Category: Character Stories

URSULA, FOUR

We lost another great this week. RIP to Pat Carroll, the fabulous pipes of The Little Mermaid’s villain. I vaguely remember her, with that contralto voice, as a guest on different TV shows. She was tiny! Nothing about her looked anything like Ursula. Carroll resembled someone who was here to prepare your taxes.

So, what Enneagram is that audacious and larger-than-life? Well, lol, I’ve got to start with an Eight. Oh, no, wait! Hahaha! She’s an Envy Person. Ursula’s a Four.

We don’t see her ride a low wave of depression. It seems like she probably did a lot of that when she was younger, and she’s over it. She battles the defeats, the failures, the sadnesses. As a mature being (mer-squid?) she’s learned much, including where she wants to invest her energy. By now, the marks are easy to spot. 

I’m just guessing at her mindset, judging by the performance Carroll delivered. She packed a lot of backstory and subtext into her one showstopper. That’s what happens when a studio casts a master to inhabit a cartoon.

LT. UHURA, SEVEN

I’ve recently rewatched the original Star Trek series and wrote about episodes here at the blog. Immediately I think of Uhura singing in the crew lounge. Yes, she was an efficient and brave bridge officer, competent at her job. But that mischievous twinkle when she’d perform a duet with Mr. Spock! Mostly, she kept the light-hearted side of her personality under wraps. 

Did Uhura get few of these break-out character moments because she was a Black woman? It’s probable, but also the triumvirate sucked most of the oxygen out of the plots. (And Kirk, even if the episode wasn’t his, would upstage everyone anyway, lol.) I can’t think of any episode that was solely hers. We don’t have much to judge her Enneagram number, but she’s delivered enough. For a supporting character, Uhura hit hard.

I immediately go to Seven. Her professionalism at comms, her cool head during a crisis, and her surprising love of fun are defining traits. 

Someday I will do more Enneagram dives into the extended Star Trek universe, but for today I want to get this posted. RIP, Nichelle Nichols. Fair winds and following seas, ma’am.

LADY SYBIL, THREE

We don’t get as full a portrayal for Sybil as we do for the other sisters. Partly, that’s because she marries and leaves, shortening her time onscreen. Partly, though, it’s because the writers have designated her as the rebel. Sometimes her character makes choices to fit this mold, rather than as an inherent trait.

So, how far astray is she written, lol? What is her number? 

She’s always described as kind. She’s loved by everyone, upstairs and downstairs. Not only does she support the maid Gwen in her desire to become a secretary, Sybil works on her behalf, scheduling appointments, traveling with her, and writing her resume. Sybil walks the walk. This includes her nursing during the war. She wants to serve, insists on getting the training, and then puts herself in the middle of the soldiers’ recovery without flinching. She’s seen as an angel, with no class consciousness.

Is she a real character? Someone this perfect risks being a Null.

Ah, let’s call her a Three. She knows her own mind, and is tireless in pursuit of what matters to her. I’ll be curious to look at her parents’ numbers and Branson’s just to be sure. Off the top of my head, I suspect Lord Grantham will be a Nine. That his baby is a Three makes sense. 

Lol, isn’t it funny how close a Three and a Null can end up being? One is reasonably perfect, and the other unreasonably so.

LADY EDITH CRAWLEY, TWO

Edith has a lifelong antagonism with her sister Mary. Does her Enneagram number provide a clue why?

Ah, she’s very much an Envy person. Mary is mean to her, but Edith wants more than niceness. She wants Mary’s position of respect in the family. Mary is unflappable, while Edith is gently injured by every unkindness. Command comes easy to Mary (because she’s the eldest, and an Eight); Edith struggles to find her place.

Of course she’s a Two. That’s why she and Mary are at loggerheads. They’re each other’s strength and weakness number. It’s also why Edith can never get ahead. A Two is supportive and caring — an easy person to take for granted, especially when an Eight sucks all the oxygen from the room.

And Edith has a moment when she does something cruel. She informs the Turkish embassy, solely for revenge, of her own sister’s indiscretion with their diplomat. When a Two slides into weakness, that Eight quality dominates in a poisonous way. Edith is very unlikable in that sequence, but now we see she’s true to her character. We just prefer her as the nice, dependable Two person.

LADY MARY CRAWLEY, EIGHT

She’s feisty and acerbic. Independent. Angry, even. Dockery’s portrayal is strong and consistent, but what is Lady Mary?

What about a Body Type? She’s the only daughter who rides. Look at those adjectives I just listed, lol! She’s an Eight. She has a chip on her shoulder, but she won’t be defeated. That’s very Eight. 

And when she really cares, as she does often with Anna, she slides to Two, her strength number, and becomes the most generous and thoughtful person possible. 

Oh, I like this. I get tired of Eight women being casually deployed by Hollywood as “strong women”. Here’s an Eight with all the beauty and all the warts inherent in the Enneagram number. Well done.

PHIL COULSON, TWO

Clark Gregg parlayed a bureaucratic bit part in the Marvel Universe into a complex, beloved leader with his own agency. Coulson’s appeal lies in his light-hearted approach. He’s no fool — crises are serious business — but his glass-half-full view of problems and people is just so wonderful to spend time with. His irony and belief in the cause are a charming mix.

Well, after all that I go to Three. What other number can overcome a minion role to become the star of the show, lol?

He’s not a Body Type. Surrounding him are super-powered individuals, and he always engages on a social level. He’s a curious person, but he doesn’t wield a Head Type view of the world. 

He’s very Heart. Alright, though, what about a Two? His car Lola is just one of a number of mementos he keeps. His office is cluttered with antiques. Although we don’t get a tour of all his memorabilia, it’s always in the background of his desk scenes. I could even say that his job, to organize and assemble Inhumans, is a kind of collection.

What makes him so lovable is that the world overwhelms him at times. He’s not a Nick Fury, who micromanages everything. Those wide-eyed moments when Coulson is wracked with feeling — whether it’s anguish or joy — are what point to a Two. Under all the SHIELD paraphernalia, he’s a kind soul trying to make the world a gentler place.

CAPTAIN MARVEL/CAROL DANVERS, EIGHT

Her movie jumps around in time and her relationship to her superpower changes. All of these unknowns and variables make it hard to pinpoint her Enneagram. Let’s look at what we know at the beginning of her timeline.

She’s a pilot, a test pilot. Daring, physical, brave. She’s a beloved friend. She’s your basic Eight: outspoken, competent, and naturally heroic. Because Hollywood’s default position for most women superheroes is Eight, Carol is an easy call.

Reviews of the Captain Marvel movie and the Carol character are mixed. I recently watched it and can barely remember what happened. I’m going to say that’s because she’s an Eight. Nothing stands out, nothing distinguishes her. It’s too trope. She’s a cardboard cutout of a superhero whose powers are so hypercharged nothing poses a challenge against her. It’s hard to write plot conflict for a character like this, which is why she comes in as a deus ex machina in Endgame. Perhaps future iterations of her will develop into something more.

O’BRIEN, SEVEN

She and Barrow are a team — my “evil smokers” — until they aren’t. She’s incredibly loyal. It’s only after Barrow spikes her nephew’s career that she turns against him. Her malignant twist against Cora is only because she thinks her loyalty has been spurned.

Is she, like Barrow, a Heart Type? She’s not particularly sociable. She connects downstairs with Barrow and upstairs with Cora. No one else has her friendship.

I’m leaning toward Seven. She’s extremely competent at her job, but she’s not a stickler for rules at all. Her interest in gossip, the thing she and Barrow conspire about, is mostly a desire to know things. She has a Head Type relationship to the world, and she doesn’t give a tinker’s dam whether or not anyone else likes her. 

Have I also just described a Five? Wait, no. She likes to gather knowledge but she doesn’t like to share it. A Five is a bit of a know-it-all who can’t resist educating the world. Because the plot focuses on her machinations, it’s easy to forget that she’s incredibly efficient and thorough as a lady’s maid. We often see her mending and tailoring at the servants’ table. The rules, though, are malleable. She’s a Seven.

THOMAS BARROW, FOUR

Hello, Envy person, lol! What’s funny is that he’s very good at his job when he isn’t scheming. He should have every expectation of rising in the service ranks. No one likes him, though, so no one wants to work with him. Lord Grantham and Mr. Carson try to get rid of him over multiple seasons.

Of course, underneath the villainous “evil smoker” (as I called him and O’Brien in my breakdown reviews) is a tender heart that wants to be loved. Because he’s gay in a social era of illegality and punishment, he can’t love. He tries and fails, risking freedom and his job. Prejudice against him, and the extreme caution he must exercise, explains some of his envy and separateness.

However, he’s also someone who likes yanking people’s chains. He and O’Brien love the downstairs game they play. They both like access to the upstairs and hearing the gossip. Thomas isn’t looking to break from his role in service, unlike other characters. He just wants to get to the top and become butler for a great house.

He must be a Four. It’s the self-wounding in the war. A Three wouldn’t choose that path. And he can’t be a Two, lol, because he has no collection. Also, Barrow feels the ups and downs so deeply. His gentleness with the children — he’s the only servant who gives piggyback rides — is that sweet side of the Four when joy is let out for a spin. And his suicide attempt is the darkness winning for a moment. He’s a Four drawn and acted with full complexity. Well done.

TOBEY MAGUIRE’S PETER PARKER, SIX

Maguire’s Spiderman is like a retriever who always brings the slimy tennis ball to drop in your lap. The dog is so cheerful, so proud, and so annoying. And if you shoo the dog away you’ll feel terrible because you broke its heart. 

Maguire is the Pity Peter. He’s nice and he’s trying really hard to take down the villain. However, he went petty and nasty once and got his Uncle Ben killed. No amount of smiles will change that fact. Even Aunt May, after he confesses, has to leave the room and reorient her mind before she can look at him again. He’s so busy bringing the rancid dog toy back that MJ gives up on him and becomes engaged to someone else.

Lol, wow. Time has moved on and Peter, to me, has aged very poorly. I didn’t know I had such a harsh verdict within me!

You know what it is? I might hate the moment when Peter lets the robber leave. I mean, from a writing perspective. It’s not him. He’s so ingenuous at every other scene, so open and trusting and fair. The writers did him wrong here. He’s otherwise so vulnerable I want to say he’s a Two. That’s a mistake, though. Look at his brainy introversion! Peter is a Head Type; that’s why his spidey swings are so joyous. It’s nothing he’s ever experienced before or even knew he wanted. That’s also why — lol — he looks like he’s going to miss the next grab while he flails about.

He’s a Six. Rules, even rules about his own fear, are important. That’s another reason the robber scene is wrong. A Six wouldn’t break the rules, but he would cower. Overcoming his timidity would be a crucial step. Uncle Ben still dies, but it’s not because Peter was callous. A Six, someone stuck in his head, would never do that. The situation catches him by surprise and he fails. He chooses inaction and a default position of fear. It’s early in his career and he hasn’t embraced all that Spiderman can do. When we see this Peter again in No Way Home he’s mature, calm, and assured. It’s a great arc. However, it’s grounded in a man who lived in fear and overcame that weakness. It’s not based on a moment of petty revenge.