Holiday Themes – Page 4 – Enneagram and Encaustic

All-New Halloween Spooktacular

Action-packed and full of reveals. I’m happy that the overall story moves forward with strength and purpose.

But I don’t care if the costumes are canon, lol. They’re hideous.

ONE

Immediately the show opens with the fake credit sequence. One of the boys is running a video camcorder. Fast edits, sped up footage.

The boy (Billy?) talks directly to the camera, bringing us up to date. He’s dressed in a costume. The brother (Tommy?) is obviously the cool one. Teasing and jokes go by, but no laugh track now.

Pietro naps on the couch, then wakes and speeds about. He’s a creepy uncle. Wanda comes downstairs in a Halloween costume that references her first comic superhero outfit (I think). Billy gives meta-commentary: “Mom’s been weird.”

TWO

Now Vision in his own superhero costume comes downstairs.. He’s on his way to help with the neighborhood watch. Wanda says, You didn’t tell me. The tension between them is uncomfortable.

THREE

Billy speaks to the camera: Mom and Dad are . . . different.

SCAREDY PANTS

ONE

A skeleton on a sunken ship, a spider in snorkel gear — it’s a Halloween episode. The French narrator tells us so. “Everyone’s having fun.” The Krusty Krab has a big sign out front and some nice jack-o-lanterns.

TWO

“Well, almost everyone.” Inside the KK kitchen, Spongebob jumps at a sound. Washing dishes, he quickly turns when the order rack makes a sinister chuckling-like squeak. He rushes through the rest of the pile, breaking some plates, and declares he’s done.

Krabs blocks the door. Don’t you want to hear my scary story? No. But . . . he can’t resist. Krabs sets up a campfire just inside the front door and they sit around it.

THREE

Ooh! It’s a Flying Dutchman story! Yay!

(What a great Three: Introduce the idea of the Dutchman. Wait until the Six!)

Lantana

I thought the colors were appropriate for Easter. Here’s the funny part, though. This is a repurposed background. I was never satisfied with the original (as is often the case, lol), and I thought that a former Halloween piece becoming an Easter piece was profound, in some strange way.

DARBY O’GILL, TWO

The man who has truck with the wee folk. Don’t be puttin’ the come-hither on me, now. Who doesn’t want to watch this Disney classic and speak in fake Irish?

Darby is no con man. He genuinely can see and negotiate with the King of the Leprechauns. However, Darby is so intrigued by the fairy world that he seems like a flake. He doesn’t do much work, he’s too busy scheming for his three wishes. He procrastinates and socializes. The only time he jumps is when the priest needs someone to retrieve the church bell.

Ah, Darby is such a Two. His collection — an identifying feature of a Man Two — is leprechaun lore. His knowledge and sharing of it are what make him so beloved at the pub.

He has a kind heart but he’s no businessman. He putters, trimming the hedge here, poaching a rabbit there. Service to the Church, though, moves him. The notion that the music of the bell belongs to him makes him tear up.

A fixture of the community, both human and fairy. Two.

Shamrock Hydrangea

Happy St. Patrick’s Day! This is a store-bought cut flower that I quickly pressed for the holiday. The iron scorched the petals (oops), so I cheated the green a little with paint.

This is another example of a repurposed background. I felt the original piece didn’t quite hit the mark I wanted, and so it gets a second life.

MR. POTTER, FIVE

He’s the villain. He’s stingy, cross, and infirm. He’s ambitious. Without George he practically turns Bedford Falls into Vegas. He certainly fits a lot of tropes: greedy capitalist villain, angry physically-challenged villain, crotchety old man villain. If he had a mustache, he’d twirl it.

Underneath all of that stereotyping, do we have an Enneagram? When he realizes that Uncle Billy has left the bank deposit in the newspaper, does he have a brief moment, a flash, of sympathy? (Well, no. He takes an evil glee in knowing a secret.) When he and George are the only two to keep their heads during the bank run, he admires George as more than a competitor. And when he offers George a job, tempting him to sell the Savings and Loan for an easier life, isn’t he almost successful because he knows what pains George the most? Either he’s just the Devil, or he’s a man who has watched George over the years. Does he have — gasp — fatherly feelings toward George?

Let’s make some guesses. Potter physically declines with age, which in the most general and anecdotal way possible suggests a Head Type.

Five, Six, or Seven? Not a Six. He doesn’t seem to have a moral code, a black-and-white view of the world. He’s bad because he’s stingy and cheap, not because some great wrong offends him.

He’s a Five. A Five’s besetting sin is stinginess. They’re just knee-jerk that way. They’re also uncanny in their observation of others. Potter’s understanding of George, of what drives him and of what he fears, fits this. And the Bedford Falls he creates without George is just a mash-up of others’ vices. A Five would become overwhelmed with a bunch of competing desires and step away, letting everyone do as they want. As long as order was maintained a Five would turn hermit and escape.

Also, a Five’s social clumsiness can turn them into a curmudgeon. They want to be liked but other people are so baffling! Potter is a Five pushed to all the extremes.

UNCLE BILLY, TWO

He’s forgetful. When Mr. Bailey dies no one suggests that Uncle Billy could run the Savings and Loan. He’s a beautiful, loyal heart, but a manager he is not.

Uncle Billy loses the deposit — forgets it — because he wants a piece of Mr. Potter. He just has to tell him off, which causes him to leave the money behind, momentarily forgotten. Is this a trait that helps identify his Enneagram? Anyone would want a righteous poke at Potter. Not everyone would let their emotion out until the deposit was secured, though.

And when George yells at him . . . oh, doesn’t it break your heart? It’s because Uncle Billy, in a small way, deserves it. He’s a grown man who can’t be trusted with a grown-up’s responsibility. However, it’s possible that Billy is mentally challenged. No one spells it out, but that’s how he’s played. Without George, in the angel’s version, Billy is committed to a mental institution. No one’s asked him to step up, no one’s depended on his support. On his own he can’t cope.

I’m tempted to say that Uncle Billy has no Enneagram. He has the strings on his fingers, and all else could be attributed to challenge rather than personality. Is he a Head Type? A Body Type? Probably not. As a Heart Type is he a befuddled Two? His sweet enthusiasm, and his love for George, are priceless.

Actually, that’s the clue that he’s a Two, albeit a challenged Two. Sevens, which is George, tend to collect Twos as precious sidekicks. (Notice that Clarence is also a Two.) Without George, Billy has no purpose or direction.

Scrooge, page 82

REVERSE as Cratchit walks away. We see a whole gaggle of
Spirits looking in the window at Scrooge’s efforts.
Satisfied, they disperse.
PULL OUT to show a bird’s eye view of the Spirits who walk
London, now leaving Scrooge’s presence and looking for new
lost souls to bemoan.
PULL OUT FURTHER to the Lone Spirit on the spire of St.
Paul’s Cathedral. Beneath him London is coated in a hazy,
coal-burning smog, yet he sits in the sunlight. Shading his
eyes, he looks off.
SPIRIT-POV. In the distance, leaving the city, is a train,
its engine sending steam into the blue.

Category: Holiday Themes