Holiday Themes – Page 2 – Enneagram and Encaustic

OLDSEN, SIX

The Scottish representative of Knox Oil and Gas, Oldsen works with Mac to secure the deal. Here is Peter Capaldi (of Dr. Who fame) in his first film role, portraying an extremely awkward young man. He runs like Woody from “Toy Story”, lol.

I suspect that Oldsen is a Head Type, considering his physical and social clumsiness. He has a genuine honesty, though, that makes him endearing. (Unlike Mac, he would not make a reliable negotiator.)

Even though both men dress in business suits, which doesn’t leave much room for odd pattern or style choices, Oldsen seems like a guy who has a few strange pieces in his closet at home. I’m going with a Six for him. He has a dogged loyalty to Mac and a persistent (but not stalker) interest in Marina. When Happer mistakes him for Mac, Oldsen doesn’t care. He just wants to do the job. This is a Trooper.

MAC, FIVE

The movie “Local Hero” never gives Mac a first name, although we know his full last name is MacIntyre. He’s sent to Scotland to finalize a land purchase from a small coastal village for a Texas oil company. If you have never seen this strange, charming film from 1983, I highly recommend you try it. It’s become a Thanksgiving staple for our family for the silliest of reasons: Mac and friends deliver a meal of whiskey and beef sandwiches to a beach shack. Something about this parade of elegance across the sand speaks of food and tradition. It’s a tentative connection, I grant you, but we count it.

Mac is reluctant to leave Houston in order to secure a deal. He’s a “Telex man” (which is meaningless to us nowadays). In Scotland he wears his suits and watch, all business. His character arc changes over time, though, and he comes to love the village. It becomes his true home and Houston becomes alien.

So, we have a protagonist who’s organized and focused. As a dealmaker, he plays it very close to the vest. He never gloats, but he’s arranging a purchase price much lower than the company expected. He’s no glad-hander, and he’s not particularly good with people.

We’re looking at a Head Type.

Peter Riegert, in an early role in his career, doesn’t fit the physical dimensions of a tall Five, but I think this is what he’s playing. Although the Scotland experience makes him more fun-loving, Mac doesn’t seem like a Seven. He’s too serious, too buttoned-up at the beginning. He could be a Six, but he seems too cold at first, too distant from other people. Because he’s reserved and slow to relax, I prefer him as a Five.

Story Enneagram of Season One of “Moon Knight”

As a pre-Halloween treat I looked over my review of the MCU’s 2022 release of Moon Knight. I realized I never gave an overview of the season’s Enneagram. I’m a completion freak, so obviously I need to do that. Also, I thought the review was pretty chaotic. I began by liking the show, became more disgruntled as I wrote the review, and liked it all even less when I read back over what I posted three years ago. I really want to look at the whole thing again and see if I now hate it. Heh.

Alrighty, then. Let’s make it a Halloween post. If all else fails, I can still recommend the soundtrack scored by Hesham Nazih.

ONE

Introduce Steven and his sleep ritual. Although he seems to know more about Egyptology than his boss at the museum, he works in the snack shop.

TWO

Steven wakes in an Alpine meadow and faces Arthur’s judging ritual. He’s chased, he swaps bodies with Mark (although we only see Steven’s perspective), and he’s demeaned by Khonshu’s voice, unidentified at this time.

He finds the scarab in Mark’s coat pocket.

Steven notices more inconsistencies: the goldfish is wrong, and he misses his steak date, which devastates him. The hidden phone leads him to discover Layla.

THREE

In the museum, Arthur confronts Steven. Your scales won’t settle, he says, because you’re more than one person. He wants the scarab.

When Arthur’s beast attacks, Steven willingly turns control of the body over to Mark. The Moon Knight costume is revealed.

The Cursed Girl

Sebastian has asked me to visit his sister with him to cheer her up. She’s been cursed, and it appears to be incurable. She’s left Hogwarts to live in the village of Feldcroft with their uncle.

Throughout my time knowing Sebastian he’s been looking for a cure, and he’s very determined to get his sister back to the way she used to be.

The uncle is strict and abrupt. Anne is sick and that’s the end of it. (He’s an unpleasant, angry fellow.) He has no patience for Sebastian’s curiosity and determination.

Sebastian takes me to the nearby, ruined estate where Anne was cursed. We fight through Ranrok’s Loyalists, and then look for clues. The home has been abandoned for years, although rumor says a Hogwarts professor once lived here.

Now I recognize the view from the yard. This was Isidora’s house when she was a child. It’s the scene I saw in Rackham’s memory. On the other side of the village is Rookwood castle.

Five Year Anniversary

Happy Fourth of July, and Happy Anniversary to me! Looking back at my first posts is hilarious. Here’s the category listing for the month of July 2020. It runs for seven pages! Hahaha! Wow, I was a lunatic. I eventually learned that generating that much content per week was unsustainable.

When people ask what I do with my time and I reply that I create a weekly blog post, it doesn’t sound that impressive. But posting weekly for five years straight is worth celebrating.

Galaxy Quest (1999)

Happy Ship Weekend! As I’ve mentioned elsewhere, our personal family holiday originated when the Pirates of the Caribbean movies released annually on Memorial Day weekend. Before each new installment, we would watch the previous film to build enthusiasm. Eventually we branched out to other tall ship stories. When we included Disney’s Treasure Planet, it seemed appropriate to diversify into a wider definition of ships. Now Ship Weekend includes air ships, space ships, and fishing boats. If we’re in the mood we’ll stretch the definition all the way down to the tiniest ship possible, the surfboard. The best movies combine our ship holiday with the official memorial for the fallen. Battleship and submarine stories are wonderful. However, the grandaddy is Master and Commander. It’s a near-perfect film. Maybe next year I’ll take a look at it. Until then, I have a holiday-appropriate Story Enneagram review that’s been sitting in my completed folder for a while.

ONE

Heroic music and a television’s aspect ratio introduce a show called “Galaxy Quest.” A clip from an episode plays, showing us the crew and tone. Catch phrases are spoken. “Activate the Omega-13”, with dramatic music, transitions into a “to be continued” screen.

We’re at a fan convention. Cosplayers applaud. An enthusiastic host (Guy) prepares to announce the actors from the show.

Cut to the green room where, in costume, they all wait. Everyone except the Commander. As they complain, we meet their characters. These actors have had this very conversation innumerable times. When Jason finally enters, everyone’s dislike of him is evident.

Three Kittens

A Christmas present for my daughter-in-law.

LITTLE WOMEN (2019)

My breakdown of this version, Little Women (2019), is going to be very strange. If the filmmaker decides to take an extremely well-known story and change its ending, chaos can ensue. In this case facts about Louisa May Alcott are incorporated into the climax. I didn’t know any of these details and found the end confusing and infuriating.

It felt Author’s Message to me, and in a way it was. No matter how interesting real life information is, if you go against audience expectations, especially ones so deeply ingrained as they are for this story, you have to be crystalline. LW2019 doesn’t cross that bar.

It makes for a very interesting Enneagram pattern.

ONE

The girls are adults. The beginning of the movie starts near the end of the characters’ arcs. Okay, fresh and interesting. Jo sells a story, Amy is in Paris, Meg spends money recklessly, and Beth plays the piano. Professor Bhaer is introduced; he and Jo see each other at a pub and dance together.

I don’t understand why this scene exists. (The movie, at two and a half hours, needed trimming.) It’s Four-ish stuff put in the middle of the opening. That’s the danger of leading with your ending, it seems.

Jump to Seven Years Earlier. Meg’s hair is burnt by the curling iron and Jo’s dress is burnt by her carelessness. Classic scene. Laurie comes to the dance and the March family meets their neighbor. Meg twists her ankle, Laurie’s carriage takes them home, and here’s Marmee, Hannah, and the bustle of Orchard House.

You see the problem here, right? This is all Four stuff! Where is our anchor to begin the story? No scene is edited to stand out.

Except one.

LITTLE WOMEN (2017)

Every filmed version of a beloved story will have some things that are ho-hum and some that are the best of any of the movies. For Little Women (2017), a three-part miniseries, Emily Watson’s Marmee is a triumph. Top actresses are cast as Marmee, so the field is particularly strong. Watson’s work and the script she’s given to deliver are truthful, painful, and joyous. This is a must-watch.

Some of the other choices, however, are not as strong. Let’s look.

ONE

At three hours runtime, LW2017 can add details the others leave out. We get Father March at the war right away. Both parents are much more present throughout, giving a complete family in the storytelling.

The very first scene has the girls trimming a lock of hair to send to him for Christmas. It’s a very weird sequence, though. Close-ups, corset laces, shadows, scissor blades . . . why shoot this like soft-core thriller content?

TWO

As Marmee returns home she crosses paths in the road with Laurie in the carriage, coming to Grandfather’s house for the first time. Laurie is Trouble, of course. He disrupts the March life in many ways. It’s not the most visually descriptive or inventive Two, though.

THREE

I am utterly and totally making something up here. We see Father, still nursing the sick in the war, cover the body of a man who’s died. Again, this is a strange choice. It establishes Father, the war, and, most pertinent of all, death. We all know what happens later with Beth. Does this moment foreshadow or portend that? I don’t think so. We know nothing about this corpse and have no connection to it.

But here it is, sitting after the Two and before the Four, so it’s what we have to work with.

LITTLE WOMEN (1994)

(In honor of the month of December, I’ve pulled out a series that was written for my book but didn’t make the cut.)

For me, this version, Little Women (1994), is the gold standard.

ONE

Credits, beautiful music, snow, and a Christmas wreath. Time of year and era are established visually. Jo narrates. As you may know, I’m not generally a fan of narration. It’s more of a “tell” than a “show”. Because this story is a novel, Jo’s narration feels like she’s just reading to us. It’s not the worst use of narration.

Marmee comes home, chilled, and the family gathers to read father’s letter. Throughout, the film is beautifully framed, like a portrait. The arranging of the five women is evocative. You’re watching a time gone by. Perhaps you’re remembering illustrations from books you read as a child. This family is loving and close.

Also, this family is missing its father. The women are surviving and thriving, despite hardship. Whatever guidance a father would provide, whatever comfort or strength, is not weighed.