Game of Thrones – Page 2 – Enneagram and Encaustic

THE HOUND (BOOK), NINE

He’s Joffrey’s dog. Mean and biddable. At the beginning he’s just a tool, and that’s how he sees himself. His will is not his own. Just because he’s a servant, though, he’s not a simpleton. He sees The Game around him and understands it. It amuses him. Killing and laughing, really, are the breadth of his range. He’s quite interesting as a character study.

Ah, he’s the first person to challenge Sansa, to point out that she’s a puppet. She has not begun to discover herself but only behaves as she’s been trained. Why does he care enough to confront her with this?

And the story of Sandor’s burning is told to Sansa by him, not by Littlefinger’s gossip, here in the book. Why diminish such a powerful story, such a powerful moment between these characters, by giving this speech away? He threatens her to secrecy later, not that she would tell anyway, afraid possibly at the vulnerability he’s shown. His behavior is a wonderful mystery that makes him very interesting.

When he jumps in at the tournament to rescue Loras from the Mountain he’s magnificent. Brave, obviously, but he’s also a kind of watchman on his brother, who’s a truly evil creature. Stop Gregor from hurting anyone else might be Sandor’s only motto.

Now he’s part of the Kingsguard, standing watch over Joffrey. At the “gnat’s” tournament he takes Sansa’s part, although with a stone face. He won’t hit Sansa, the only guard who isn’t challenged to do so. He doesn’t care about anything, it seems, yet he interjects himself so effortlessly at key moments.

The ironic detachment, the physical competency, the lack of will to create his own destiny — what number? Nine, of course. He avoids conflict by not caring about anything. Only Sansa, through innocence, vulnerability, or naivete, can get him to engage.

TYRION LANNISTER (BOOK), FIVE

When Catelyn captures him Tyrion is most offended that he didn’t see it coming. She successfully tricks him and it galls. When Cat is cornered, though, and against his own reason, Tyrion steps forward to fight. After the battle he takes the time to observe their foe. Poor weapons and thin bodies. He’s always gathering information. Afterward, he rides armed and free, with Bronn beside him. He can convince anybody of anything, it seems. Cat takes him to the Vale and claims he’s her prisoner, but that’s not how it looks.

He sees himself as the brains of the Lannisters. Cersei has “low cunning” and Jaime is rash. For all of Tyrion’s smarts, though, justice will not let him shut his mouth to save himself pain. He antagonizes Lysa when he should lay low. His mouth — his wit and his ability to craft an argument — is his strength. He’s stronger when he takes his time rather than reacting in an instant. Planning and the nerve to carry the idea to fruition as he does on trial in the Vale, that’s Tyrion when he’s successful. Risk, gamble, and study.

“A Lannister always pays his debts.” That phrase is particularly poignant when Tyrion uses it as part of his telling of his wife, the maiden who ended up to be a whore Jaime had hired. It’s a great story, moving and character-revealing, and when Bronn says he would’ve made Tywin pay for what he did, Tyrion comes out with the motto, giving it a whole other meaning. Lovely writing.

He might be the greatest player of The Game. His observation skills, his poker face, his ability to think outside the box, his clarity in understanding the greatest threat. As Hand he’s perfectly situated to use his strengths.

So, which Enneagram number is he? Head Type, without a doubt. Everything is about deducement and plotting. Interestingly, we can’t use his build as a clue.

He’s no Six. Rules are more like guidelines to Tyrion. He has a great love of the sensate pleasures of life, suggesting a Seven. I’m going to say Five, though. It’s his attention to detail. He misses nothing and he notices everything. I also kind of love the notion that if he were a full-sized man, he’d be tall. It’s so perfectly Tyrion.

KHAL DROGO (BOOK), EIGHT

He’s even less defined here than in the show. He’s powerful, he’s barbaric, and he has affection for Dany. He’s learning the Common Tongue. In a way he’s like Baratheon: we’re all waiting for him to die so that the true leader can come forth. He doesn’t seem vulnerable as Robert does, but he also has less character development. You don’t give so little time to someone who has meaning to the story.

However, we explicitly get the detail multiple times that his long hair has never been cut because he has never known defeat in battle. A naturally gifted warrior is probably an Eight or Nine.

Drogo also gives the speech about conquering the Iron Throne after the poison attempt on Dany. The written words have none of the energy Momoa brings, with his fusion of character and Maori Haka. It’s one of the few times the show is better than the book.

Unlike the TV series, where Drogo is wounded in an argument, here he is cut in battle. He has sent the healers to help the other injured men, as a good leader would. Dany intervenes when she sees his pain and calls the healers back. Instead, though, Mirri the Maegi offers her services. Whatever is in her poultice, he rips it off after six days. It itched and burned. Is that good? Now he has a soothing mud plaster and poppy wine that he drinks heavily. Flies are following him.

After he falls from his horse, Mirri is called. It seems that the poultice was true. Why would someone so very strong, someone who must have been injured before, shy from healing? Ah, because it was delivered by someone he didn’t trust. Eight. His paranoia and aversion to mysterious healing is the tell. Eights, the strongest of the strong, are vulnerable when it comes to understanding sickness.

KHAL DROGO (TV), NULL

He’s a product of his culture. When Dany teaches him to make love differently, he’s fine with that. He’d just never done it that way before.

Mostly Drogo is a placeholder: husband, warlord, savage. When Dany is threatened by the wine merchant’s assasination attempt, though, he comes through with a career-making (for Momoa) moment. This scene where he proclaims he’ll fight for the Iron Throne is astonishing and powerful. Don’t cross Drogo. Something he cared little about will now drive him completely. Family, tribe, love. This is his hierarchy, his core. Threaten them and you’ve called forth the fire.

And then he’s dead. Whatever hint of character we got is now over. He’s big, he’s a leader, and he’s decisive. The Enneagram options are numerous, and we have no more information to glean. I could assign a number to him on the assumption that he’s drawn from choices made in the novel, but I don’t like that. The show must stand on its own feet.

SAMWELL TARLY, TWO

What sort of man proclaims himself a coward?

As a child Sam loved books, kittens, dancing, and cakes. His father hired men to make a knight of him, which failed. Eventually it’s take The Black or die. As eldest Sam is the heir. The only way the younger son, the preferred son, can ascend is if Sam is gone. How many sons over the years have been forced to join the Night’s Watch as a way to manipulate the inheritance?

His backstory is very pitiable. He’s an ugly duckling at the Night’s Watch. He’s so loyal he’ll take his vow before the Old Gods with Jon. And he’s quite wise. When Jon freaks out over being assigned to the stewards rather than the rangers it’s Sam who brings the facts. Jon is dense and Sam gives him a depth and breadth to his understanding. A true counsellor.

Both versions of Sam, Book and TV, are the same Enneagram. Hilariously, it’s the kittens and cakes that define him. He’s a Two and these are his childhood collections. It’s not his lack of physical mastery that is the key to understanding him, it’s his kindness. Another clue is his size. Twos more than any other number can be large. Their gentleness makes them vulnerable to abuse, as we see with Sam, and in defense they disappear into their bodies.

A Two is a great choice for a man of The Watch who must study and pursue book-learning. We all love Sam, right? The dichotomy of someone who collects — potions, crows, information — while finding his calling at a battle station is just lovely.

EDDARD STARK (BOOK), ONE

Book Ned has a lot more intel than TV Ned. Varys informs him that the tournament melee was going to have an assassin for Robert. Cersei openly forbade him from fighting, a devious way to get the king to insist. Only Ned being his brutally honest self diverted Robert. Ned’s consciousness of the swirling danger is much higher in this form and Ned seems smarter, more active. TV Ned seems like a well-meaning fool in comparison.

He has a duty to Robert, the realm, and the dead Hand Arryn to tell the king his children are not his offspring. The girls are booked on a ship home, and Ned will now speak. However, when the moment strikes, when Robert is deathly injured, Ned refuses to act. He’s offended at the suggestion. His sense of the flow of time and proper order for actions is completely out of sync with the reality of The Game. To be fair to Ned, grief plays a part in this. His best friend is dying.

Make your peace with the Lannisters, Littlefinger counsels. It’s really good advice, better than Renly’s more aggressive answer. Be the Protector of the Realm that Robert appointed you, basically. Guard and train the boy, build allies, position yourself. All the peace that Ned thinks he wants can be his. It’s reasonable and fair to all. But it’s treason. And wrongs have been done. Ned genuinely thinks he has no choice but Stannis and war. He never considers the kingdom, though, or the people in the streets. His choice will be the hardest on them.

Cersei, when the confrontation comes, offers him a deal similar to Littlefinger’s. Bend the knee, step down as Hand, and go home in peace. Does she mean it? She’s already ripped up the paper, removed his chance at Protector and shown how much power she believes she wields. She offers the deal in front of everyone. It might be an honest offer. Again, Ned underestimates her, but mostly he will refuse because of honor. He also completely misunderstands Littlefinger, who turns on him. And the letter he wrote to Stannis, committing his intentions to paper, is captured with his seal on it. What a blithering idiot.

EDDARD STARK (TV), SIX

He’s honest and doomed. He gets all the best scenes: with Baratheon he mysteriously reflects on his dead sister and his own past, with Jon he mysteriously hints at the truth about Jon’s mother, with Cat he parts from her in King’s Landing in a sincere way that breaks your heart if you know what’s coming.

Of course he’s lovable. He brings Arya the dancing master. He takes responsibility with honor when trouble comes, executing Sansa’s direwolf himself as a creature of the North, of his people. And his insistence, regardless of the obvious danger, in pursuing the truth, in investigating Arryn’s death, is admirable. He’s so honest he doesn’t stand a chance.

He’s such a Six, the ultimate trooper. He takes honor and rides it into the ground. In prison Varys visits, trying to persuade him to bend the knee. What about the realm? What about your children? He says he must stick to what’s right. Joffrey is not the blood heir. The one thing Ned’s good at, being Robert’s friend, is ruined when he changes the king’s last official declaration.

Ned’s final moment is an awkward confession. I don’t believe his character would do this and we aren’t shown his decision moment that would explain this. It seems a manipulation, a heart pull on the audience, to trick us into thinking that Ned could eke out survival. Clumsy writing, though.

I’ll have more complete thoughts about Book Ned. During this re-watch/re-read I’ve grown to despise a character I used to admire. It’s been quite interesting.

ROBERT BARATHEON (BOOK), EIGHT

Robert carries all his grief over Lyanna, all his sense of hurt and injustice, as an excuse to do as he pleases. If she had lived, he could have been a better man, or at least so he tells himself. But because he’s been harmed he has license to live freely.

The Sellsword King. That’s his dream. He loves the fight and hates the crown he won with it. Only the thought of Joffrey as king stops him from haring off.

“Defiance was not a dish he tasted often.” Why is Robert so insistent on killing Daenerys, even against the counsel of his friend and Hand? He hates being king, yet he’ll fight to stay. He hates the Targaryens even more. What a tragic figure. Lyanna’s death, and his understanding of their relationship, drives him in unconscious ways. Ned, sworn to secrecy, never feels responsible for letting his friend continue on like this. However, Ned also knows that Lyanna never seriously considered Robert as a true prospective husband. She says that love “can never change a man’s nature”, and Robert’s nature is to sleep around. Denial, if not defiance, was something he rarely experienced even before he was king.

As in the show, Robert backhands Cersei and regrets it after. He uses the oldest excuse — “you see what she does to me” — of blaming the struck for getting hit. It’s funny, I always liked Robert but he’s quite despicable. If he can’t beat on something he has no idea what to do. Fighting, winning the kingdom, were his destiny. He’s a terrible king, though, and a rotten husband. Sometimes he’s Ned’s good friend and sometimes he’s confused by his role as king and leaves Ned to twist. This is a character written to die. His conflict can’t be resolved.

Before becoming king Robert was like a warrior god: tall, muscled, wielding the warhammer and wearing an antlered helm that made him tower over others. Robert’s last act, his stand against the boar, is described as another physical feat. His custom is to plant himself and curse at the boar, thrusting for the kill at the last moment. These are the actions of a Body Type. He’s too imposing to be a One, so we’re looking at an Eight or Nine.

He loves the fight too much to be a Nine. As an Eight, he would impress people that he could be their leader, that he would make a good king. They would be wrong.

ROBERT BARATHEON (TV), SEVEN

In a way, he’s just waiting to die. Stories about killing fill the space around drinking, eating, and wenching. His family is unimportant, the realm is uninteresting. His loss of Lyanna took a lot of caring out of him. It’s ironic that she loved someone else (as we learn later) while he pines. If she hadn’t died, he may have learned the truth about her and moved on.

And his character doesn’t arc. We, the plot watchers, are also waiting for him to die. Motivations swirl about, on hold until he steps out of the way. Credit to Mark Addy for making a placeholder interesting.

What does Robert Baratheon want? What motivation is Addy playing? “I want to die” isn’t right. He’s not even marvelously tragic. The more I think about it, the angrier I get. This is no way to treat a character.

This Robert is a Seven. Life is dull and he doesn’t care. Without luster, without fire and challenge, a Seven will wither. Only the hedonism is left.

JAIME LANNISTER (TV), NINE

I’ve just begun rewatching Game of Thrones so that I can refresh my memory on these characters and what Enneagram numbers they might be. I don’t need to dig too deeply, though, to know that Jaime’s a Nine. It’s pretty classic.

In the first episode he’s an incestuous child-killer. (Remember that?!) He comes a long way throughout the show’s run, though.

He’s physically gifted. Being a knight comes easy to him. When his hand is taken in a later season he falls apart. His physical prowess, but also his physical ability to communicate, are integral to his character.

His relationship with his sister is a dark Nine trait. He is so intent on avoiding conflict with her that he agrees to something dangerously disordered.

Near the end of the seasons Jaime becomes heroic. A Nine’s sense of justice and fair play moves him into relationships that strengthen him, such as with Brienne.

I’ll continue watching, and perhaps I’ll feel I need to add more to Jaime TV later (I’m also rereading the novels), but for now, going by memory, this seems accurate.