Category: Holiday Themes

BEETLEJUICE, NULL

Does Beetlejuice have character traits, or is he only a demon who acts according to his nature?

He has a very clear intention: say my name three times so I can be loosed onto the world. Whatever he does at the beginning of the movie is in service to that want. When he’s free, though, he pursues mayhem and tries to marry an underage Lydia. Sowing chaos and practicing sexual assault are pretty much demon actions. It’s quite possible he’s a Null.

Does he ever exhibit a characteristic that is distinct to him and not a generic trait any demon could hold? Is Keaton only portraying an imp, a poltergeist?

It’s well-acted and perfectly suited to the story. Beetlejuice is not our protagonist, of course. As an antagonist, he is driven strictly by his demonic impulses. Yes, he’s a Null, and it’s a wonderful choice for him.

However, Beetlejuice 2  is currently shooting. I’ll be very curious to see if Beetlejuice remains a Null. I would argue that his lack of an Enneagram is part of what makes the first movie beloved. I hope the showrunners stay true to that instinct.

FRANK CROSS, THREE

Well, this is a portrayal for the ages. Every miserly instinct is here, and yet our Scrooge is sympathetic, too. It’s not easy to write, direct, and act such an update to a beloved story. Scrooged has become a classic in its own right.

Should we look at younger Frank, working diligently during the office Christmas party? What about Frank in the Frisbee costume? His ambition makes him surly to Claire, and he doesn’t even recognize she’s suggesting a separation. In the present day, he sends his only brother a towel rather than the VHS. He has no life, and never had one. Remember when Christmas Past teases him about the TV shows that Frank mistakes for real life moments?

A hard worker. An Envy person, judging by his reaction to Brice Cummings, the LA sleaze trying to replace him.

We’re looking at a dark Three. He’s always known where his interests and talents lie. He’s let his personal life become small and mean, which reflects into his business life, but no one doubts his competency. This is how, at the climax, he can step into a live broadcast without timidity and dominate an improvisational finale. He’s become the light Three, loved and admired by everyone.

CLAIRE PHILLIPS, TWO

This is the Isabelle, the lost fiancee, of Scrooged, played by the blindingly appealing Karen Allen. In this version, though, Scrooge gets the girl after all.

Claire is absolutely a Heart Type. Her work at the outreach shelter is very giving, very charitable. It’s more than a job for her. These are her core beliefs.

A Two, of course.

Her beauty is part of that. Claire is portrayed as the sweetest woman on the planet. This is a role that could’ve become only a stereotype or a Null. Allen, with her trusting expression, makes Claire a Two. In the Christmas Future nightmare, Claire is cold and cruel, the opposite of her character. When Allen closes off her openness and vulnerability, Claire becomes an anti-Two. It’s a consistent performance.

GRACE COOLEY, THREE

This is the Cratchit of Scrooged. She is a loyal employee; quitting is never suggested, even though her boss treats her terribly. A widow, she is the sole breadwinner of a large family. Her Tiny Tim isn’t physically endangered, but mentally. The trauma of his father’s death has turned him mute. And she is as cheerful and optimistic in the face of all this as the original Bob.

Efficient, uncomplaining, and caring. What Enneagram is Grace?

She’s shown doing nothing physical, so let’s assume she’s not a Body Type. I think we want to go with Heart. Although she performs her duty, she’s sympathetic to the firing of Eliot Loudermilk. She also ribs Cross a bit about his Christmas present list, towel vs. VCR. Her comfort with social skills suggests a Two, Three, or Four.

What about a Three? She’s liked by everyone, even her scrooge-y boss. She’s competent at work and manages a complicated family situation well. She’s indomitable, straightforward, and unintimidated. Yes.

Mickey’s Christmas Carol

When I wrote my own version of Dickens’ classic I also had this charming short film in mind. Believe it or not, it’s one of the better adaptations in terms of being true to the original while bringing a unique flavor.

ONE

Credits roll over sepia drawings. A page of Victorian London transitions into a moving shot that finds Scrooge walking along a snow-covered street. The Big Bad Wolf in a Santa suit rings a bell while the Three Little Pigs sing a carol. (Recognizing Disney characters is part of the fun.)

Scrooge (McDuck, of course) gives a “Bah!” when asked to donate to the poor. He arrives outside his Counting House and acknowledges that Marley is dead. He also establishes his miserliness (albeit, a cartoon take on it). 

TWO

Entering, he catches Mickey Cratchit trying to place one coal into the cold stove. Denied the chance to heat the room, Mickey asks for a half day tomorrow as it’s Christmas.

(The film is so good at showing all the meanness while making it light for children. Scrooge is horrible and Cratchit is pitiable, as they should be, yet this version gets us to laugh, too.)

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Werewolf By Night

Technically, this stand-alone episode is part of the extended MCU. It’s absolutely charming as a Halloween tidbit, though, and may become one of my routine annual watches. Let’s see if it stands up to a fisk. But, please! Watch it first so my spoilers don’t ruin the enjoyment.

ONE

Begin the Marvel credit introduction, and then, with a screech and a slash mark, change it from color to black-and-white. Put the theme song in a minor key. Roll credits in the style of an original monster movie from the 1930s.

Voiceover narration introduces the darker side of the Marvel heroes, the monsters that operate beneath the surface and their hunters. Introduce the Bloodstone family. The patriarch wields a supernatural relic, the bloodstone. (Wait, is the family named after the necklace, or vice versa, lol?) 

TWO

Continue with illustrative sketches while the narrator informs us that Ulysses Bloodstone has died. The position of head of the family and the ownership of the relic are now up for grabs. Switch to live action as the narrator announces that tonight is his funeral. (And continue with B&W, throughout.)

Establish a wooded landscape with a many-windowed domed building situated in the middle. The narrator sets the Rules of the Magic: Global hunters, strangers, meet for a ceremonial hunt that will decide who next wields the bloodstone.

Reveal our main character, panning up from his feet, as the narrator proclaims, “Woe to the monster who finds itself” among the hunters. He’s a man in a suit, regular except for dark eye circles and a strange chalk-like face tattoo. (It will take a long time before we’re told his name, but I can’t just keep calling him “our hero”. He’s Jack.) 

Continue reading “Werewolf By Night”