The Eye (Part Two)

Continuing Episode Seven of The Rings of Power . . .

SWITCH

Nori doubts her trust in The Stranger. Clouds cover the moon.

FIVE

Galadriel and Theo, still alone in the forest, speak of loss. Galadriel’s brother died, but also her husband Celeborn. (What?! We know he’s alive later when Frodo visits. I mean . . . right?!) He went to war and she never saw him again. Theo feels blame for what happened to his village, and Galadriel tries to reassure him that his heart was good. Let the burden go.

Their talking stops when orcs with torches search the woods. After a moment of suspense, the orcs move on.

(Theo’s pessimistic attitude and his sense of self-blame remind me of Nori’s previous scene. They are similar in their depression and doubt, and their beats should be grouped together. Therefore, we need to move the Switch back a bit.)

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The Eye (Part One)

Episode Seven of The Rings of Power begins . . .

ONE

An ash-coated eye opens. It’s Galadriel, pulling herself up in slowmo from the village ground. Through the orange air and embers, she calls out for Halbrand and Elendil. Theo finds her. 

TWO

Isildur and the Queen strain to lift a beam off of Valandil. Ontamo, next to him, is dead. Hearing cries, the Queen directs the soldiers to help her rescue people trapped in a burning building. 

THREE

They escape, but the roof falls on Isildur.

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Miracle on 34th Street (1947)

I present to you the perfect Christmas movie. Don’t be discouraged by the black-and-white photography. It brings a pleasant sense of nostalgia, and the story will captivate you so quickly you’ll forget you’re not watching color. Let’s take a quick dive.

ONE

As credits roll the camera follows a man in a fedora who walks the streets of New York City. It’s like a charming time capsule. At a certain point I start to wonder how they managed to shoot this when steadicams didn’t yet exist. If you’ve ever pushed a camera dolly, you’ll be astounded at what they accomplished here.

Reveal that this bearded man is (probably) Santa Claus in modern clothing.

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Udûn (Part One)

Episode Six of The Rings of Power . . .

ONE

Adar plants seeds in the forest mulch while his orc legion awaits his orders. He gives them a rousing speech. (Haha, there’s Waldreg standing among the horde, looking uncomfortable.)

Leading them to the watchtower, Adar opens the fort’s door to find the compound empty.

As they search, we see Arondir hiding behind a door. Adar finds the sacrificial altar. 

TWO

Standing with him, Waldreg asks what happened to Sauron? The question is interrupted by Arondir shooting arrows. He’s booby-trapped the compound, bringing down the tower and closing the orcs inside. Stones fall toward Adar.

At the base of the waterfall, Bronwyn and her people see the tower collapse and cheer the success of their plan. They return to the village to prepare for the orc survivors.

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GEORGE RUSSELL, FIVE

The second season of The Gilded Age has begun and I’m enjoying it as much as I did the first. Looking over the Enneagram studies I did last time for the major characters, I think they’ve held up well. Someone I didn’t discuss is Bertha’s husband, George. Why didn’t I include him?

He doesn’t immediately speak his Enneagram number to me. When I think about him I wonder if he’s a Null? He’s so good, I hope that’s not true.

He has a placidity that leads me to Nine, but he doesn’t shy from conflict. Bertha is conflict. Her ambition requires it. His own business of finance leads him into many conflicts and he shows no sign of discomfort. Basically, he’s too ruthless to be a Nine.

He doesn’t have the impetuous temper of an Eight, nor the epicurean interests of a Seven. He doesn’t have the vivacity of a One, nor the wit of a Four. He can’t be a Three, that’s Bertha’s character. I see no sign of a Two’s collection. He’s too bold for a Six.

That leaves us with a Five. Really? Could that be true? First of all, that luxurious beard is not Five-ish. It’s Nine-ish. However, he has a cold attitude, an emotional distance from workers’ problems, that is Five-ish. It could also be why Bertha’s social intensity doesn’t bother him. Business is business. The way he looks at the maid when she sneaks into his bed is very Five. He almost laughs at her, then sends her quickly away. Also, to not tell Bertha about the maid is very Head Type. The emotions she feels when she learns — envy, anguish, embarrassment — aren’t something he can foresee. In his opinion the maid was silly and he handled the issue.

Well, I’m surprised. I still say that someone — showrunner or actor — is mixing in a little too much Nine, but I’m willing to declare George a bona fide Five. I didn’t expect that. Now, I’m quite excited! I can see the Mr. Darcy peeking out around his edges.

Partings (Part Two)

Episode Five of The Rings of Power continues . . .

SWITCH

Kemen speaks to the Chancellor and tries to convince him that the people would follow his lead. The war is a return to the old, elf-friendly ways. Kemen wants to stop it.

The Chancellor, playing the long game, schools him on waiting.

The Queen meets with her father in the tower. Thinking he’ll be pleased, she tells him she’s traveling to Middle-Earth. He prophesies “darkness” for her.

FIVE

Nori reports to The Stranger that everyone’s happy about what he did with the wargs. His hand in a puddle, he whispers weird words, freezing the water around his fingers. The ice travels up his forearm. Worried, Nori tries to interrupt by grabbing him but her hand becomes trapped. In some kind of trance, he doesn’t notice as the ice branches onto her arm. His voice increases in intensity, the corona of Starfall flashes, and Nori is tossed free. When The Stranger checks on her, she dashes away. Threatening music intensifies.

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Partings (Part One)

Episode Five of The Rings of Power . . .

LEFTOVER NINE

Nori and The Stranger sit at the shore while she teaches him about “migration”. When she describes the dangers of the road, he realizes he is a “peril”. He seems upset by it, and she reiterates that he’s good.

(This scene, which is fairly isolated storywise, is exactly what I meant last episode when I said the Three should be a beat involving these characters. It’s perfect, especially since The Stranger struggles with understanding his ethics. Juxtaposed with Waldreg calling him Sauron in last episode’s Six, this would’ve been genius.)

ONE

And then we continue with the Harfoots (which would’ve made a solid opening to the current episode). The Brandyfoots and Poppy load their wagons and set out. She sings a walking song while the beautiful scenery dissolves to a map of the route. They muscle their way through the Grey Marshes and onward, with no sign of the caravan. At night The Stranger steps out to look up at the stars.

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BEETLEJUICE, NULL

Does Beetlejuice have character traits, or is he only a demon who acts according to his nature?

He has a very clear intention: say my name three times so I can be loosed onto the world. Whatever he does at the beginning of the movie is in service to that want. When he’s free, though, he pursues mayhem and tries to marry an underage Lydia. Sowing chaos and practicing sexual assault are pretty much demon actions. It’s quite possible he’s a Null.

Does he ever exhibit a characteristic that is distinct to him and not a generic trait any demon could hold? Is Keaton only portraying an imp, a poltergeist?

It’s well-acted and perfectly suited to the story. Beetlejuice is not our protagonist, of course. As an antagonist, he is driven strictly by his demonic impulses. Yes, he’s a Null, and it’s a wonderful choice for him.

However, Beetlejuice 2  is currently shooting. I’ll be very curious to see if Beetlejuice remains a Null. I would argue that his lack of an Enneagram is part of what makes the first movie beloved. I hope the showrunners stay true to that instinct.

The Great Wave (Part Two)

Continuing Episode Four of The Rings of Power . . .

SWITCH

From a window Elrond views a construction site.

FIVE

He is in Celebrimbor’s apartment. Over refreshments, Celebrimbor mentions Elrond’s father, and then gently complains about Durin.

Elrond visits Durin’s wife, Disa. He suspects her of deception; Durin has been avoiding him. 

Dissolve to Disa and Durin walking together. She indeed lied to Elrond. He whispers that they’re making good progress in the “old mine”. Pull out across the chasm to show Elrond with elf eyes reading their lips.

Cut to Elrond in the mine’s entrance. At a stone blockage he recites the rhyme Disa’s children were chanting when he visited her. It works; the stone opens. Pulling aside a cloth, Elrond sees a vein of silvery metal. Durin catches him spying and accuses him of wanting this all along. However, Elrond doesn’t know what Durin means and only wants to preserve their friendship. Demanding an oath of secrecy, Durin shows Elrond the mysterious contents of the chest: mithril (although, because it’s a “new ore” it isn’t named yet). It’s dangerous to mine, so the King has kept the discovery quiet.

(Here all of us whisper to ourselves, “The dwarves delved too deep.”)

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