But, wait. It’s time to pick the Hall Monitor of the day. Spongebob looks up with wide eyes.
THREE
Mrs. Puff looks over her checklist. With a mark next to nearly every name, only one student hasn’t been Hall Monitor. Haha, you know whose name remains.
Continue reading “HALL MONITOR”Mason
We go into the fahncy part of town. Ser Maximilian, Captain of the Wyrm Hunt is ready to show us four possible quests. I just grab the first in the list: Decipher a Text. He hands me a slate with old writing. Only a couple of words are understandable. “Arisen” is in there, as is “heart”. It’s obviously about us. We’re to run around town and ask for more info.
Continue reading “Mason”CHARLOTTE LUCAS, SEVEN
I should immediately admit that I’m sympathetic to Charlotte. Elizabeth hates her pragmatism when it comes to love and marriage. I kind of respect Charlotte’s reasoned and harsh perspective.
Of course, she’s stuck with Collins, which is an ill fate. But, her parents! She’s a financial burden with no prospects. God, I really admire her grit.
So, what Enneagram number is so unromantic? Well, a One. A Seven. Possibly a Three. An Eight. Is Charlotte a Body Type?
She’s a Seven! Wow, I’m wonderfully surprised. Like Collins, every portrayal of her has been a different number than what she is. Imagine a Seven, the Enneagram number most associated with hedonism, as an undesirable, unmarriageable Regency woman. What a lot of possibilities for character portrayal!
She and Elizabeth have that Head Type connection as the basis of their friendship.
Seven Women are so practical, so efficient. This is how Charlotte can marry someone she can’t respect and yet live a good life. The house is segregated by Charlotte into her private parlor and his garden and office. It’s not personal, it’s business. (Charlotte would make a great mafia don.)
Yes, some aspects of her life are sub-optimal, but look at the positives. She runs her own household and she likes it. Her position and income (her nest) are secure. When she has children they will be safe and healthy.
It’s utterly unromantic, but it’s not the worst. Like I said, I don’t condemn her. Charlotte’s a boss.
WILLIAM COLLINS, TWO
Although I love the screen portrayals of Mr. Collins, I’m interested that in the novel he’s described as tall and more physically present. He’s not diminutive. The kind of cringy or bantam-like behavior I associate with him all come from the actors.
He’s always obsequious, of course. The little attentions to the ladies, studied and prepared, is one of his ridiculous traits.
Let’s take Austen’s description as an Enneagram indicator, though. Forget about the actors. Collins is large. My first instincts — a One or a Six — are not correct. If he’s athletic, he’s a Nine. If not, he’s a Two. And he’s not athletic, regardless of how often Charlotte encourages him to enjoy his garden.
I would dearly love to see a production of P&P that casts Mr. Collins as a large Two. How does his character change? That mix of empathy and envy, how does it play out? When he comes to the Bennets after Lydia’s fall — always a scene that doesn’t quite work — how does it play if he’s a Two moving to Eight (weakness) at that moment? Or perhaps he’s a Two moving to Four (strength), looking out for himself and his own? Right now he’s portrayed as a judgmental placeholder, a mouthpiece for Lady Catherine. What if he expresses his own interests in that scene? Ooh, so exciting!
Isn’t that funny? Collins is beloved. I clap when I see him ooze onto the screen. But they’ve all been playing him wrong, and it’s deeply thrilling to imagine a production that gets him right. He doesn’t collect musical instruments or obscure tools, he collects Lady Catherine’s advice. Her attentions are the objects this Man Two places on his hobby shelf. It’s absolutely delightful.
The Pawn Guild
The guild building is the “gate to the Everfall”. This means nothing to us right now, but — spoiler — whoo, boy. Head Pawn Barnaby tells us it’s “a place of great importance to our kind”. For me, it’s just the next destination in the quest line-up.
When we agree to help Barnaby he takes us down the stairs to a gated doorway. Pawns are “keepers to the entrance”. Since the dragon’s coming the Everfall has a strange aura, a presence that should be investigated. That’s where we come in!
Continue reading “The Pawn Guild”PICKLES
Establishing shot of the Krusty Krab. Inside, Squidward reads a rehearsed greeting and prepares to take the customer fish’s order. The fish’s indecision annoys Squid. (Of course it does lol!)
TWO
The Krabby Patty order is finally passed back to the kitchen where Spongebob waits.
THREE
We see a medium shot of Spongebob building the “Crying Johnny” (with extra onions). Each ingredient and layer is shown like a tutorial.
FOUR
Cooked, the order is passed back through the window for Squidward to deliver. And the line stretches on . . . We definitely get the sense of a busy day in the fast food business.
A large fish approaches the register. His order is complex, loaded with the kind of slang Spongebob has been using. Squidward, naturally, is annoyed.
Spongebob has it cooked already and ready to serve. Then he recognizes the orderer: Bubblebass. They square-off while Western movie music plays over. Spongebob has a reputation for cooking, Bubble for picky eating.
He takes his burger and sits, all of the restaurant gathered to watch. He sniffs, he weighs, he squeezes, he shuffles the burger like a deck of cards. He bites. He chews. (Ew, dude.)
How is it? Pretty good, but . . .
Dunh-dunh. You forgot the pickles!! The crowd gasps.
The best there is? You lose. Giggle, snicker.
Wow, is this fish repugnant lol.
Continue reading “PICKLES”Gran Soren
We escort Mercedes and the verrrry slow wagon carrying the hydra head to the capital city of Gran Soren. Kill or dodge a few wolves, some harpies, goblins here and there, even falling rocks. I’ve learned all the tricks for keeping the ox alive. Mercedes’ mission opens up access to the larger world and the city. This is the hub of everything, and the furthering of the story.
She immediately abandons us, though, as if she’ll take credit with the Duke for the hydra kill. That touch of passive-aggressive envy we sensed earlier in her character comes out again here.
Continue reading “Gran Soren”LYDIA BENNET, EIGHT
Is she an Eight? That’s what immediately pops in my head.
She’s so outspoken. Social embarrassment and decorum are not part of her character. In Austen’s world this makes Lydia clownish and prone to ruin. In our world she might be hailed as a confident woman, even an iconoclast. I can see an Eight fitting into either description, depending on the context.
Obviously she’s physical. She loves to dance. Austen presents this as part of Lydia’s boychasing, shallow temperament, but what if she’s just a Body Type who enjoys movement? I can imagine that an Eight, especially the baby of the family who’s been spoiled, would have a hard time meshing with the strictures of Austen’s Regency society.
Lydia’s the hero of her own story. To her delight she moves into society at a young age, finds many dances and beaux, travels away from home with a dear friend, and meets her future husband after much adventure. It’s very Eight-ish to be oblivious to the worries of rules-oriented people (such as her sister Elizabeth, the Six).
She loves her dear Wickham. He’s charming, witty, and handsome. For someone as cognizant of social rules as Wickham, though, Lydia must be a painful companion. Her vivacity will only go so far. When Austen linked them together, I believe she was punishing Wickham in devious ways. He grew up on Pemberley, associating with lordly people. For him, to be forever tied to Lydia — whose freshness would not be welcome in that era — is a come-down.
GEORGE WICKHAM, FOUR
His moment in the spotlight is the one part of Pride and Prejudice that I hardly want to read or watch anymore. The sparkle of his character rubbed off long ago.
Regardless, to judge his Enneagram number I must think back to when his ruse was tolerable to me. His charm, his ability to redirect, is an important aspect of his character. His ability to see weakness is the key. Elizabeth wants to hear a story that impugns Darcy, and Wickham delivers it to her. She wants to believe that Darcy is a villain, and Wickham is ready to serve it up.
On a side note, isn’t it interesting that Wickham is never played by an above-the-line actor? In Bridget Jones’ Diary he completely is. Hugh Grant, A-lister. I barely remember the Wickham of the other versions. Productions cut corners on the Wickham salary. It’s annoying, actually, and partly why I’m uninterested to delve into his Enneagram.
In the book, Wickham’s problem is that he makes Lizzy look a fool. She’s our heroine; we don’t want to see her fall. Her pride (or is it prejudice?) allows her to trust a con artist.
A con artist. As a last resort he becomes a soldier. He has no other prospects for a profession. He thought he might be a lawyer or clergyman, and blew away his path to those careers. He’s not physical and he’s not erudite. He’s a Heart Type.
He’s a Four.
He can’t be a Three, he’s too much of a failure. And he can’t be a Two. He’s too nasty for it.
He can charm the socks off of everyone. Four. It’s all about what he wants and why he’s not getting it. Four. And it’s all about tomorrow. Put off the failures and problems of today, and they’ll probably resolve themselves on a new day. (And they do, mostly.)