Character Stories – Enneagram and Encaustic

GORDON URQUHART, THREE

Gordon is the local man. Like everyone in the village, he wears many hats: hotelier, bartender, and accountant. He represents the community, negotiating the purchase deal with Mac. He’s competent and a natural leader.

Gordon is a Three. He must be. He’s good at everything he does and everyone like and trusts him. When Mac, drunk, says to him, “I’d make a good Gordon, Gordon,” it’s an admission that Gordon is already the best version of himself.

One thing I like about Gordon’s Threeness: he’s great for the village. His genius is capped by his circumstances. Mac, coming from a more ruthless community, outnegotiates him. We know from the early Knox board meeting that the town and surrounding beach is worth $600 million and that they can go no higher than $60 million in payout. Gordon feels very bold to ask for $6 million, and Mac, stonefaced as always, says he’ll consider that price.

Bonus points if you recognize Gordon’s young Denis Lawson as fighter pilot Wedge from the OG “Star Wars”.

OLDSEN, SIX

The Scottish representative of Knox Oil and Gas, Oldsen works with Mac to secure the deal. Here is Peter Capaldi (of Dr. Who fame) in his first film role, portraying an extremely awkward young man. He runs like Woody from “Toy Story”, lol.

I suspect that Oldsen is a Head Type, considering his physical and social clumsiness. He has a genuine honesty, though, that makes him endearing. (Unlike Mac, he would not make a reliable negotiator.)

Even though both men dress in business suits, which doesn’t leave much room for odd pattern or style choices, Oldsen seems like a guy who has a few strange pieces in his closet at home. I’m going with a Six for him. He has a dogged loyalty to Mac and a persistent (but not stalker) interest in Marina. When Happer mistakes him for Mac, Oldsen doesn’t care. He just wants to do the job. This is a Trooper.

MAC, FIVE

The movie “Local Hero” never gives Mac a first name, although we know his full last name is MacIntyre. He’s sent to Scotland to finalize a land purchase from a small coastal village for a Texas oil company. If you have never seen this strange, charming film from 1983, I highly recommend you try it. It’s become a Thanksgiving staple for our family for the silliest of reasons: Mac and friends deliver a meal of whiskey and beef sandwiches to a beach shack. Something about this parade of elegance across the sand speaks of food and tradition. It’s a tentative connection, I grant you, but we count it.

Mac is reluctant to leave Houston in order to secure a deal. He’s a “Telex man” (which is meaningless to us nowadays). In Scotland he wears his suits and watch, all business. His character arc changes over time, though, and he comes to love the village. It becomes his true home and Houston becomes alien.

So, we have a protagonist who’s organized and focused. As a dealmaker, he plays it very close to the vest. He never gloats, but he’s arranging a purchase price much lower than the company expected. He’s no glad-hander, and he’s not particularly good with people.

We’re looking at a Head Type.

Peter Riegert, in an early role in his career, doesn’t fit the physical dimensions of a tall Five, but I think this is what he’s playing. Although the Scotland experience makes him more fun-loving, Mac doesn’t seem like a Seven. He’s too serious, too buttoned-up at the beginning. He could be a Six, but he seems too cold at first, too distant from other people. Because he’s reserved and slow to relax, I prefer him as a Five.

LIEUTENANT DAN TAYLOR, FOUR

He’s so impulsive and angry; is Lt. Dan an Eight? An Eight, a Body Type, who loses part of his physical ability would have a difficult recovery.

What if Dan is a Heart Type, though? It’s a joke in the movie that Dan’s every ancestor has died in war, and Dan expects the same fate. A Four would feel pretty pissed off at getting cheated out of a glorious death.

Dan is more emotionally volatile than an Eight would be. “You call this a storm?!” He loves this conflict, this fight between his will and nature’s. It’s not about physical power, though. An Eight would ask for his body to be changed; for Dan, his heart needs to change. Until this moment he’s dominated by depression and can’t move forward with his life.

I also like him as a Four because he is another Heart Type companion for Forrest Gump. It’s consistent.

BUBBA BLUE, TWO

Who doesn’t love Bubba? Of course, like Jenny, he’s kinda fridged so that Forrest Gump can have feelings.

Is Bubba, like Jenny, also a Two?

I mean, he has a collection, which is a Man Two trait. He collects shrimp recipes!

It’s interesting that Forrest would surround himself with the same Enneagram. (Or, the showrunners would stick to writing the same kind of character who befriends Forrest and then dies.)

Bubba is a complete character, though. He’s written for laughs, but Mykelti Williamson gives us more than comedy (or pathos). We believe that he and Forrest have a connection strong enough to last beyond Bubba’s death. Making Bubba a Two is a wise choice.

JENNY CURRAN, TWO

She is a sexually-abused child who grows up to become a wounded woman. Drugs, hurtful boyfriends, rash choices, and suicidal moments are what we see of her. She wants to be a folk singer, like Joan Baez, but she performs nude (with her guitar as her modesty shield) in a strip club. She’s a character who breaks our hearts, but she’s also a plot device to break Forrest’s heart. Is Jenny actually a complete person, or is she only an archetype of pain?

At the end of the movie, Jenny is a real character. She’s grown, she has an arc, and she’s exorcised her demons.

But she’s also fridged, lol.

Okay, let’s dig. I immediately jump to Heart Type because she carries so much emotion. She’s not strong enough to be a Four — she would need power moments and not just trodden moments. She’s clearly not a Three. Maybe a Two? An abused Two can break into pieces like Jenny does.

I’ll take it. I like that her damaged Two is supported by Forrest’s Eight-to-Two confidence. It’s a good match beyond plot shenanigans. Also, when Jenny finds her strength, it’s in the healthcare field. A genuine Two at peace could choose that career.

FORREST GUMP, EIGHT

As I said in my review of the protagonist in The Accountant, any Enneagram choice must be about the character beyond their neurodiversity. Showrunners just can’t present a hero with no specific defining traits.

What are the possibilities for Forrest?

He’s a “running fool”. My first thought is about a Body Type. Someone who needs that physical expression — running across the country — could be a Nine, Eight, or One. However, he doesn’t seem like a Nine. “Sorry I ruined your Black Panther party” is not spoken by someone who avoids conflict. He’ll mix it up with anyone if he thinks he’s defending Jenny. Is he an Eight?

Yes. Think of his bravery during the war. He goes back for everyone, tirelessly. That leadership, that instinctual heroism, is Eight-like.

He’s so connected to his friends — Bubba, Lt. Dan — that I thought he might be a Heart Type. I prefer to think of him as an Eight moving toward his strength number, Two. Perhaps his mental challenge lets him discard the darker side of his Enneagram. He’s never stingy, which would be his weak number (Five) reaction. He’s always compassionate and generous. I really like the idea that Forrest leans heavily into the Two aspect of his Enneagram.

But he’s still an Eight. I only need remember his table tennis prowess to feel certain of that.

BRAX, THREE?

In flashbacks of The Accountant we know that protagonist Wolff has a younger brother but we don’t know what became of him. For quite a while we only see Wolff. Eventually we realize that the man set against Wolff is his brother, who’s given the non-descript name of Brax. It’s an intriguing Eight moment when they recognize each other. And now we know that the sequel will feature the brothers together prominently, as almost a buddy comedy, or so it sounds. Therefore it’s important to look at him in the first movie.

Brax is an assassin. How he ended up in this job is not explained. He’s also slightly too enthusiastic about the chase. I would not say that Brax is psychotic. However, he’s not breaking his own moral code to do the work.

So, does assassin line up with a particular Enneagram?

I immediately gravitate toward a Body Type. All we see of him, from child to adult, is physical aggression.

But I want to say he’s a Heart Type. He’s become an accomplished fighter in order to defend his brother. In the flashbacks we see how much the father depends on Brax to protect Christian. His dad can send him into a fight like he would a dog. As a child, Brax acts from loyalty; as an adult, no one holds his leash.

I’m not sure that this movie gives us enough on Brax to identify which of the Heart Types he would be. We’ll need to wait for more information. Two, Three, or Four? I’m going to lean toward Three, just because he’s so competent. He’s always had a confidence. Let’s put a question mark on it, though, and revisit his character after watching the sequel.

UPDATE: Brax is a Four.

In The Accountant 2, a film I cannot recommend, Brax shows the emotional volatility of the other Heart Type number.

CHRISTIAN WOLFF, NINE

With The Accountant 2 releasing to theaters, I took the chance to watch the first movie and enjoyed it. Wolff, the protagonist, is a high-functioning autist with a talent for math and numbers. However, as we learn in flashbacks, Wolff’s father, an Army officer, has trained him (or abused him) to be a martial artist and gun expert. Wolff’s accounting office in a backwater strip mall is a cover for his business with mafia-type clients.

I’m interested to look at Wolff’s character. He will have certain traits common to autists: sensitivity to bright light, loud noise, and touch. He is compelled to complete tasks. These behaviors will be the first thing we notice about him; finding his Enneagram becomes more difficult because we need to look beyond his autism. The showrunners — writer, director, and actor, Ben Affleck — must give us a complete person and not rely solely on his neurodiversity. Did they?

He’s physically competent. I don’t know if that makes him a Body Type, though. His father basically forced him to learn. What we do see is a determination of will in him. He won’t quit when he’s a child, and he won’t abandon his mission when he’s an adult. This is possibly a Nine’s sense of justice.

Although he longs to connect socially with other people, Wolff doesn’t seem like a Heart Type. We briefly meet a girl, Justine, at the medical facility who has a very difficult time with stimuli. Yet we can feel how strongly she wants to connect with others. This character feels like a Heart Type to me. Although she and Wolff are both autists, they handle the world differently.

I also wonder if people immediately assume that an autist with a mathematics gift is going to be a Head Type? Nothing about Wolff leans into that. Partly, the casting of Affleck, a large man, stops that. Typically a Head Type would be a smaller, slighter man. Also, Wolff processes the world physically rather than mentally.

You know, I started out with a Nine and I think I’ll end up there. I’ve never delved into Affleck’s roles, but at a glance he seems to always play a Nine. Think Batman and Good Will Hunting. Some actors, even the great ones, will settle into a niche. Spencer Tracy is beloved for it. I have no problem with an actor who knows his sweet spot. This is an action movie with an interesting backstory. Casting someone who reliably plays a Nine is good business, and it works. The movie is entertaining.

But it wouldn’t work as well without Wolff’s brother. We’ll need to take a look at his character, too, on another day.

Who is the protagonist of “Wuthering Heights”?

Hopefully you’ve read my other musings on this novel. (If not, click on the tag.)

We know that Heathcliff and Nelly Dean are the only characters who are present at the beginning, middle, and end. It’s natural to look to them as potential protagonists.

However, film versions focus also on Catherine. In movies, she and Heathcliff are the main romantic pairing, even though the book portrays them as beyond romance. In the novel they have no sexual chemistry or desire to build a married life and family — they are simply one person in two bodies. For love in the book, look to Cathi and Hareton. Every meeting they have is described in the language of a romance novel. They begin star-crossed, overcome their adversities, and become a couple. We see them being ‘shipped at every step of the way and enjoy the unfolding of their love. All of the remaining characters who strike at and torment each other are forgotten due to the winsome duo at the end. We are redeemed by their tenderness and forgiveness. I don’t know how a faithful adaptation could leave them out and focus instead on the Catherine relationship.

Film versions also downplay Nelly’s character. She’s just the narrator, they say. That attitude ignores how often she moves the story forward. The conflict between her role as an innocent storyteller and an interfering servant is essential to the plot. She wins in the end. Her two “children”, the babies she nursed, fall in love and achieve happiness. Heathcliff’s plan to tear down the households is defeated. These competing objectives, Heathcliff vs. Nelly, are the foundation of the story. We need both of these characters in complete detail. To focus on Catherine is to miss the tension. Also, adding to the complexity, Nelly is one of the only people Heathcliff doesn’t treat with malice. They are comrades and adversaries simultaneously. Their objectives are opposite; neither can let the other win. Yet, they are kind to each other. They are the only characters who consistently treat each other with charity.